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Know of an event or listing that belongs here? E-mail the host.
Updated 6 January, 2004 – check back soon for more listings!
SEE NEW CALL FOR WORK 1/06 -- deadlines as early as 1/15!
New Music Calendars [east usa] [central] [west]
[canada] [europe] [organizations]
PARTICIPATE: Festivals, Contests, Conferences, Airtime Submissions Requested!
Know of an event or listing that belongs here? E-mail the host.
VALLEY VILLAGE, CA:
Verdehr Trio performs music by Gernot Wolfgang
Here's a heads-up regarding a local concert which will take place
shortly after the holiday break.
The Michigan-based Verdehr Trio (Walter Verdehr - violin, Elsa
Ludewig-Verdehr - clarinet and Silvia Roederer - piano) will
perform the Los Angeles premiere of my composition
Reflections on
Sunday, January 9, 2pm
The Verdehr Trio, which commissioned the piece, has recorded it
recently. It will be included in their upcoming CD The Making of a
Medium, Vol.17:International I, along with works by Bright Sheng,
Jennifer Higdon, Wolfgang Rihm and Steven Chatman.
Admission is free, however Adat Ari El requires reservations.
Please RSVP until Thursday, January 6 by calling (818) 766-9426.
I am told that this particular annual concert always sells out, so if
you would like to attend please call early.
Info about:
Hope to see you there!
Best,
Upcoming concert:
"Impressions" for clarinet, bassoon, horn, violin, viola, violoncello and contrabass at the University of Southern California in Los
Angeles
Performers:
LOS ANGELES, CA:
A listing of experimental and exploratory music performances in the
Los Angeles area
Week of: Sunday 1/09 - Saturday 1/15, 2005
WEEKLY SERIES:
* JAZZ ON A MONDAY VIBE, CLUB TROPICAL (Mon, 1/10) -- 8:30 pm
* LINE SPACE LINE, SELAH (Mon, 1/10) -- 8:00 pm
* CRYPTONIGHT, CLUB TROPICAL (Thu, 1/13) -- 8:00 pm
ADDITIONAL EVENTS:
* PACIFIC SERENADES (Sun, 1/8) -- 4:00 pm, and (Tue, 1/11) -- 8:00 pm
- Mark Carlson, JoAnn Turovsky, Phillip Levy, Connie Kupka,
Roland Kato, David Speltz (Maria Newman/world premiere,
Debussy, Shostakovich, Vaughan Williams)
pacser.org
Also: Sat, 1/8, 8:00 pm
* TEMPLE BAR (Mon, 1/10) -- doors open 9:00 pm
- MTKJ Quartet: Jason Mears, Kris Tiner, Paul Kikuchi, Ivan Johnson
[ www.templebarlive.com
* BING THEATER, LACMA (Mon, 1/10) -- 8:00 pm
* GREEN UMBRELLA, DISNEY CONCERT HALL (Tue, 1/11) -- 8:00 pm
* JACARANDA, FIRST PRES. CHURCH OF SANTA MONICA (Sat, 1/15) -- 8:00 pm
SAN FRANCISCO, CA:
C.A.F.E. presents "Off-Market Disklavier"
Saturday, January 8, 2004, 8pm
Five Bay Area composers present works written for the Yamaha Disklavier, a modern-day player piano- the Disklavier is an acoustic piano capable of interfacing with a computer.
Dennis Aman
Presenting works for solo Disklavier as well as pieces accompanied by voice & live electronics, flute, Virtual Reality Environment, saxophone, and more.
Pamela's portion of the evening will involve solo works in which she controls the Disklavier with the BodySynth and with her voice (through a pitch-to-MIDI converter) combining the acoustic piano sound with that of her own processed voice.
Off-Market Theater
Tickets available at Ticketweb.com
For more information on Pamela Z, visit www.pamelaz.com
LOS ANGELES, CA:
The California E.A.R. Unit: L.S.D. (Lucky Sven David)
The California E.A.R. Unit
L.S.D.
David Lang has become one of the most visible and provocative of the young American composers. He has combined 5 pieces into the hypnotic suite Child. Though they were written for different instrumental combinations and four separate ensembles, tonights performance brings them together for a world premiere. The program contrasts with Estonian composer Erkki-Sven Tuurs Architectonics VII and another world premiere written especially for the group, J (for journal) by EAR Unit guru Stephen Lucky Mosko.
Ticket info: (323) 857-6010
Visit our web site at:
The California EAR Unit is funded in part by grants from the City of Los Angeles Cultural Affairs Department, the Aaron Copland Fund for Music, LA County Arts Commission, the National Endowment for the Arts, Fromm Foundation at Harvard University, BMI Foundation, the Virgil Thomson Foundation, the Ann and Gordon Getty Foundation, Meet the Composer, the Amphion Foundation and other generous supporters.
NYC:
Renowned Conductor/Composer Lukas Foss leads ninth annual national festival orchestra
joined by krista stewart, winner of the lukas foss young artist competition
New York, NY MidAmerica Productions presents the Ninth Annual National Festival Orchestra in Isaac Stern Auditorium at Carnegie Hall, Sunday, January 16th, 2005 at 8:30 PM. The concert will also feature the Crane Symphony Orchestra in an Ensemble Spotlight.
Crane Symphony Orchestra
National Festival Orchestra
Eugene Minor, Conductor
Tickets, at $85, 50, 35, may be obtained by calling CarnegieCharge at (212) 247-7800, going online at www.carnegiehall.org, or by visiting the Carnegie Hall Box Office at West 57th Street and Seventh Avenue in NYC. For more information, call our Box Office at (212) 239-4699 or visit our web site at www.midamerica-music.com.
MidAmerica Productions is devoted to spotlighting the best emerging musical talent through its many performance programs. On January 16th, groups from two of these programs share the stage in what will be a remarkable evening of music.
The Ensemble Spotlight Seriesoffersoutstanding performing ensemblesthe opportunity to performat Carnegie Hall. Groups are selected fromauditions. Since 1983, more then 200 groups from nearly every state in the US, Canada, and Japan have performed as part of this series.
The National Festival Orchestra, under the baton of renowned conductor/composer Lukas Foss, celebrates its ninth anniversary in 2005. The NFO was founded with the mission of identifying talented music students from across the country who have already demonstrated their musical ability and commitment to the art and to provide them with an intensive orchestral training residency in New York. These young artists work with legendary performers culminating in a performance on the worlds most famous concert stage, Carnegie Hall. The NFO is created anew each season with participants selected though taped auditions and represent the finest music programs in the country. National Festival Orchestra Performers have come from every state in America and have gone on to attend prestigious music schools and to perform as professionals. In 2003, the National Festival Orchestra instituted the Lukas Foss Young Artist Competition to recognize an outstanding instrumentalist.
Christopher C. Lanz, D.M.A., is the orchestra director at the Crane School. He leads the Crane Symphony,String, Chamber and Opera Orchestras and the Early Music Ensemble, maintains the harpsichords and continuo organ, and teaches conducting and string music education classes.
The Crane Symphony Orchestra, the resident orchestra of the Crane School of Music at the State University of Music, Potsdam, NY, was formed in 1839 and is the second earliest college orchestra in the country after Harvard.
Conductor Lukas Foss is a unique figure in American music, representing an extraordinary legacy as conductor, composer, pianist, and pedagogue. He has conducted all of the most celebrated orchestras in the world, including the Boston Symphony, Chicago Symphony, Cleveland Orchestra, Los Angeles Philharmonic, New York Philharmonic, Philadelphia Orchestra, San Francisco Symphony, Berlin Philharmonic, Leningrad Symphony, London Symphony Orchestra, Santa Cecilia Orchestra of Rome, and Tokyo Philharmonic. As Music Director of the Brooklyn Philharmonic, Milwaukee Symphony, Buffalo Philharmonic and the Jerusalem Symphony, Foss has been an effective champion of living composers. He has held the position of composer-in-residence at Harvard University, Carnegie Mellon University, Yale University, Manhattan School of Music, UCLA, Boston University, the Tanglewood Institute, and in 1986, delivered the Mellon Lectures at the National Gallery in Washington, D.C. He is the recipient of 15 honorary doctorates, a Guggenheim Fellowship, Fulbright Fellowship, the Prix de Rome, three New York Critics Circle Awards, and is a member of The American Academy and Institute of Arts and Letters.
Eugene Minor, conductor, is a native of Los Angeles, California. In addition to conducting activities, he has composed symphonies, a piano concerto, and a several vocal works. His opera Thespis, a reconstruction from the lost opera by Gilbert and Sullivan, was given its premiere in Los Angeles, and the Bergen Youth Orchestra premiered his Requiem: In Memoriam Dimitri Shostakovitch. He has appeared as guest conductor of the New Haven Symphony and the Orchestral Society of Philadelphia. In 1998 Mr. Minor was appointed conductor of the Concert Orchestra with the Inter-School Orchestras of New York. An avid proponent of the music of Louis Spohr, Mr. Minor conducted the world premiere of the composer's Tenth Symphony at Carnegie Hall. Recently, he served as assistant conductor to Lukas Foss for MidAmerica Productions National Festival Orchestra.
Violinist Krista Stewart, age 14, is a freshman at Middleton High School in Middleton, WI, and studies violin with Eugene Purdue and David Perry. As the winner of the 2004 Rising Stars Tri-State Concerto Competition (La Crosse Symphony), Concord Chamber Orchestra Concerto Competition, and Madison Symphony Orchestra High School Concerto Competition, Ms. Stewart performed as soloist with those orchestras in March 2004. In May 2004, she performed as soloist with the Milwaukee Symphony Orchestra as winner of their Young Artist Auditions. She has also been a featured soloist with the Midwest Young Artists Orchestra (as Overall Open Division winner of the 2004 Walgreens Competition), the Wisconsin Chamber Orchestra (as winner of their 2003 Young Artist Competition), and the Madison Symphony Orchestra (as winner of their 2001 Fall Youth Competition.) In April 2004, she was invited to perform on a taping of the NPR program "From the Top" with Christopher O'Riley in Minneapolis, MN.
NYC:
four outstanding chamber concerts in Weill Recital Hall at Carnegie Hall
MidAmerica Productions Presents a week of chamber music at Weill
New York, NY MidAmerica Productions presents four outstanding chamber concerts in Weill Recital Hall at Carnegie Hall, during the final week of January 2005.
Sunday, January 23, 8:30 p.m.
Tuesday, January 25, 8:00 p.m.
Jan?ek: Sonata for violin and piano
Saturday, January 29, 2:00 p.m.
Barbara Allen, harp, Brinton Averil Smith, cello, Philip Smith, trumpet
Bloch: Concertino for flute, viola, and piano
Sunday, January 30, 8:30 p.m.
L. William Kuyper, French horn
Beethoven: Trio in B-flat Major, Op. 11
General admission tickets to Weill Recital Hall concerts are $35. Tickets may be obtained by calling CarnegieCharge at (212) 247-7800, by going online at www.carnegiehall.org, or by visiting the Carnegie Hall Box Office at 57th Street and 7th Avenue. $15 tickets for students and seniors (with proper ID) are available at the Carnegie Box Office. Weill Recital Hall is located at 154 West 57th Street. For more information, call MidAmerica Productions at (212) 239-4699 or visit our web site at www.midamerica-music.com.
Evgeny Rivkin, piano, (January 23) was born in Nizhny Novgorod, Russia. He made his orchestral debut at ten years of age, presenting one of the Haydn piano concertos with the Nizhny Novgorod Philharmonic Orchestra. Rivkin has been the recipient of many major awards, including top prizes in the USSR National Piano Competition, the Sixth International Tchaikovsky competition in Moscow, Bayerishe Rundfunk Competition in Munich, as well as the L. MacMahon International Competition in Lawton, Oklahoma. He has performed as a soloist and chamber musician in Italy, France, Hungary, Germany, Russia, Latvia, Lithuania, Ukraine, Estonia, Yugoslavia, USA, Canada, Mexico, Brazil and other countries in live performances as well as radio and TV broadcasts. In addition to his concert activities, Mr. Rivkin has been a Distinguished Professor of Piano at the University of Georgia since 1995.
Sylvia Rosenberg, violin, (January 25) has performed extensively throughout the United States and abroad, appearing with major orchestras, including the Chicago, National, and London symphonies; the Royal Philharmonic; Stockholm Philharmonic; Amsterdam Concertgebouw; New Philharmonia; Berlin Radio; and all the BBC orchestras. Festival appearances include the Edinburgh, Bath, Santa Fe Chamber, Banff Centre, Sarasota, Marlboro, and Ravinia music festivals. Ms. Rosenberg has also appeared as soloist with the BBC Philharmonic Orchestra under the direction of Sir Peter Maxwell Davies at the St. Magnus Festival. Ms. Rosenberg has been a professor of violin at the Eastman School of Music, Peabody Conservatory of Music, Indiana University, and the State University of New York at Stony Brook, as well as a faculty member at the Aspen Music Festival since 1980. In April 2002 Ms. Rosenberg gave a highly successful recital in London's Wigmore Hall. This concert marks Ms. Rosenbergs eighth performance at Weill Recital Hall at Carnegie Hall.
Marie Herseth Kenote (flute) and Peter Kenote (viola) (January 29) were born in a small town near Seattle, Washington. The Kenotes have performed several times in Weill Recital Hall, under the sponsorship of MidAmerica Productions: with musicians from the New York Philharmonic, and with the Kenote Trio. Peter and Marie both received their Master of Music degrees from The Juilliard School. Peter received a Doctorate of Musical Arts degree from Juilliard and subsequently joined the New York Philharmonic Orchestra in 1983. He is on staff at Nyack College, and Montclair State University in New Jersey. Marie is Assistant Professor of Music at Nyack College, Nyack, NY, and received a Doctorate of Musical Arts degree from Rutgers University. A Fulbright Scholar, she studied for one year in Berlin, Germany. Marie performs frequently with the New York Philharmonic Orchestra, with whom she has participated in radio and television broadcasts and recordings. Marie also performs frequently with the New Jersey Symphony Orchestra, and as a soloist and chamber musician throughout Europe and the United States.
Robert Miller, piano, (January 30) received his bachelor's degree from the University of Michigan School of Music, and his master's and doctoral degrees from the Peabody Institute of Johns Hopkins University. A former faculty member of the Interlochen Center for the Arts, he has made numerous solo, chamber, and concerto appearances throughout North America, Europe, and Asia. As winner of the F. Lammot Berlin Arts Scholarship, he performed a solo recital at Weill Recital Hall and at the Salle Cortot in Paris. He has appeared with the New York Philharmonic Ensembles at Merkin Hall and as a soloist with the Pine Mountain Music Festival Orchestra and the World Youth Symphony Orchestra. He has recorded for National Public Radio, Canadian Broadcasting Corporation, and Educo Records. Mr. Miller is artistic director of the Carter Chamber Music Series at East Stroudsburg University of Pennsylvania, where he is on the music faculty.
L. William Kuyper, French horn, (January 30) is assistant principal horn of the New York Philharmonic, is an active soloist, clinician, and recording artist in both the United States and abroad. He also appears regularly with the Philharmonic Ensembles in their acclaimed chamber music series at Merkin Concert Hall. Mr. Kuyper joined the Philharmonic in 1969 after memberships in both the National Symphony Orchestra in Washington, D.C., and the United States Marine Band. While in the Marine Band, he had the distinction of participating in the State funeral service of President John F. Kennedy. Mr. Kuyper's other activities have involved the writing and production of an educational video, Steps to Excellence, for Yamaha Corporation of America. He has also arranged and edited various horn scores for Kendor Music, Inc. and the International Music Company. Mr. Kuyper's recording projects have included the Britten Serenade for tenor, horn and strings on the Vox label; on Elysium Recordings, Inc., in collaboration with other distinguished principals of the Philharmonic, he has recorded Schumann: The Complete Works for Winds and Piano (GRK 709), and Mozart: Elysium String Quartet and Friends (GRK 716), in which he performs the Horn Quintet.
East Coast US Tour:
Somebody's Closet ON TOUR
Somebody's Closet conveys a contemporary mixture of jazz/funk and folk/rock fusion with a very earthy, rootsy tone. Brian Headlee kicks the infectious polyrhythmic grooves on the drum kit. Jeff Bujak splits his brain open to lay down the heart thumping low end with his left hand and the melodic key tones with his right, swapping leads with Justin Eck who adds stylishly percussive rhythms on acoustic guitar. His potent vocals mesh with the angelic, yet alluringly sultry voice of Christine D. Eck who also adds some spice with her array of world percussion instruments. The lyrical imagery spins out of the transcendental souls of Somebody's Closet and makes way to eager hearts all across the country.
11/27/04 SAT Monopole Plattsburgh, NY
"Somebody's Closet breathes new life to the long lost art - real music." Scott Wellington, Miami New Times, 2004
Somebody's Closet was created in Tempe, AZ and now bases out of Northampton, MA. With several U.S. tours, 3 albums along with countless live recordings in circulation, and a 'Best Jam Band of 2003' award at the Arizona Infusion of Music Awards under the belt, Somebody's Closet's popularity grows by the day. Linking songs with segues and including mind altering jams, the live show is their main product.
"The music rises with nary a dull moment, and continues to do so throughout their set." Jessica Acuna, Encore Magazine, Wilmington, NC, 2004
Somebody's Closet:
VARIOUS CITIES:
Performances of music by Adrienne Albert
Hi friends,
Since the holiday season is almost upon us, I wanted to share some concerts
coming up on which some of my music will be performed. I wish I could be at
each one of them, but here's a taste of what's to come.
Adrienne Albert
January 5-12, 2005
YONKERS, NY:
Jacki Apple's AVIARY OF THE LOST in BIRDSPACE
Dear Friends and Colleagues,
BIRDSPACE
October 9, 2004-January 9, 2005
The Hudson River Museum
Wednesday-Sunday 12 noon to 5 pm
Friday 12 noon to 8 pm
Artists
Curated by David Rubin, CAC, New Orleans, and toured under the auspices of Pamila Auchincloss/Arts Management.
The Hudson River Museum showing has been made possible, in part, by AVR Realty company and the Bafflin Foundation.
PASADENA, CA:
"The Tender Land: Preserve Its Beauty" closes January 31
Dear Friends,
The Shumei Arts Council of America, Inc. will present the following photography exhibition. We cordially invite you to visit this event.
Best regards,
Shumei Arts Council of America, Inc.
presents
September 13, 2004 - January 31, 2005
Shumei Hall Gallery
Primarily known for his stunning depictions of the big skies and vast terrains of the American west, Mr. Ellzey's sure and sensitive eyehas also captured nature's splendor from Egypt to China, Alaska to Australia, and India to South America. His images appear in National Geographic and are featured on the pages of major publications throughout the world.
For more information:www.shumeiarts.org/events.html
This exhibition is supported by the Shumei International Institute.
NEW YORK CITY:
WET INK 2004/2005 SEASON AT A GLANCE
In 2004/2005 Wet Ink presents new music at the Bowery Poetry Club, with 8 split-bills featuring The Wet Ink Ensemble and Ensemble-In-Residence Zs, as well as Slow Six Ensemble, saxophonist Charles Gayle, James Fei?s Alto Quartet, avant-rock from Coptic Light, Timetable Percussion, improvisations by TRIO (Christian Wolff, Larry Polansky, and Kui Dong), and works by Earle Brown, Beat Furrer, Wolfgang Rihm, Frederic Rzewski, Salvatore Sciarrino, Christian Wolff, and members of the Wet Ink Composers Collective, among others.
Friday, January 21, 2005: TRIO / Zs
Wet Ink presents the 4th annual Trio and Zs concert. Composer/performers Christian Wolff, Larry Polansky, and Kui Dong, come down from Hanover New Hampshire to split the bill with New York's brutal chamber sextet, Zs. Trio?s improvisations are sprawling in nature, running the gamut from lush diatonicism to pointalistic chromaticism to distorted noise and prepared piano sounds. Zs performs compositions by band mates Alex Mincek, Sam Hillmer, Matthew Hough, and Charlie Looker.
Wednesday, February 23, 2005: Charles Gayle / The Wet Ink Ensemble
The Wet Ink Ensemble performs compositions by members of the Wet Ink Composers Collective Alex Mincek, Sam Hillmer, Reiko Fueting and Brendan Connelly. Saxophonist Charles Gayle, one of New York's most guttural and aggressive improvisers, performs a solo set as his theatrical alter-ego, "Streets the Clown."
Wednesday, March 30, 2005: The Wet Ink Ensemble / Slow Six.
The Wet Ink Ensemble performs various duo combinations by Alex Mincek, Sam Hillmer, Brendan Connelly, Christian Wolff and Nils Vigeland. They will be followed by the New York-based ensemble, Slow Six, lead by composer, performer, computer programmer, Christopher Tignor. Slow Six investigates consonance in every way. The harmonic palate is relentlessly agreeable, and textures are constantly soothing.
Wednesday, April 20, 2005: Timetable Percussion / Coptic Light (the band not the piece)
Timetable Percussion trio performs works by Beat Furrer, Wolfgang Rihm, Hiroya Miura and others. They are followed by the avant-rock band, Coptic Light, whose bass and drums play aggressive free jazz/metal monolith in support of the guitar?s triumphant pop melodies.
Wednesday, May 18, 2005: Wet Ink Presents Salvatore Sciarrino's L'Opera per Flauto.
Sciarrino is a master at dissecting instruments and finding in them the most intricate and delicate manners of expression. His works frequently allow his precious discoveries to teeter on the brink of inaudibility. Flautist Erin Lesser will perform a selection of movements from Sciarrino's magnum opus for solo flute, L'Opera per Flauto.
Wednesday, June 15, 2005: The Wet Ink Ensemble: Music from the Wet Ink Composers Collective
For the final concert of the season, the Wet Ink Ensemble expands to 12 players for performances of new works by Wet Ink composers Alex Mincek, Sam Hillmer, Reiko Fueting and Brendan Connelly.
All concerts at 8pm.
Bowery Poetry club is at 308 Bowery (btwn Houston and Bleecker)
Various US Cities:
Tod Machover performances in 2005:
Spring 2005
New Work for Orchestra and Hyper-electronics.
Fall 2005
Other projects for another note will include recordings, residencies in the US and abroad, a chamber work for a consortium of ensembles and chamber operas in development.Up to the minute information about Tod can always be found at web.media.mit.edu/~tod/.
NYC:
Interpretations | 15th season
Upcoming Interpretations concerts at Merkin Concert Hall include:
Feb 10, 2005 - Michael Harrison
NEW YORK CITY:
ARTS ELECTRIC 10th Season
EMF is planning a lively and varied series of events in New York during its 10th anniversary season, including concerts, workshops, encounters, and installations, all of which will be documented in this site. The events will be described here with upcoming events on top and past events in chronological order at the end of the list. All events, with time, location, admission, and other details, are listed at Arts Electric as dates are confirmed.
Morton Subotnick
Larry Austin
CHICAGO:
Lampo Winter 2004 events
All events 9PM at 6ODUM - 2116 W. Chicago Ave., Chicago, Ill.
Admission open to all ages.
Questions? Or to become a Lampo member,
DOWNTOWN LA, CA:
line space line (HAS MOVED to Selah!)
a weekly new and improvised music series
For more information please visit www.linespaceline.org
line space line
line space line wishes to extend thanks to the proprietors Selah for hosting this series.
CULVER CITY, California:
"Jazz on a Monday Vibe"
Club Tropical
Salvadoran Food and Full Bar available
CULVER CITY, California:
Cryptonight at Club Tropical
Date: EveryThursday Time: 8:00 PM
Contact: Tyler Suchman - Tyler@cryptogramophone.com
310-287-1918 voice, 310-287-1928 fax
Contact Tyler for info about Jazz events at Club Tropical
CryptoNight at Club Tropical in Culver City
Club Tropical
Admission $10 / $5 with student ID / all ages
New York City:
TONIC events JANUARY 2004!
Tonic Events: JANUARY 2004!
January at Tonic:
--Sun, Jan 02--
--Tue, Jan 04--
--Wed, Jan 05--
--Thu, Jan 06--
--Fri, Jan 07--
--Sat, Jan 08--
--Sun, Jan 09--
--Mon, Jan 10--
--Tue, Jan 11--
--Wed, Jan 12--
--Thu, Jan 13--
--Fri, Jan 14--
--Sat, Jan 15--
--Sun, Jan 16--
--Mon, Jan 17--
--Tue, Jan 18--
--Wed, Jan 19--
--Thu, Jan 20--
--Fri, Jan 21--
--Sat, Jan 22--
--Sun, Jan 23--
--Mon, Jan 24--
--Tue, Jan 25--
--Wed, Jan 26--
--Thu, Jan 27--
--Fri, Jan 28--
--Sat, Jan 29--
--Sun, Jan 30--
--Mon, Jan 31--
TONIC
Please visit www.tonicnyc.com for details and schedule updates.
SAN FRANCISCO:
Meridian Music: Composers in Performance
Meridian Gallery
Meridian Music: Composers in Performance presents concerts the first
Friday of each month in the intimate setting of Meridian Gallery. The
series has been underway since fall, 1998 and is curated by Philip
Gelb.
For parking we recommend the Stockton garage on sutter and stockton,
only 2 blocks away and costs only 5 dollars for the night after 6 pm.
For more information please see
www.meridiangallery.org or contact phil@philipgelb.com
Recently Posted and Ongoing
INTERNET:
Iridian Radio
If you want to hear provocative "new music" that really is new, or at least created in the
last couple of decades, then check out Iridian Radio. You'll hear music of artists such as
John Adams, Bang on a Can All-Stars, Iva Bittova, Tan Dun, Kronos Quartet, Meredith
Monk, Steve Reich, and many more.
Not only is Iridian Radio's broadcast quality and programming unique to internet
streaming broadcasts, but the station home page also provides further info on the artists
and purchasing links for their recordings. This is a free service -no fees or subscriptions
needed to listen.
If you think Iridian Radio is an important outlet for this music, please forward the station
info to others that might be interested.
Iridian Radio is a fully legal Live365.com station and pays royalties to the artists
programmed.
INTERNET:
DRIFT Radio: from New Media Scotland
To listen to the stream, visit the DRIFT website at www.mediascot.org/drift
New Media Scotland
INTERNET:
New American Radio Website Project
New American Radio
New Radio and Performing Arts, Inc. is pleased to announce its
redesigned, updated and expanded NEW AMERICAN RADIO (NAR) website that
includes full-length radio art programs by American and European
artists. Currently available are works by Terry Allen, Jacki Apple,
Diamanda Galas, Sheila Davies, Suzan-Lori Parks, Gregory Whitehead and
others. Additional programs will be added to the site in the coming months.
A weekly series distributed to public radio stations nationwide from
1987-1998, NEW AMERICAN RADIO includes over 300 original works
commissioned from such artists as Pauline Oliveros, Rachel Rosenthal,
Christian Marclay, Alvin Curran, and Carl Hancock Rux. During its 15
years of broadcast life, NAR became known-nationally and
internationally as the principal source of radio experimentation in
America, ranking with such high-profile international programs as ABC
Australia's The Listening Room. Its works, which won numerous prizes
in competitions worldwide, were aired throughout North America, Europe
and Australia. Although now off-air, NAR enjoys an active afterlife on
the Internet, where full-length programs, audio excerpts, scripts and
other artist writings are available.
An amazing cultural mirror of its time, both in regard to the issues it
dealt with and the techniques and strategies used by its artists, NEW
AMERICAN RADIO is also being archived in the World Music Archive at
Wesleyan University, CT, where it will be accessible both on location
and on-line to students, educators, artists, scholars, and the general
public. The archive is made possible by grants from the National
Endowment for the Arts.
For more information, please contact Helen Thorington at
newradio@turbulence.org
INTERNET:
Spongefork Radio
Spongefork Radio
INTERNET:
Intercontinental spontaneous jam session
New artwork by Icelandic artist Pall Thayer, the Intercontinental
spontaneous jam session is now open and accessible at
www.this.is/pallit/isjs
This piece explores abstract imagery created via a musical interface to
combine the inherently abstract qualities of music with randomness and
multi-user interactivity to create a truly abstract image that contains
no references to the physical world.
Pall Thayer
INTERNET:
ARTPORT from the Whitney Museum of American Art
http://www.whitney.org/artport -- read more !!!
INTERNET & NORTHWESTERN University:
Home, an interactive, navigable web work, contains the work of 17
artists
Home, an interactive, navigable web work, contains the work of 17
artists. These include: a screenwriter, a photographer, a set
designer, film and video makers, and sound and computer artists. Each
has a unique perspective on the meaning of home, this most universal
and basic of necessities.
Primary collaborators Drew Browning and Annette Barbier will be at
the Block Museum at Northwestern University to demonstrate and talk
about the work during the following times:
on Tuesday, Sept. 25 from 12-5 PM
Home is permanently on line via the Block web site at:
http://www.blockmuseum.northwestern.edu/art_tech/virtual.html
For directions, see:
http://www.blockmuseum.northwestern.edu/welcome/directions.html
The development of Home was supported by a grant from the Center for
Interdisciplinary Research in the Arts at Northwestern University.
Contributing artists from the Northwestern community include: Dave
Tolchinsky, Michelle Citron, Sam Ball, David Downs, Rives Collins, Linda
Gates, Dan Brintz.
INTERNET:
Post Media Network
Michele Thursz, the former Director of Moving Image Gallery, is proud to
present her latest project the Post Media Network:
The network operates as a physical and virtual structure composed of
editorial, curatorial, and artists projects that stresses the different
perspectives and uses of the electronic and computer-based mediums.
Post Media is an action demonstrating the continuous evolution of the term
and uses of media. The network promotes actions of collaboration,
representation and market utilization of all media.
The Network
Portfolios showcase the artists on the network, the digital studio and the
marketable physical and virtual objects.
Represented artists:
Developed by Claire Barliant (senior editor of artbyte), Dialogue
features conversations with the artists to reveal their history
and process.
The archives document the on going exhibitions and events
presented or affiliated with all past and present network participants.
Director: Michele Thursz
"All data is created equal" -- Arcangel
INTERNET:
Announcing the Launch of the Website for:
"Re: Duchamp Traveling Exhibition"
La Biennale di Venezia:
49th International Exhibition of Art--
Concomitant Exhibitions
http://www.nyartsmagazine.com/duchamp
"The Re: Duchamp Travelling Exhibition is a project that has been evolving
over time. It has traveled to various cities in Germany, Poland, Chile and
Israel, as well as New York City. It is the ongoing work of Abraham Lubelski,
and incorporates the work of over 250 other artists, including Nam June Paik,
Dennis Oppenheim, Carl Andre, Ilya and Emilia Kabakov, Taylor Mead, Larry
Weiner, David Humphrey, Inka Essenhigh....
The Re: Duchamp Travelling Exhibition at the 49th Venice Biennale* is an
installation of clotheslines from which artwork is hung.** The idea for this
installation is derived from Marcel Duchamp's infamous benefit exhibition
organized on the Premises of the Coordinating Council of French Relief
Societies, 451 Madison Avenue, New York, October 14th - November 7th, 1942,
in which he criss-crossed the entire gallery with one mile of string. This
entanglement, which the public had to negotiate when they came to view the
art, stood as a metaphor for the difficulties encountered in attempting to
understand modern art.
The current exhibition uses this Duchampian metaphor to point to connectivity
as much as any difficulty that might hinder an appreciation of art in the
digital age---art whose nature may be partially or completely ephemeral,
time-based, or immaterial, and which might be conveyed digitally or housed
virtually. Re: Duchamp celebrates the process of visual sampling in a world
where the line between original and copy has been blurred, and the medium is
the readymade.
** Participating artists were asked to e-mail their submissions as digital
files. These were printed out, placed in plastic sleeves and brought to
Venice for installation. Hung from criss-crossing lengths of string at the
Church of S. Maria Ausiliatrice, they resemble so many Tibetan prayer flags,
the wind and the Web conveying and disseminating their messages.
* At the 49th Venice Biennale, the Re: Duchamp Travelling Exhibition forms
part of the Markers Project, which involves organizations in Venice including
the Peggy Gugghenheim Collection, the Biennale Arti Visive, and the
Municipality of Venice itself."
[--notes, Joy Garnett]
PARTICIPATING ARTISTS:
MARK AMERIKA, DANIEL GARCIA ANDUJAR, DOUGLAS DAVIS, CHRISTOPH DRAEGER, PETER
FEND, JOY GARNETT, PAUL GARRIN, KEN GOLDBERG, WANG GONGXIN, MARINA GRZINIC &
AINA SMID, WENDA GU, INGO GUNTHER, LIANG-MEI HUANG, JON IPPOLITO, EDUARDO
KAC, OLGA KISSELEVA, TINA LAPORTA, JENNY MARKETOU, MARCELLO MAZZELLA, PAUL D.
MILLER aka DJ SPOOKY, MTAA, OLU OGUIBE, ANDRES SERRANO,
HANI RASHID (ASYMPTOTE ARCHITECTS), MARK TRIBE & KERRY TRIBE
Curated by: CRISTINE WANG
http://www.tribes.org/dystopia
For More Information contact: Cristine Wang tel:
917.318.0081
http://www.nyartsmagazine.com/duchamp
Festivals, Contests, Conferences, Programs, Airtime Submissions Requested!
The Exploratorium is seeking artists for a project-based residency to create works that explore the question: Why listen?
About Our Museum:
Listening Project Overview
Immersive, Site-specific Experiences
Artist Opportunities
Who Should Apply?
Proposal Deadline: January 15, 2005
For more information about the proposal process and to download an application form, visit www.exploratorium.edu/arts.
Submit artist applications to: Pamela Winfrey The Exploratorium 3601 Lyon Street San Francisco, CA94123 415-561-0309 pamw@exploratorium.edu.
Camargo Foundation Offers Residential Fellowships in France
Deadline: January 15, 2005
The Camargo Foundation maintains a study center in Cassis, France, for the benefit of fellows who wish to pursue projects in the humanities and social sciences related to French and Francophone cultures, as well as creative projects byvisual artists, photographers, video artists, filmmakers, media artists, composers, and writers.
The foundation offers, at no cost, furnished apartments as well as a reference library, a darkroom, an artist'sstudio, and a music composition studio. The residential fellowship is accompanied by a $3,500 stipend, which isawarded automatically to each recipient of the grant.
Applicants may include members of university and college faculties, including professors emeriti who wish to pursuespecial studies while on leave from their institutions; independent scholars working on specific projects; teachers in secondary schools, public or private, benefiting from a leave of absence in order to work on some pedagogical or scholarly project; graduate students whose academic residence and general requirements have been met and for whom a stay in France would be beneficial in completing the dissertation required for their degree; and writers, visual artists, photographers, video artists, filmmakers, media artists, and composers with specific projects to complete.
See the Camargo Foundation Web site for complete programand application information: camargofoundation.org/toapply.asp
ATTENTION: THIS CALL IS FOR WOMEN COMPOSERS
MERGING VOICES: Fourth Annual Women in New Music Festival
CALL FOR WORKS!!
Merging Voices: Fourth Annual Women in New Music Festival March 11-13,
2005 at California State University, Fullerton announces the 2005 call
for electronic/electroacoustic works for the Annual Women's
Electroacoustic Listening Room.
The Fourth Annual Women in New Music Festival is a celebration of the
diversity of women's voices in new music and features:
International Electroacoustic Listening Room with Guest Composer, Pauline Oliveros
Submissions are accepted from women composers (there is no age limit).
Selected elecrtroacoustic works will be presented on the Women's
International Electro-acoustic Listening Room, Saturday, March 12th,
2005 12-4PM, Recital Hall, Cal State Fullerton.
All submitted works will be archived in the growing collection of works by women composers
at the Women's Electroacoustic Listening Room Archives.
Submit proposed electronic/electro-acoustic work for CD playback in the
listening room event.
Works should not exceed 15 minutes in duration.
Please send two-channel CD of work, include name of composer, contact
information, (including email address), title of work, precise
duration, short bio and program notes. Please also send supporting
information under heading MERGING VOICES by email to
pmadsen@fullerton.edu
MERGING VOICES: Women in New Music Festival 2005
For further information for MERGING VOICES Festival contact pmadsen@fullerton.edu or go to website at
faculty.fullerton.edu/pmadsen
CALL FOR SCORES
The deadline for submission is February 1, 2005. Applicants will be notified of the program committee's decision via email by February 15, 2005.
Mixed media pieces should include a hard copy of DVD (video with music) mailed to the address below.
Pieces involving acoustic instruments should include a copy of the score. Submissions may be emailed (pdf, sibelius, finale) or mailed in paper format. Recordings are greatly appreciated (mp3, CD, cassette, DAT).
Please include your name, email address, mailing address, institutional affiliation, and proof of student status (copy of student ID or transcript).
Hard copies should be mailed to:
The concert will be held on April 9, 2005, following the GAMMA-UT Conference, at the University of Texas at Austin. Submissions will not be returned. For more information, contact: Samuel Pluta - spluta@mail.utexas.edu or Robert Honstein - rhonstein@gmail.com.
BMI STUDENT COMPOSER AWARD COMPETITION
The 53rd annual BMI Student Composer Award competition will award $20,000 to
young composers. The postmark deadline for entering the 2005 competition,
which is co-sponsored by BMI and the BMI Foundation, will be Friday,
February 11, 2005.
The BMI Student Composer Awards were established in 1951 to encourage young
composers in the creation of serious music and, through cash prizes, to aid
in continuing their musical education. There are no limitations as to
instrumentation, style or length of work submitted. The prizes, which range
from $500 to $5,000, are awarded at the discretion of the final judging
panel.
The 2005 competition is open to students who are citizens of the Western
Hemisphere (North, South and Central America, the Caribbean Island Nations
and the Hawaiian Islands) and who are under 26 years of age on December 31,
2004. Compositions are judged completely under pseudonyms. Milton Babbitt is
the awards chairman. Official rules and entry blanks are available for
download at www.bmifoundation.org.
RESEARCH FELLOW/LECTURER POSITIONS AVAILABLE
University of Washington, Center for Digital Arts and Experimental Media, is seeking to fill one year (with possibility of renewal) Research Fellow/Lecturer Positions in Digital and Experimental Arts. The successful candidates should be prepared to pursue innovative research in their main fields of study and to teach introductory level courses in history, theory and studio practice of digital and experimental art forms. Applicants should be broadly interdisciplinary with strong technical skill and practical experience synthesized from multiple areas of the arts and sciences. Examples include; electronic performance, interactive installation, database and interface, net art, digital video, computer and electroacoustic music, digital sound, robotics, telematics, etc.
Masters degree or equivalent required. Application must include: CV, artist statement, statement on pedagogy, and a strong portfolio of professional creative work and research. Support materials must include three references with phone numbers, mail and e-mail address. Samples of previous course design and recent student work is highly encouraged. Portfolio work may be formatted for viewing on any platform and may include video. Please include a SASE for return of materials.
Application materials should be addressed to: Professors Shawn Brixey and Juan Pampin, co-chairs, Research Fellows Search Committee, DXARTS, Box 353680, University of Washington, Seattle, Washington 98195-3680. Priority will be given to applications received before February 15, 2004. The University of Washington is building a culturally diverse faculty, and strongly encourages applications from female and minority candidates. The University is an Equal Opportunity, Affirmative Action employer.
For detailed information about DXARTS visit the Center's web site noted above.
There is a new improvising space in the web at www.auracle.org
It's a webspace where everyone can improvise together, the only thing
you'd need to participate is internet access, a microphone (the
built-in mic of your computer is fully sufficient) and just your
voice or anything else that makes a sound. The idea is to provide an
easily accessable worldwide improvising space that anyone, musician
or non-musician, can easily handle and make music with it.
We over here in Stutgart are promoting this project from Saturday
25.9. until Friday, 1.10. every day from 10 a.m. to 7 p.m. central
eurpoean time, and it would be great if as many people as possible
would join us in this time and improvise together.
the project was initiated by Max Neuhaus, realised by Shekar
Ramakrishnan, Kristjan Varnik, Jason Freeman and others, and you can
find more information on the website www.auracle.org
Hope to meet all of you there
Just a reminder that the Audio Engineering Society is calling for
submissions for its second student design competition. The competition
will be held at the 117th Convention in San Francisco. Judging for the
finalists will take place on October 29th from 11:30am-1:00pm (room TBA)!
The deadline for submissions has been moved to October 10th!! Please visit
the webpage at www.aes.org/students/About/frameset_studentevents.html
for more information and the application form.
Entries will be judged by a panel of industry experts in design and
manufacturing. The judges for this years competition will be: John La
Grou, Bob Moog, and Rupert Neve!
The top three winners will be awarded prizes. All prizes have been
donated this year by the Design Competition sponsor Universal Audio.
Projects may include, but are not limited to loudspeakers, electronic
circuits, software, microphones, musical instruments, or anything that
can be made for use in the audio field. This is an excellent opportunity
for students to have their work reviewed and evaluated by professionals,
and for manufacturers to meet with up-and-coming design talent.
If you have any questions please contact John Monforte at monforte@umich.edu.
We are currently accepting audio art pieces for a pirate radio project at High Desert Test Sites in Joshua Tree, CA. High Desert Test Sites is an open-format art event hosted by Andrea Zittel that takes place on four tracts of land in the desert in and near Joshua Tree, CA. (For more info: www.highdeserttestsites.com.). The radio station will be broadcast across part of a valley outside of Joshua Tree for two days during the event in late October. The radio station content will be curated by two artists, Fabienne Lasserre and Christy Gast, and will consist of a compilation of works submitted by other artists, community groups, audiophiles, etc. Listeners will tune in on their car radios, and at a listening station/art installation in the desert landscape.
Keep in mind that the radio station will be experienced in the context of the High Desert landscape, which you can check out at www.highdeserttestsites.com. Submissions can be fiction, music, oral history, soundscapes, soundtracks, etc. There is no time limit, but we may choose to use segments of longer submissions (in consultation with the artist or producer). Short submissions are also acceptable.
Send a CD and a short statement to
or e-mail a link and short statement to fl2102@columbia.edu
by September 10, 2004.
i am a co-founder and co-director of collective: unconscious, an artist-run multi media art space and production facility that has just moved into nyc/usa/tribeca, to hopefully engage in the heretofore rather obscure task of the de-gentrification of a neighborhood in new york city.
at this point, the best way that many of the prolific members of the experimental art/media/theater community can help us is through doing a show/event at collective: unconscious. our carrying expenses are 7000 dollars a month, and we need to have a full schedule of weird, strange, shocking, experimental, original stuff going on in our space to keep us from economically crashing and burning in short order
we have karen finley www.karenfinley.org doing a run of shows in september and october, which means sizable audiences to glean for a whole slew of open 10pm slots.
a partial and by no means exhaustive pitch for our new facility:
the only space of its kind left in lower manhattan, in a sea of starbucked duane readed name branded cultural garbage, a barnacle of freakdom that you can help keep alive in the trying months ahead
come by any of our bookings meetings any sunday at 6pm at 279 church st., nyc, usa, and/or email scheduling@weird.org. speak to gecko or myself. we are inviting both local artists and international artists seeking to do shows/events in new york city at low cost. we want engaging original work that may not be as established as the work presented by other experimental art spaces in nyc such as the kitchen or ps122. if you don't know about our space and you are interested in booking an event with us, check out our website www.weird.org
to find out about work we've produced and presented, goto:
Deadline for submission: October 25th, 2004
Open topic -- No entry fee
Please visit Mediatopia for submission guidelines and entry form mediatopia.net
Mediatopia is a recurring networked culture space for art, technology and writing.
We still believe in networked culture. Mediatopia.
"Mediatopia's projects may lure you into their spectaclesor drive you to the streets in protest!" -Valerie Lamontagne for Rhizome
"Make sure you set aside plenty of time for browsing this site as it's likely to send you off on a trajectory of your own." -Helen Varley Jamieson for Rhizome
"Tensions are exposed and desires embellish theories of cyberspace. Ideologically charged electrons paint a flesh filled world of vanguard reflections." -Ludmil Trenkov for NetArtReview
Produced by Adhocarts.org, Curated by Lara Bank and Andrew Bucksbarg
Call for submissions
Introducing SONUS.ca, a free online listening library
featuring all forms of experimental electronic music.
With over 1200 works from artists around the world,
SONUS.ca is the world's most extensive audio
web-resource dedicated to technology-based sound
exploration. Best of all, it's free to listen and
free to submit your work.
Sonus is built around a Flash interface, which makes
the site simple to use and navigate. It's easy to
create and modify playlists, or find music in the
library with the powerful search engine. Curated
galleries will be a regular feature, showcasing work
from different labels and festivals, or presenting
work chosen by a curator around a particular theme or
style.
With these features, Sonus is a great way to promote
your work. You can include biographical information,
track notes and links to personal webpages. So why not
send in your audio? The CEC will encode it as high
quality mp3 and include it in the Sonus library.
If you run a weblabel or have a personal webpage, you
can use Sonus to house your audio with a link directly
from your page. Contact us for more information.
Sonus.ca is supported by the membership of the CEC and
the Canada Council for the Arts. Sonus.ca is dedicated
to presenting experimental electronic music of all
kinds, and has attracted over a quarter of a million
listeners since its inception. Check it out:
For submissions: sonus.ca/call.html
RAM-Radioartemobile and Nomads & Residents
A collection and a traveling archive of audio-artworks, a database on the Internet, and a center for different ways of listening
Proposal open to all artists who work with sound
Radioartemobile (RAM) and Nomads & Residents (N&R) kickoff an audio-artwork database.
All artists who have worked or are working with sound are invited to send an artwork on audio CD, DVD, or on a vinyl record. The RAM headquarters in Rome, via Conte Verde 15, will function as a gathering and a listening point and as an archive for all materials received. It will be open to public. Artworks will be gradually posted in the section "database" of the Radio website www.radioartemobile.it.
RAM is also the first location of a traveling archive initiated by Nomads & Residents. The second public presentation will be in San Francisco, at Southern Exposure, in the spring of 2005.
GUIDELINES FOR SUBMITTING AUDIO-WORKS
- the sender can mention any requirement needed to listen to the audio-work (type of loudspeakers, stereo system, headphones, etc.). These indications will be taken into consideration each time RAM would chose the piece for installing it, within the technical and logistic features available;
Radioartemobile and Nomads & Residents will take the best care of the entered works, but cannot take liability for accidental damage, loss or theft. For this reason we suggest to send two copies of each material. RAM and N&R will
archive all sound works that fit the above mentioned requirements and will present them to the public.
Lorenzo Benedetti, Riccardo Giagni and Cesare Pietroiusti will listen to all the entries and will gradually post them in the web-site database. In turn-to the discretion of the curators- some artworks will be displayed in the RAM headquarters in Rome with the aim of offering the public also the possibility to explore different ways of listening to audio-works. The database will gradually increase the number of contributions and will be presented to the public at regular appointments. The first public presentation is scheduled for mid October 2004.
Deadline for first submission is September 1, 2004.
Please send the material to:
With Music Beyond Performance: SoundImageSound II the Conservatory
Computer Studio for Music Composition (CCSMC) in combination with the
Conservatory of Music, University of the Pacific presents the third year
of concerts featuring the work of artists who cross boundaries to
combine the aural and the visual. For 2004 this event will again feature
new works of "fixed media" which in some manner combine multi-channel
sound and visual images without "live" performance.
Works in all media and style will be considered. Preference will be
given to concert works but sound/image installations are also possible.
The audio portion of the work may be composed for two to eight channels
of sound. Preference will be given to work which exceeds normal stereo
presentation.
The visual elements may be projected image (dvd, minidv, vcr, still
image, etc.) or three dimensional objects within the space. Works
requiring multiple projections will be considered.
Any unique or unusual equipment required for the presentation of a
particular piece will be the artist's responsibility.
Artists selected for presentation are encouraged but not required to
attend.
Works should be submitted in a format that best represents both their
sound and image components. Please email with questions concerning
format.
A complete submission should include the work itself, brief program
notes, and a short bio of the artist.
Submit all materials postmarked by July 19, 2004 to:
Robert Coburn
For further information contact rcoburn@pacific.edu
DEADLINE: Proposals received after August 1 cannot be considered. We encourage sending your proposals as early as possible.
SHOW CONCEPT: Although the show started in response to the inevitable spew of war and election propaganda, the basic concept for the show is a broadly based investigation of propaganda in popular culture, including advertising, war propaganda, presidential and political me(a)ssages, pharmaceutical information(i.e. the purple pill), NRA messages, etc. Included in the show will be older works on/of propaganda, providing historical context for today's propaganda and art on propaganda.
FORMAT: The show will consist of media art interspersed with perfomative sections, in a seamless evening exploring the facts, myths, perceptions and consequences of propaganda.
WHAT WE ARE SEEKING: Media Art (video/film/DVD) should be relatively short. Works in excess of 15 minutes will have to shrivel our undies to get accepted, but will be considered. Performative works (music included) should also be short (2 to 5 minutes), require minimal technical support (key light and sound available). Again, longer works will be considered, but only if outstanding. We are looking for a kaleidoscopic view of propaganda, making longer works problematic.
WHEN: We are planning to do this show prior to the November election. We are projecting either October 9, 16, or 23.
WHERE: TBD venue, probably in Pasadena area.
HONORARIA: All artists will receive honoraria. The amount will vary according to the type and length of work.
QUESTIONS?: You can call Richard Amromin at (626)398-9278 or send inquiries to newtownart@charter.net.
HOW TO SEND PROPOSALS: Media art should be sent on VHS or DVD, along with an SASE if you want the work returned. Performative work should be presented in as complete and thorough a manner as possible. We realize documentation of performance is difficulty, so we will leave it to you to best represent your work in the manner you choose. If you are proposing work not yet completed, please send work sample(s) that indicate the general quality of your work. Enclose a brief biography or resume and any other materials you feel will be helpful.
Send proposals to:
A FEW DICTIONARY DEFINITIONS OF PROPAGANDA
Any systemic, widespread dissemination or promotion of particular ideas, doctrines, practices, etc. to further one's own cause or to damage the opposing one (Webster's New World Dictionary, 1989)
Ideas, doctrines, or allegations so spread: now often used disparagingly to connote deception or distortion. (Webster's New World Dictionary, 1989)
A committee of cardinals in charge of foreign missions (Oxford Dictionary, 1929)
An association, organized scheme, for propagation of a doctrine or practice (Oxford Dictionary, 1929)
CALL FOR SUBMISSIONS
Performance art, video, installations, experimental music.
Dangerous Curve is a new Downtown Los Angeles experimental exhibition
and performance art space committed to supporting visionary emerging
artists of all ages, by emphasizing one-person shows of risky,
intelligent work that is not necessarily commercially viable nor
currently popular. Dangerous Curve is also a new venue for performance
artists, with performance-exhibits, monthly performance art and
experimental music events, and an annual end-of-summer festival planned.
Dangerous Curve is looking for performance artists and experimental
musicians for their monthly Performance Art and Experimental Music
Nights. We will give preference to work that is, in the words of Jacki
Apple, radical content in radical form. We want work that pushes
the envelope, not pure dance, singing, or theatre.
Submission format: DVDs/CDs/URLs preferred. We can handle videotapes
and slides, but not to your best advantage. For performance art, a
written description may even suffice; musicians must send samples.
Deadline: Ongoing.
Mailing address: Dangerous Curve, POB 532281, Los Angeles, CA 90053-2281
See dangerouscurve.org for directions, etc.
New Media Scotland calls for participation for Drift - an exploration
of sound art and experimental music which comprises live events,
radio broadcasts, moving image and publications.
The accessibility of the Internet together with new tools and methods
for digital recording, manipulation, reproduction and distribution
have changed forever the way that we think about and interact with
sound, giving us new ways to communicate our ideas. An increasing
number of artists, producers, DJ's and sonic creators, from a broad
spectrum of disciplines and varying modes of practice, are exploring
streaming media as a viable format. We want to open up this channel
further.
We are offering four opportunities to take part in Drift, details
follow. Further information, guidelines and application forms
available from the Drift web site:
Ongoing, Internet Project
PANSE, an open platform for the development of audio-visual netart, is now
open and accepting connections. All information available at:
http://130.208.220.190/panse
Write me if you have any questions.
Pall Thayer
Ongoing, Internet Project
Email Music Project : Theme : MUSIC : Deadline : ONGOING
The Process : I use a program which converts text and images from your Email
to Random MIDI musical note data. Each submission generates a NEW instrument
track and is then added to the musical data generated from all previously
received Email. The ongoing process is repeated and a type of song is
composed. The Music is composed directly from the elements contained in all
Email. The work will be presented on a website when I get enough Email for
music. All will be informed.
Send Email to : emusicproject@hotmail.com
Ongoing, Internet Project
The Infinite Sector Project is an independent network
of experimental musicians/bands/and artists from
around the globe.
We are seeking contributors for our series of
non-profit compilation CDs. Anything is accepted
without editing or censorship, as long as it is free
of hate and defies traditional musical boundaries.
For more information please go to :
www.geocities.com/klaodna
Anyone living in Melbourne, Australia should know about the Melbourne
electroacoustic nights:
http://farben.latrobe.edu.au/mikropol/david/mean.html
We had our first meeting last week - it was good fun, with some interesting
music being played and a cool demonstration by Tim Kreger of his new 3D
real-time sound visualisation system.
The format is ad-hoc show-and-tell and/or CD/DAT playback. Everyone should
feel free to come along and play something or just check it out.
GRANT
The New York Arts Recovery Fund will survey NYC artists to find out
if they need job retraining in the areas of teaching, social work,
and some construction-related trades as well as arts organizations to
see if they have laid workers off. Artists will be eligible for the
Consortium for Worker Education's job retraining program for NYC
artists whose economic base has been impacted by the disaster.
Additionally, it is possible that CWE will provide, with NYFA's help,
partial wage subsidies to nonprofit arts organizations that laid
workers off or cut back their pay or hours as a result of September
11.
ORGANISM: MAKING ART WITH LIVING SYSTEMS
organism is a new mailing list for people interested in art that
involves living systems. discussion topics on organism include
technical, practical, aesthetic, and ethical issues.
subscribe to the organism mailing list:
http://music.columbia.edu/organism/
the idea of making art with living systems is not new; you might even
consider a topiary garden or a goldfish pond to be biological art. what
is new is the degree of control over biological systems and materials
contemporary technology offers us.
some artists making biologically-based art:
Eduardo Kac has made several transgenic artworks, including GFP Bunny,
a genetically engineered fluorescent rabbit.
Damien Hirst's A Thousand Years involves a cycle of maggots eating a cow
head.
Yukinori Yanagi uses ant farms in some of his work.
Edgar Lissel's Bakterium is photographic images rendered in
light-sensitive bacteria.
Richard Reames is an arborsculptor who makes extreme trees.
douglas repetto (that's me!) has a number of pieces, like How to Annoy a
Plant, that involve plants and time-lapse photography.
......................................
The changes wrought by the terrible events of September 11, 2001 are
still becoming visible. The arts community has, like every other area
of life, been deeply affected by the terrorism and its aftermath. In
response to the horrors and destruction in New York City and
Washington, D C, the Santa Fe Art Institute is contributing to the
support and normalization of life in America. The Santa Fe Art
Institute is offering two to four week residencies in beautiful,
quiet residence spaces with studios as respite for artists whose
living spaces or studios have been compromised by the terrorism. The
residencies are available during the fall and winter at no cost to
the artists.
Please send a letter (and slides if possible) to The
Santa Fe Art Institute, 1600 St Michaels Drive, Santa Fe, NM 87505,
Or email to: info@SFAI.org
Longwood Cyber Studio is equipped with four NT networked pc
workstations, Internet accessibility, software programs such as
Microsoft Office 2000, the entire Adobe suite including Photoshop,
Dreamweaver, Flash and Director, a flatbed scanner, zip drive and
color printer. We would also like to offer access to our
administrative office as regards your telephone and fax needs. While
they are well aware that access to computer and office equipment only
offers relief of a material nature, they hope that relief may help to
assuage some of the worries of those affected by this loss. Bronx
Council on the Arts again sends our sincere condolences and warmest
thoughts.
Contact: Eddie Torres, Director, Longwood Arts Project, 965
Longwood Avenue, Bronx, NY 10459, Tel: 718-842-5659, Fax:
718-842-3933
eric hill/perMUTATIONS
perMUTATIONS
at Adat Ari El
12020 Burbank Blvd.
Valley Village, CA
(818) 766-9426
www.adatariel.org
Verdehr Trio - www.verdehr.com
Wednesday, March 23, 2005
Gary Gray - clarinet
Judith Farmer - bassoon
Richard Todd - horn
Margaret Batjer - violin
Brian Dembow - viola
Stephen Erdody - violoncello
Nico Abondolo - contrabass
- Nova Madrugada: Stan Smith (composer), Roger Hines,
Jonathan Dimond, Paul Brown, Buzz Jones, Cheryl Banks-Smith,
Lamine Dia, Christo Pellani, Stephen Breeze Smith
www.sensoundmusic.com/jazzonamondayvibe.html
- Nels Cline, Jeremy Drake
- Ahimsa Orchestra: Ellen Burr, Brian Walsh, Vinny Golia,
Sara Schoenbeck, Bill Clark, Bruce Fowler, Mark Weaver,
Noah Phillips, Jessica Catron, Bill Casale, Alex Cline,
Harris Eisenstadt, Omid Zoufounoun (Harris Eisenstadt)
www.linespaceline.org
- Mark Trayle, David Witham, Jeff Gauthier
www.obstacle.com/crypto/cryptonight/
- California EAR Unit
Ticket info: (323) 857-6010
- Los Angeles Philharmonic New Music Group [Esa-Pekka Salonen, cond],
Elizabeth Keusch, Hila Plitmann, Janice Felty, Kelley O'Connor,
William Stone, Los Angeles Master Chorale [Grant Gershon, dir]
(Colin Matthews, Esa-Pekka Salonen, Luciano Berio)
http://wdch.laphil.com/tix/performance_detail.cfm?id=1922&back=%2Ftix%2Fseries%5Fnew%2Ecfm%3B
- Jacaranda Winds and Percussion [Arthur Jarvinen, leader],
Pamela Vliek, Denali String Quartet (Carlos Chavez, Edgard Varse,
Silvestre Revueltas)
www.jacarandamusic.org/schedule.html#january
C.A.F.E. presents "Off-Market Disklavier"
Vytautas Germanavicius
Jaron Lanier
True Rosaschi
Pamela Z
965 Mission at Fifth Street
San Francisco
www.cafearts.com/omd.php
Ensemble in Residence Series: 8:00 PM
MONDAY - January 10, 2004
Bing Theater-Los Angeles County Museum of Art
5905 Wilshire Blvd.
(Lucky Sven David)
General $20; Members,
Seniors $15 and Music PGM Contributors $10;
Students $5
www.earunit.org
Christopher Lanz, Conductor
Tchaikovsky, Symphony No. 5 in E minor, Op. 64
Lukas Foss, Conductor
Mahler Symphony No. 1 in D major Titan
Krista Stewart, Violin
Ravel Tzigane
Evgeny Rivkin, piano
Beethoven: Sonata No. 7 in D Major, Op. 10, No. 3,
Schumann: Kreisleriana, Op. 16,
Prokofiev: Sarcasms, Op. 17
Scriabin: Vers la flamme, Op. 72, Three Preludes
Rachmaninoff: Three Moments Musicaux, Op. 16
No. 2 in E-flat Minor
No. 5 in D-flat Major
No. 6 in C Major
Sylvia Rosenberg, violin
Barry Snyder, piano, James Dunham, viola
Beethoven: Sonata No. 10 for violin and piano in G Major, Op. 96
Mozart: Duo for violin and viola in G Major, K. 423
Stravinsky: Divertimento
Kenote Trio and Friends
Marie Herseth Kenote, flute
Peter Kenote, viola
Neal S. Harnly, piano and composer,
Harold Genzmer: Trio for flute, harp, and viola
Karg-Elert: Suite pointillistique for flute and piano
Sonata No. 2 for viola and piano in B-flat Major, Op. 139b
Neal S. Harnly: Quintet for trumpet, flute, viola, cello, and piano (World Premiere)
Nielsen: Three Pieces for flute, viola, and harp from "The Mother" by Helga Rode
Wissmann: Two Caprices for flute and piano
Music for Winds and Piano
Featuring musicians from the New York Philharmonic with pianist Robert Miller
Rene Siebert, flute, Leonard Hindell, bassoon, Pascual Martinez Forteza, clarinet
Jenner: Trio in E-flat Major
Verne Reynolds: Sonata for Flute and Piano
Spohr: Quintet in C Minor, Op. 52
12/04/04 SAT Paz's Amsterdam, NY
12/10/04 FRI Ray Kelley's Bridgeport, CT
12/17/04 FRI Bear and Grill Fairfield, CT
01/08/05 SAT Bromley Mountain Ski Resort Manchester Center, VT
01/14/05 FRI Kenny's Castaways New York, NY
01/28/05 @ Bear and Grill: 2000 Black Rock Tpke Fairfield, CT 06825 203-333-1522 9pm $5 21+
01/29/05 SAT Bromley Mountain Ski Resort Manchester Center, VT
02/02/05 WED Brighton Bar Long Branch, NJ
02/03/05 THU Velvet Lounge Washington, DC
02/04/05 FRI Riddles Pompton Lakes, NJ
02/05/05 SAT Al's Place Fairfield, CT
02/10/05 THU The Nines Ithaca, NY
02/11/05 FRI Mezzanotte Lounge Syracuse, NY
02/12/05 SAT Monty's Krown Rochester, NY
02/18/05 FRI Bear and Grill Fairfield, CT
02/19/05 @ Sully's Pub: 2071 Park St. Hartford, CT 06106 860-231-8881 w/Dharma Brown opening 10pm $5 21+
02/24/05 THU Nectar's Burlington, VT
02/25/05 FRI Beardslee Castle Little Falls, NY
02/26/05 SAT Bromley Mountain Ski Resort Manchester Center, VT
03/03/05 THU Savannah's Albany, NY
03/04/05 FRI Kenny's Castaways New York, NY
03/05/05 SAT Downtown Manhattans Syracuse, NY
03/10/05 THU Savannah's Albany, NY
03/11/05 FRI Club Caroline Saratoga Springs, NY
03/12/05 @ Paz's Private Pleasure Palace: Amsterdam, NY 518-842-9425 $10 Invite only
03/17/05 THU Savannah's Albany, NY
03/24/05 THU Savannah's Albany, NY
03/31/05 THU Savannah's Albany, NY
04/01/05 FRI Hotel Ellington Ellington, NY
04/16/05 @ Bear and Grill: 2000 Black Rock Tpke Fairfield, CT 06825 203-333-1522 9pm $5 21+
www.somebodyscloset.com
info@somebodyscloset.com
Composer
www.adriennealbert.com
REFLECTIONS
Alan Durst, Soprano Saxophone
Congreso Internacional de Clarinete y Saxofon
International Congress of Clarinets and Saxophones
Centro Internacional Acapulco
Mexico
To learn more about Alan, please visit his website at:
www.alandurst.com
My installation AVIARY OF THE LOST which is featured in this exhibition will be at the Hudson River Museum, NY. after several months at the Norton Museun in W. Palm Beach, FL. I hope that those of you who are in New York between Oct and Jan, will take the opportunity to see it. The show opens Sat Oct 9, and the opening reception is Oct 14th.
Very best regards,
Jacki Apple
511 Warburton Avenue
Yonkers, New York
Directions: www.hrm.org
914.963.4550
Martha Alf, D-L Alvarez,Jacki Apple, Lorna Bieber,Jacqueline Bishop, Ross Bleckner, Kate Breakey, Enrique Matrtinez Celaya, Colin Chase, Les Christensen, Willie Cole, Jeffrey Cook, Ann Craven, Michael Crespo, Wm Delvoye, Mark Dion, Peter Edlund, Carlee Vernandez, Walton Ford, Adam Fuss, Laurie Hogin, Roni Horn, Nina Katchadourian, David Kroll, Lance Letscher, Pam Longobardi,Julia Montilla, Anthony Pessler, Amy Jean Porter,Ernesto Pujol, Alexis Rockman, Michal Rovner, Liza Ryan,John Salvest, Karoline Schleh, Elizabeth Shannon, Susan Silton, Hunt Slonem, Kiki Smith, Ben Snead, Daniela Steinfeld, Fred Tomaselli, Meyer Vaisman, Anne Walsh, Thomas Woodruff, James Yamada, Andrew Young, Monica Zeringue
A Special Photography Exhibition
By Bill Ellzey
Jane Imai
Shumei Arts Council of America
"The Tender Land: Preserve Its Beauty"
A Special Photography Exhibition
By Bill Ellzey
9 am - 6 pm (Mon. - Sat.)
Sunday (appointment only)
2430 E. Colorado Blvd., Pasadena, CA 91107
Tel: 626 584 8841
Website:www.shumeiarts.org/
Map: www.shumeiarts.org/map.html
Free Admission
Boston, MA
Commissioned by the Boston Pops.
Premiere at Symphony Hall, Boston, Keith Lockhart conducting.
La Jolla, CA
STRING QUARTET using Hyperscore and projected graphics.
Commissioned by the Ying Quartet.
For upcoming Interpretations concerts, check out:
www.interpretations.info
Mar 3, 2005 - Neil Rolnick / Enik Ginzery
Apr 14, 2005 - Thomas Buckner
May 5, 2005 - Paul Epstein / Charles Amirkhanian
May 26, 2005 - Bobby Few & Tom Chiu
February 10, 2005
Hip Chips
Date to be announced
visit www.lampo.org
at Selah
or email contact@linespaceline.org.
Every Monday @ 8pm
Selah
1001 E. First St. #15
Los Angeles, California 90012
www.selahagc.org/
$10-5 sliding scale
venue: 213-626-0811
lsl line: 323-682-4060
8641 W. Washington Blvd.
Culver City CA 90232
$5 entry
For more information check out the new "Jazz on a Monday Vibe" section of our web site: www.sensoundmusic.com/
info@sensoundmusic.com
8641 Washington Blvd.
Culver City
club info: 310-559-1127
show info: 310-287-1918
great Salvadoran food / full bar
* Nels Cline, Carla Bozulich, Glenn Kotche & Jim O'Rourke plus Nels Cline,
Andrea Parkins & Tom Rainey at 8pm
* Prurient plus Toshio Kajiwara plus White Rok plus Hototogisu at 8pm
* Samara Lubelski plus Tall Firs at 8pm
* Amnesty Benefit: Ed Pastorini, Doveman, Nico Muhly at 8pm
* phonomena in subTonic at 9pm
* Victoria Hanna at 10pm
* Gang Gang Dance at Midnight
* The Bunker in subTonic at 9pm
* Han Bennink with Uri Caine, Dave Douglas, Mary Oliver and Mark Helias
at 8pm & 10pm
* Assif Tsahar, Jim Black & Mat Maneri at Midnight
* Average Saturdays with rotating hosts & guests in subTonic at 9pm
* Han Bennink with Michiel Borstlap, Mark Helias, John
Zorn at 8pm & 10pm
* Christian McBride with Charlie Hunter, DJ Logic, Eric Krazno & more at 8pm &
10pm
* Christian McBride with Charlie Hunter, DJ Logic, Eric Krazno & more at 8pm &
10pm
* Michael Blake's Rollie Pollie at 8pm
* Reinhardt Cowboy: Adam Levy, Jenny Scheinman, Lee Alexander & Ben Perowsky at
10pm
* Borah Bergman, Greg Cohen & Ben Perowsky at 8pm
* Mat Maneri Quintet at 10pm
* Monolake at Midnight
* phonomena in subTonic at 9pm
* illy B's Winter Festival Weekend Party with Socket at 8pm & 10pm
* Ashford Breaks plus Home at Midnight
* The Bunker in subTonic at 9pm
* illy B's Winter Festival Weekend Party with Socket at 8pm & 10pm
* Shot'nez at Midnight
* Average Saturdays with rotating hosts & guests in subTonic at 9pm
* T.K. Webb plus The Naysayer plus Sue Garner & Angel Dean at 8pm
* Anthony Burr, Erik Griswold & Skuli Sverrisson at 8pm
* TBA
* Loren Connors' Passion of Joan of Arc plus Text of Light: Lee Ranaldo, Alan
Licht, Ulrich Krieger & Tim Barnes at 8pm
* Chris Speed, Jamie Saft & Ben Perowsky at 8pm
* Steven Bernstein's Millennial Territory Orchestra at 10pm
* phonomena in subTonic at 9pm
* Beat Circus plus Barbez at 8pm
* Charles Cohen & Leisure Muffin plus The Dream Lovers at Midnight
* The Bunker in subTonic at 9pm
* Monotract plus Mirror/Dash plus Paul Flaherty-Chris Corsano Duo plus Magik
Markers at 8pm
* Average Saturdays with rotating hosts & guests in subTonic at 9pm
* The Scene is Now at 8pm
* TBA
* Bradford Reed and his Amazing Pencilina plus Schwervon plus King Missile III
at 8pm
* Curtis Hasselbring's New Mellow Edwards at 8pm
* Moodswing Orchestra at 10pm
* NYCSmoke at 8pm
* phonomena in subTonic at 9pm
* Ravi Coltrane Quartet at 8pm & 10pm
* Queens plus Mountains at Midnight
* The Bunker in subTonic at 9pm
* Harriet Tubman plus Vernon Reid plus Dave Fiuczynski at 8pm
* Average Saturdays with rotating hosts & guests in subTonic at 9pm
* David Last plus Dub Trio plus qpe & Lloop at 8pm
* Little Theatre at 8pm
107 Norfolk Street
(Between Delancey & Rivington)
212-358-7501
545 Sutter (between Mason and Powell)
SanFrancisco
415 398 7229
EMAIL: ryokan@value.net
www.meridiangallery.org
$10
$ 5 students, impoverished artists.
ONLINE ART & MUSIC
P.O. Box 23434, Edinburgh EH7 5SZ
Tel. +44 131 477 3774
info@mediascot.org
www.mediascot.org
http://somewhere.org/NAR/NAR_home.htm
: a community version of sleepbot where listeners can add music
to the playlist as well as listen to it
myndlistamaur/kennari
artist/teacher
Fjlbrautasklanum vi rmla (www.fa.is)
and Friday, Sept. 28 from 6:30 - 8 PM with a gallery talk at 7:15 PM.
Cory Arcangel, Betty Beaumont, Carlos Casado, Andy Deck,
Jody Elff, Angie Eng, Fakeshop, Katrin Grotepass, Yael Kanarek,
Willy Le Maitre & Eric Rosenveig, Golan Levin, Michael Mandiberg,
Kevin & Jennifer McCoy, Yucef Merhi, Sally Minker, Joseph Nechvatal,
Michael Rees, Carlos Zanni, screaMachine and net.ephemera (Mark Tribe).
Design: Ray Canapini
Dialogue: By Claire Barliant
Intern: Seraphina Tisch
Media Sponsor: NY ARTS MAGAZINE
http://www.nyartsmagazine.com
Web Design: FIRST PULSE PROJECTS
http://www.firstpulseprojects.org
SUBMISSIONS
The Exploratorium is a museum of science, art, and human perception in San Francisco, CA. Our mission is to create a culture of learning through innovative environments, programs, and tools that help people nurture their curiosity about the world around them. From its beginning in 1969, the museum has used observations made by scientists and artists as a means of expanding visitors understanding of natural phenomena.
Listening: Making Sense of the Sonic Soup is a four-year project funded by a grant from the National Science Foundation. The goal of the project is to explore the question: Why listen? By taking a new listening-centered approach to exhibiting sound and hearing phenomena, the project will integrate exhibit development, designed environments, visitor studies, and public programming to create a compelling and educational visitor experience.
We will frame the Listening exhibition around the motivational aspects of listening such as: listening to survive, listening to diagnose or problem-solve, listening to understand one another, and listening to feel connected. To help interpret these listening themes, we are seeking artists to create immersive, site-specifi c, sonic installations that will precipitate visitor investigation and serve as the central experiences for the exhibition. Clustered around these strong, immersive experiences will be exhibits that invite visitors to attentively listen while exploring the physical, physiological, and emotional phenomenon of listening.
We are soliciting proposals for artists to join the Listening Team for a project-based residency at the Exploratorium to explore the question: Why listen? The main objective of the artist residency will be to create immersive, sonic installations for the exhibition. However, in addition to immersive environments, we welcome proposals for innovative works that may complement the Listening project in other ways. The cadre of selected artists will use the residency to prototype their listening idea. From this body of work, we will choose three to fi ve fi nalists to further develop their piece for the Listening exhibition. The project budget range is $5,000-$40,000.
We welcome artists who view art as a key to understanding and communicating their excitement about the world of sound and listening. Although we are primarily seeking sound artists to create immersive experiences for the Listening project, we will consider artists from a variety of disciplines including installation artists, exhibit artists, fi lmmakers, media artists, and performers.
March 11-13th, 2005
California State University, Fullerton
Postmark Deadline: January 15, 2005
CALL FOR WORKS
Pauline Oliveros and Joan Tower, Guest Composers in Residence
eighth blackbird and Diametric, Guest Ensembles in Residence
Works by Women Composers: Chen Yi, Joan Tower, Kaija Saariaho and Jennifer Higdon
University Symphony Orchestra Featuring concert of Extraordinary Women in Music: Joan Towers Fanfare for the Uncommon Woman, and the premiere of Pamela Madsens Faraway (Within).
Dr. Pamela Madsen
Music Department
California State University, Fullerton
P.O. Box 6850
Fullerton, California, 92834-6850
USA
For the fourth year, Gamma-UT is announcing a Call for Scores of student works. Following last year's highly successful concert of electro-acoustic music, we will once again have a focus on technology and mixed media. Student composers/video artists are
invited to submit pieces with video and music, where music plays a major role. Electronic and acoustic music is welcome, but acoustic pieces, if they are to be played live, should be limited to 4 performers. Attendance is mandatory for those with accepted pieces (composer or video artist).
The University of Texas
Samuel Pluta
GAMMA-UT Composition Chair
School of Music
1 University Station E3100
Austin, TX 78712-0435
University of Washington, Seattle, WA.
Center for Digital Arts and Experimental Media (DXARTS)
Hi !
very best
Nikola Lutz
Audio Engineering Society
Student Design Competition Announcements!!
High Desert Test Sites 4
Radio Free HDTS
Christy Gast
983A Dean St.
Brooklyn, NY 11238
Feel free to forward to anyone who might be interested.
colleagues:
air conditioning that actually works
a dsl line useful for webcasting, along with possible access to a t-1
a no smoking space that doesn't leave you smelling smoky on your way out
much more noise insulation from the street than our old space
a collective of artist administrators that have busted their asses without pay for many months to keep our ongoing institutional experiment alive -- we need help
www.weird.org/what_we_have_done/
sonus.ca
A forum for visitors in the arts: making connections, supporting networks, setting up meetings
- unlimited subject matter;
- each CD, DVD or vinyl record must contain only one track;
- time is unrestricted (except that of the technical features of the chosen device);
- each audio-work must be entered with a written indication of: the name of the author, a title, duration, and an e-mail contact address;
- RAM and N&R cannot assure a complete accessibility for the works that include a primary visual factor;
- the sender is responsible for mailing costs of submission;
- the works will not be returned to the senders.
Next appointment: Southern Exposure, San Francisco, spring 2005
RAM Radioartemobile
Via Conte Verde 15
00185 Roma - Italy
Postmark Deadline - July 19, 2004
Conservatory of Music
University of the Pacific
3601 Pacific Avenue
Stockton, CA
95211 U.S.A.
A Call for Propaganda Art
Media and Performance/Spoken Word
NewTown
c/o Richard Amromin
2259 Country Club Drive
Altadena, CA 91001
Publicity intended to spread ideas or information that will persuade or convince people. (Oxford American Dictionary, 1980)
Dangerous Curve
Los Angeles, CA USA
Email address: events@dangerouscurve.org
Call For Participation
artist/teacher
Fjolbrautaskolinn vid Armula
http://www.this.is/pallit
http://www.this.is/pallit/isjs
http://www.this.is/pallit/harmony
http://130.208.220.190/panse
Send Email containing text, images, links, etc.
(Anything relating to music)
www.ekac.org/gfpbunny.html
www.eyestorm.com/hirst/read_first.asp
www.hainesgallery.com/YY.work.html
www.germangalleries.com/LAGalerie/Lissel.1.02.html
www.arborsmith.com
............. organism ...............
... making art with living systems ...
http://music.columbia.edu/organism
E-mail: longwood@bronxarts.org
http://www.longwoodcyber.org
635 Scully St.
Fredericton, NB
E3B 1V3
Canada
experimental sounds radio program
every Wednesday 11pm-1am Atlantic time
on CHSR-FM 97.9
or on RealAudio on the web: http://www.unb.ca/chsr
enjoy!!!
Neil Wiernik
317 Adelaide Street West #301
Toronto, Ontario
M5V 1P9 Canada
416-340-1648
for quickly answered questions e-mail me at naw.wiernik@utoronto.ca
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