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Know of an event or listing that belongs here? E-mail the host.
Updated 30 April, 2005 – see new ONLINE ART -- The Memory Theater, an iPod opera
SEE NEW CREATIVE WORKSHOPS & SEMINARS LINKS!
New Music Calendars
[east usa]
[central]
[west]
[canada]
[europe]
[organizations]
PARTICIPATE: Festivals, Contests, Conferences, Airtime Submissions Requested!
Know of an event or listing that belongs here? E-mail the host.
LA:
INVISIBLE GLASS World Premiere w/music by Tom Recchion
April 28-May 1
Inventive filmmaker, visual artist and puppeteer Janie Geiser collaborates with Alpert Award-winning playwright Erik Ehn and adventurous composer and COLA Fellow Tom Recchion to create Invisible Glass. The multimedia work employs puppets, live actors and film to explore the idea of the "DoppelgŠnger," or spirit double made flesh, in a new work inspired by Edgar Allan Poe's short story "William Wilson."
An Obie Award-winner, Geiser is the director of the Cotsen Center for Puppetry and the Arts, established at CalArts in 1998 with the goal of making the most creative developments in contemporary puppetry available to students across the Institute's six schools.
Funded in part by The National Endowment for the Arts and Henson International Festival of Puppet Theater and Jim Henson Foundation and co-produced by the Center for New Theater at CalArts and the Cotsen Center for Puppetry and the Arts.
For more information about events at REDCAT, go to www.redcat.org.
LA:
"THIS IS THE PLACE, THIS IS THE THING, THIS IS THE PERSON. . ."
Interactive and single-channel video installations featuring:
THE BREWERY
April 23- May 21, 2005
SOCAL:
MICROFEST
SUNDAY MAY 8 8:00
SATURDAY MAY 14 8:00 Preconcert talk with the composer at 7:00
SATURDAY May 21 8:00
SATURDAY MAY 21 and SUNDAY MAY 22 8:30
THURSDAY MAY 26 8:00, SATURDAY MAY 28 8:00, and SUNDAY MAY 29 2:00
SUNDAY JUNE 12 7:30
MONDAY JUNE 20 8:30
To get a free MicroFest poster and to be added to our mailing list, please contact Bill Alves
(alves @ hmc.edu).
s o u n d s y o u ' v e n e v e r h e a r d b e f o r e
LA:
"THIS IS THE PLACE, THIS IS THE THING, THIS IS THE PERSON. . ."
Interactive and single-channel video installations featuring:
THE BREWERY
April 23- May 21, 2005
NYC:
The Enfield Shaker Singers at the New York Museum of Folk Art
We have a concert coming at the New York Museum of Folk Art -- a big event for us!
Saturday, May 14 at 6:30pm
SAN FRANCISCO:
CHINDOGU at 21 Grand
Hello . . .
Please come and join us if you are in the Bay Area this weekend. Feel free to pass this along to anyone who may be interested.
check out the mp3's that are located here:
CHINDOGU are Clay Chaplin and Sean Rooney. They make live improvised computer music using homegrown software instruments and various controllers. Combining pop-culture samples in a mix that's by turns dense, frenzied, rhythmic and melodic, they are a strange implement, an idea that exists on the edge of reason.
SATURDAY, APRIL 30th @ 21 GRAND
Also appearing at the 21 Grand show will be Lance Grabmiller, Thomas Dimuzio, & Jon Leidecker,
MONTCLAIR, NJ:
ELECTRONIC MUSIC PIONEERS REUNITE FOR SPECIAL ENGAGEMENT AT MONTCLAIR STATE UNIVERSITY
Musica Elettronica Viva
Saturday, April 30 at 7:30pm at The Alexander Kasser Theater
Free Bus Service available from Manhattan with advance ticket purchase
Musica Elettronica Viva (MEV) makes a special reunion engagement at Montclair State University (MSU) in the ongoing inaugural season celebration of the new Alexander Kasser Theater. As pioneers of free-form electronic music in the 60s and 70s, MEV merged free improvisation, street music, theater, collaborations with novice musicians, and audience participation with Moog synthesizers to revolutionize an entire musical genre. On Saturday, April 30th at 7:30pm, MSU's office of Arts and Cultural programming presents company founders Alvin Curran (keyboards), Richard Teitelbaum (keyboards), and Frederic Rzewski (piano) continue the tradition with a masterful evening of original improvisational sets.
Musica Elettronica Viva was first organized in the spring 1966 by Alan Bryan, Alvin Curran, Jon Phetteplace, Carol Plantamura, Frederic Rzweski, Richard Teitelbaum and Ivor Vandor in Rome. Taking its cue from David Tudor and John Cage, MEV began experimenting with amplified raw sounds from a wide range of found objects including bed springs, sheets of glass, tin cans, rubber bands, toy pianos, erotic toys, and assorted junk metal. They would combine these sounds with the more recognizable instruments like a crushed old trumpet, cello, tenor sax, a home-made synthesizer and the first Moog in Europe, giving the otherwise neoprimitive sound an inimitable edge. By 1969, the ensemble had taken Europe by storm and in 1971 they made their first U.S. tour with Maryanne Amacher, Serge Tcherepnin and Anthony Braxton. Later, Garrett List, Gregory Reeve, Jon Gibson and Karl Berger became frequent performs in the group. While its founding members have each gone on to develop very different but compatible music, MEV refuses retirement in its 39th year dedicated to at least one public gig per season.
The new Alexander Kasser Theater is located on the campus of Montclair State University in Montclair, New Jersey (accessible weekdays by train and bus via New Jersey transit with convenient parking located in the deck adjacent to the theater).
Tickets are $30 (with discounts for seniors, groups and MSU staff, faculty, graduate students and alumni). Chartered bus service is available from Manhattan to MSU for this performance at no cost with advance ticket purchase; reservations are required.
For ticket reservations, travel information or further details call the Box Office at 973-655-5112 or visit www.montclair.edu/kasser.
PASADENA, CA:
EXPERIMENTAL MUSIC & VIDEO
saturday april 30
gowns [sound and live video]
ensemble of 31 birds
carla bozulich
dave kendall [sound and computer image]
kate dollenmayer [film]
laida lertxundi [film]
kelli cain [film]
albert ortega [mysteries]
EAGLE ROCK, CA:
The Brad Dutz Quintet & O.P.T.I.O.N.S (led by Bruce Friedman) at Open Gate
Open Gate Theatre Presents its Sunday Evening Concert for Sunday, May 1 at 7:00 p.m.
The Brad Dutz Quintet
At the Eagle Rock Community Cultural Center
The Brad Dutz Quintet
Percussionist-composer Brad Dutz has played with virtually everybody there is to play with, spanning genres from new music to world music, jazz to pop, classical to film and TV scores. His virtuosity extends to a full range of instruments from the percussion family, from hand drums of all types to mallet instruments and other tuned percussion. Dutz's own musical vision as a bandleader and composer is an eclectic and uncompromising one. For his bands, he draws on a wide selection of the Los Angeles area's finest players to realize his unique blend of composition and improvisation. For this concert, Dutz presents a chamber quintet consisting of
Karen Elaine Bakunin on viola and waterphone,
A current example of Dutz's musical adventures can be heard on his new CD Nine Gardeners Named Ned (on the pfMENTUM label).
O.P.T.I.O.N.S (led by Bruce Friedman)
Opening the concert will be a piece/ensemble called O.P.T.I.O.N.S, a project masterminded by trumpeter Bruce Friedman. The piece, the title of which stands for Optional Parameters to Improvise Organizing Nascent Sounds, utilizes sonic areas, interpretive graphics, and cues presented on 3" x 5" cards. The sizeable group of musicians realizing this concept is comprised of many of the area's most seasoned and distinctive improvisers:
cellist Michael Intriere,
This project rarely gets the chance to perform. Take advantage of the opportunity!
More information about this and other projects of Bruce Friedman can be found on his website.
Go to www.brucefriedmanmusic.com
Ê
LOS ANGELES:
mAy dAy, mAy dAymAy dAy, mAy dAy at SPACE LOFT: Click-Boom Orchestra
mAy dAy, mAy dAymAy dAy, mAy dAy
SPACE LOFT pRESENTS:
Ê
There is a new ensemble on the block, some old faces, new configuration.Ê We're opening a new gallery in Highland Park, fantastic space, Vegan Food will be featured as will Projections Fantastique.
Ê
U.J.O. (The Unidentified Jazz Object)
8pm
Highland Park
LOS ANGELES:
Jessie Rothwell performances in May
Dear Friends -
I want to invite you to some performances I am involved in - as either singer or composer - coming up within the next month. If you want to hear me and 20+ other ladies belting dissonances in odd meters, come to the first/third shows on the list. If you want to see Jessica Catron and Johnny Chang do some things I've asked them to do with bottlecaps (not to mention shred the bejeezus out of 70-or-so other pieces), come to the second show.
Hopefully I'll see you for both: the Bulgarian Choir (the most-fun music to sing ever! - and pretty great to listen to as well) *and* at LineSpaceLine for the Dynamic-30-second-pieces-Duo. You never know what to expect at a Microscores concert.
1. SuperDevoiche (Bulgarian Women's Choir of UCLA)
2. Microscores II - 30-second pieces commissioned by Johnny Chang (violin) and Jessica Catron (cello)
3. SuperDevoiche (Bulgarian Women's Choir of UCLA)
Thanks and hope to see you there!
love,
BOSTON:
NEC Pianist Stephen Drury Runs the Gamut from Beethoven to Zorn, Ligeti to Lachenmann at Free May 4 Recital in NEC's Jordan Hall
Pianist Stephen Drury will mix it up in a faculty recital that juxtaposes music from many periods and styles, Wednesday May 4 at 8 p.m. in NEC's Jordan Hall.Ê A musician of wide-ranging tastes, Drury will play Ravel's Valses nobles et sentimentales, Beethoven's Eroica Variations, and works by Ligeti, Lachenmann, Feldman, and Cage.Ê As a kind of summary, he will conclude with John Zorn's Carny, a phantasmagoria of musical quotations and references that was composed for Drury and two other pianists, Yvar Mikhashoff, and Anthony deMare under a grant from Meet the Composer.
A long time champion of Zorn, Drury has written about Carny in Perspectives of New Music: "Carny cannibalizes mouthfuls of previously existing piano music. In turn, the introduction to Carny cannibalizes the rest of the pieceÉ Each fragment -- quote, genre reference, or abstract -- affects the way we hear what follows and what came before. Previously unimaginable connections appear between Mozart and bebop. Stockhausen negates Fats WallerÉ Brief chunks of music by composers from Mozart to Boulez appear note for note or under various degrees of transformation. (Chopin and Schoenberg, for example are quoted in reverse; Stockhausen is overlaid with Bartok; and a left hand passage from Elliott Carter's Night Fantasies is paired with an entirely new right hand part.)ÉPhrases referring more generally to genres appear (a little New Orleans funk, some boogie-woogie, a bit of cocktail piano). And there are entirely original passages which have no outside source.
"Carny accelerates and hesitates in broad yet unpredictable outlines . . . now coming to points of near stasis, now revving up gradually, now scurrying off; now erupting in a frenzy. And what is the listener to make of the nuclear holocaust that occurs just before the codaÉ? What light does it cast on the preceding furious pile-up of Liszt, Carter, Nancarrow, cartoon music, Ives, and Art Tatum? Are we now paying dearly for the previous fun and games? Or is this apocalyptic climax just another cartoon mushroom cloud?
"Ultimately, is there or can there be a justification within the artwork itself for all these references and quotations? I dunno. Art is always ahead of theory."
The concert is free and open to the public.
For more information, call the NEC Concert Line at (617) 585-1122 or visit NEC on the web at
NYC:
World Music Institute and Thomas Buckner present:
THURSDAY MAY 5, 2005Ê 8:00 PM
Charles Amirkhanian
Paul A. Epstein
Merkin Concert Hall - 129 W. 67th Street
Interpretations, the series featuring leading figures in contemporary music and multimedia, will continue on May 5th with a program featuring the New York premieres of works by San Francisco-based composer/sound poet Charles Amirkhanian and Philadelphia-based composer Paul A. Epstein.Ê Amirkhanian, who is well known as the director of Other Minds in San Francisco, will perform Ka Himeni Hehena (The Raving Mad Hymn) and other works for solo and pre-recorded voices.Ê Epstein, who was described as " a postminimalist, one of the first and one of the best" by Kyle Gann in Chamber Music, will present four recent chamber works: Palindrome Variations; Interleavings for piano; The Great Valley, No. 6a; and The Great Valley, No. 4. Epstein's works will be performed by Cynthia Folio (flute), Jeffrey Solow (cello), and Charles Abramovic (piano), members of Glaux, the faculty new music ensemble of Temple University's Boyer College of Music and Dance.
Charles Amirkhanian (b. 1945, Fresno, California) wrote his first spoken word pieces in 1965. Influenced by Gertrude Stein, Clark Coolidge and Steve Reich, his non-sequitur iteration of words in pungent combinations transforms them away from signifiers toward functional, percussive sound objects. He is widely known for his live and taped works utilizing speech (or sound poetry) elements in rhythmic patterns resembling percussion music. His Just, composed at the Swedish Radio in 1972, for the Fifth Fylkingen Festival of Text-Sound Composition, utilizes the four words "rainbow, chug, bandit, bomb," in various repetitive patterns. A 1973 work, Seatbelt Seatbelt, has been labeled a classic of the text-sound genre. He continues to write speech works, including Ka Himena Hehena (The Raving Mad Hymn, 1997), for four voices and tape spoken in classical Hawaiian. The piece was premiered by the Ensemble Intercontemporain at CitŽ de la Musique in Paris on December 19, 1998.Ê In July 2004, he performed his work at the fifth annual Poetry Festival Berlin.Ê From 1969 to 1992 he was Music Director of KPFA-FM Radio in Berkeley.Ê Much of his work as radio producer and text-sound artist from this period is available free online at www.radiOM.org. Amirkhanian holds degrees from Fresno State University (B.A., English, 1967), San Francisco State University (M.A., Interdisciplinary Creative Arts, 1969), and Mills College (M.F.A., Electronic Music and Recording Media, 1980).
Paul A. Epstein's compositions include works for string orchestra and for a variety of small ensembles.ÊHis long time collaboration with poet and novelist Toby Olson has produced two chamber operas, as well as songs and vocal chamber music. Epstein's music has been presented in the US and abroad by such ensembles as Rel‰che, Composers, Inc., Synchronia, the Circle ensemble of London, and ONIX Nuevo Ensamble de MŽxico. Recordings are available on the Mode and Capstone labels. Apart from his concert music, Epstein has been involved in collaborative work with artists in theater and dance.Ê He was associated with the New York environmental theater group The Performance Group from 1969 to 1972, and from 1974 to 1987 he was composer and music director for the Zero Moving Dance Company of Philadelphia. He is professor emeritus of music theory at Temple University, where he taught from 1969 to 2001.Ê Born in Boston in 1938, he is a graduate of Brandeis University and the University of California at Berkeley. His composition teachers included Harold Shapero, Seymour Shifrin, and Luciano Berio, with whom he studied privately on a Fulbright grant to Italy in 1962-63.
This program is made possible in part with public support provided by the New York State Council on the Arts, a State agency. Additional funding is provided by the Mary Flagler Cary Charitable Trust.
Upcoming Interpretations concerts include:
LA VEGAS:
Collage Dance Theatre goes to Vegas!
Hi friends,
Wanted to let you know about a site specific Dance piece that I scored (featuring "Belgo" performed by Vicki Ray on CRI) happening inÊ LAS VEGAS!!Ê One night only May 6th...
Hope you can make it,
Collage Dance Theatre goes to Vegas!
HUH?. . .
a court hearing by Collage Dance Theatre
At Las Vegas Downtown Courthouse
Friday, May 6
7:00 p.m., 7:45, 8:30 & 9:15
Collage Dance Theatre summons the audience to witness a satirical dance through Las Vegas' old downtown Post Office and Courthouse Ð the POST Modern - in honor of Las Vegas' centennial.Ê The site was made famous by Senator Estes Kefauver's hearings on Organized Crime. The performance is commissioned by the City of Las Vegas as part of Las Vegas Arts District First Friday events and is located at 300 East Stewart.
Collage Dance Theatre company members Chris Stanley, Louis Becker, Marissa LaBog, Ryan Heffington, Lillian Bitkoff and Nina McNeely will be joined by dance students from the University of Las Vegas, who participated in a master class led by Mr. Stanley.
The company will swear in the audience and proceed to turn courtroom jargon and rituals upside down and inside out.Ê Judge and Choreographer Heidi Duckler will preside over this sideways glance at Law and Chaos.
Performance conceived and developed by Heidi Duckler and Merridawn Duckler. Video Projection by Austin Switser. Music by Composer Amy Knoles. Costumes by Jason Rainey. Lighting Design by Kerry Farmer.Ê
There is no charge for the performance, which is part of the First Friday bus tour of Las Vegas Arts District, south of Downtown. Tours run from 6:00 p.m. to 10 p.m.Ê Free parking is available at the Clark County Government Center on Grand Central Parkway with shuttle service to and from the POST Modern.
For more information call Tanja Raaste, 818 784-8669, or email tanja@collagedancetheatre.org
Or for more general information on First Fridays, visit www.firstfriday-lasvegas.org
WASHINGTON, D.C.:
CONTEMPORARY MUSIC FORUM
Hope you can join us for this upcoming concert featuring members of Gamelan Kyai Dorodasih, California Institute of the Arts' Javanese gamelan.
Saturday May 7 5pm
MFA candidate Laura Bilodeau presents her mid-residency recital
There will be three WORLD PREMIERE compositions for central Javanese gamelan instruments :
. by Bapak Djoko Walujo, a hot-off-the-press new composition for 11 large and medium gongs plus rebab;
(A few more composition details below.)
There will also be a couple of 'klasik' compositions (though I don't know which) for Balinese gamelan and a set of music from the band Bent But Not Broken.
Hope you can join us for this Saturday late afternoon show!
The gending soran is in an altered Jogjanese ketawang form, here in 15 beats. This new composition features a five-person kendang (drum) "battery" (kalih, ciblon, ketipung, bedug, and krumpungan Bali) and a 'pathet' (mode) that at times sounds something like what is referred to as 'pengenter alit' in Bali these days (pitches 7 1 2 4 5);
The tabuh kreasi kontemporer is organized into classical (north Indian) alap, jhor, and jhala form. Featured as the solo instrument will be the Irish bodhran, a 16-inch (approx.) frame drum played with a double-headed mallet. The saron section accompany the alap and slow, 10 beat jhor in some kind of 8-note tanpura style (slendro + pelog dicampuri). The orchestra changes to a 27-beat cycle for the jhala, where 8-note chords in the kenong and kempul/gong form one part of a complex rhythmic backbone.
KENSINGTON, MD:
Our next event is Saturday May 7 at 7:30 pm at BannerArts, 4233C Howard Avenue, Kensington MD 20895
Dear friends of Washington Musica Viva,
Our next event is Saturday May 7 at 7:30 pm at BannerArts, 4233C Howard Avenue, Kensington MD 20895.
From the Musica Viva blog: "All of us met yesterday at Rock Spring Church, where Elizabeth Kluegel is music director. I could not have been more pleased and excited about this rehearsal. Elizabeth sang Lerchengesang with such crystalline beauty that we all applauded when she ended. Gary Poster sings the Four Serious Songs with the same deep humanity that he brought to the Bolcom cabaret songs earlier this season. The Serious Songs are a direct window into a deep grief, and hard won joy. Brahms was not one to look for stock answers and pat solutions to life's questions. He had neither the faith of JS Bach nor the despair of Schumann. His sober and humanistic view of life is reflected in the passages from Ecclesiastes and Corinthians 13 that he chose to set here.
"Now we see through a glass darkly, in dark words; but later, face to face....
What remain are Faith, Hope, and Love, these three; but Love is the greatest among them."
Karyn Friedman's mezzo is like a viola become human - her mastery is astonishing. Jason Rylander is a superb tenor, completing our Liebeslieder vocal quartet. Pianist Ruth Rose plays beautifully, has great musical judgment, and is a lot of fun to work with. It is such a privilege to be a part of this ensemble!
About the Liebeslieder Waltzes: they are about love, and they are charming and seductive and funny. One can hear in them a somewhat darker tinge as well, reflecting the years that the young Brahms worked as house pianist in Hamburg brothels, playing waltzes, polkas, mazurkas, and songs. "Johannes began playing in the Lokale of St. Pauli in 1846, before he turned thirteen, often playing until dawn." (From Johannes Brahms by Jan Swafford - I highly recommend this biography, which includes an analysis of the impact of this startling episode in the composer's life.)"
On May 7, 2005, the 172nd birthday of Johannes Brahms, Elizabeth Kluegel, soprano, Karyn Friedman, mezzo soprano, Jason Rylander, tenor, Gary Poster, bass, and Ruth Rose and Carl Banner, duo-pianists will perform his Liebeslieder Waltzes, Duets, and Songs. In addition, the poetry of Polly Craft will be featured, read by her daughters Helen and Sarah. The $15 admission is a real bargain! Send checks to WMV, 9925 Dickens Avenue, Bethesda MD 20814. Info: 301-493-5729.
"Truth is beauty, beauty truth; that is all we know on earth, and all we need to know."ÊJohn Keats
visit our websites and check out the MP3s!
STUDIO CITY, CA:
THE LOS ANGELES SONIC ODYSSEY
CONCERT IV
The Los Angeles Sonic Odyssey is a concert series dedicated to the performance of an international selection of electronic and computer concert-music where the audience is surrounded by eight state-of-the-art loudspeakers enveloping and immersing the listener in the architecture of spatialized sound.
Concert IV is the final concert and, aesthetically, the most extreme of this season featuring works ranging from artistic sonification of ocean buoy data, to humorousness, to politically provocative music, to granular music, and the world premiere of three works by LA based composers Tom Hiel, Patricio da Silva, and Jennifer Logan.
The program for concert IV features works by notable composers including Patricio da Silva (Portugal), Jennifer Logan (USA), Robert Rowe (USA), Tom Hiel (USA), Diamanda Galas (USA), Sylvia Pengilly (USA), Bob Sturm (USA), David Kim-Boyle (USA), David Jaggard (USA), Alexis Bacon (USA), David Psenika (USA), and Eduardo Reck Miranda (Brazil), projected live by Jennifer Logan.
ROBERT ROWE: Cigar Smoke (10:20)
For tickets and information please call
TOPANGA, CA:
The Yuval Ron Ensemble performs a concert of Devotional Music & Mystical Story telling
Sunday, May 15, 2005 at 4pm
The Legend of the Baal Shem
A concert of Devotional Music & Mystical Story telling
A mystical kabbalistic story about having children, the magic of prayer and finding true love
performed by The Yuval Ron Ensemble
music by Yuval Ron & Sha-ron Kushnir
Yegish Manukian - clarinet, duduk, Albert Vartanyan - accordion, shvi, Virginie Alumian - kanoun, Jamie Papish - percussion, David Martinelli - percussion, Yuval Ron - oud, story teller, musical director
Location: Christian Fellowship Church, 269 Old Topanga Canyon Road, Topanga Ca 90290
NYC:
The Rejection Show returns to P.S. 122 on May 18th!
The Rejection Show
Created and produced by writer and comedian, Jon Friedman, The Rejection Show is a comedic based event that embraces the rejected and "turned down" material of writers, comedians, cartoonists, artists, and human beings whom display their creative "failures" live on stage. ÊÊ
The Rejection Show
Featuring:
Mike Albo
Andrea Rosen
Nick Stevens
Chad Darbyshire, Drew Dernavich, & Matt Diffee
& The winner of the "Air Guitar with a Llama Contest!"
Plus "Rejection Inspection," special guest clapper with "Rejectee" (The rejected Rejection Show mascot,) & more rejection surprises!
May 18, 2005
Jon Friedman
SOCAL:
Blast! [2] - A benefit to support sound. and SASSAS
Featuring performances by Raymond Pettibon and Carla Bozulich
Sunday, May 22nd, 2004, 4-8pm
Proceeds from Blast! [2] will benefit our summer concert series, sound.
SASSAS has a great season planned including the premiere of Petra Haden
Sings 'The Who Sell Out' at the Ford Amphitheater on July 1st,
plus, at the Schindler House, a rare Los Angeles concert by
Kelan Philip Cohran (AACM co-founder and one time member
of Sun Ra's Arkestra) on July 30th and two evenings featuring
Scores Composed for the Moving Image with Tom Recchion,
Michael Webster, Mark Wheaton and George Lockwood on
August 26th and 27th. We need your help to raise the funds for
these ambitious shows and to continue our on-going support of sound
projects and experimental music in Los Angeles.
Tickets go on sale in mid-April.
The Society for the Activation of Social Space through Art and Sound
(SASSAS) is a 501(c)(3) charitable organization that serves as a
catalyst for the creation, presentation and recognition of experimental
art and sound practices in the Greater Los Angeles area. Programs
include sound. at the Schindler House; sound. at the Ford Amphitheater;
soundNet.org, a online concert archive; and soundNet recordings,
CD compilations drawn from sound. concerts.
SASSAS is supported in part through grants from the City of Los Angeles
Cultural Affairs Department, the City of West Hollywood Arts Commission
and the Los Angeles County Arts Commission
Board of Directors: Cindy Bernard, Carole Ann Klonarides,
Renee Petropoulos, Joe Potts, David Mather, David Schafer, Santos Vasquez
Advisory Board: Ann Goldstein, Vinny Golia, Jorge Martin, Mike Mehring,
Anita Pace, Lauren Pratt, Tom Recchion, Carl Stone, James Tenney,
Christopher Williams
SOCAL:
Performances of music by Adrienne Albert
Hi friends and colleagues,
You are invited to a wonderful program of chamber works for flute, clarinet, piano and soprano at Dabney Lounge, Cal Tech on Sunday, April 3rd, 2005 at 3:30 pm. ÊAddress: 320 So. Michigan Avenue, Pasadena. Cal Tech. ÊThe performance is free and no reservations are needed. Ê
The outstanding performers are:
Elissa, Susan and Delores will be performing my "Let Love Not Fail", text by Ivan Gallardo, for soprano, flute and piano.
The program includes:
For more information about the artists, please visit:
I do hope you can make it and I look forward to seeing you!
All best,
www.adriennealbert.com
More upcoming events:
April 24, 2005
May 6, 2005
June 26,2005
WESRT COAST US:
RYAN FRANCESCONI UPCOMING PERFORMANCES
:: [04.08.05] Life On Earth
:: [04.15.05] Trio Mopmu and Voco
:: [04.17.05] The Toids and Voco
:: [04.19.05] Toids Northwest Tour
:: [05.21.05] Trio Mopmu
SAN FRANCISCO:
Just Intonation Network
concert series: Robert Rich will perform a solo concert of his electronic music
* Upcoming concert in June
Robert Rich will perform a solo concert of his electronic music on
June 11 in San Francisco, as a part of the Just Intonation Network
concert series:
Robert Rich Live
The Rickshaw Stop
"For the ninth and final concert of our series, composer/performer
Robert Rich presents his most recent work from upcoming albums
"Electric Ladder" and "Echo of Small Things" along with
improvisations and older compositions using MOTM analog modular
synthesizer, keyboards, computer, steel guitar and various flutes.
Rich's new work often involves hybrid harmonic tunings that expose
relationships between timbre and melody, taking advantage of new
advances in computer control of analog synthesizers. His use of
acoustic instruments maintains a human connection to his densely
layered performances."
In celebration of the twentieth anniversary of the organization's
founding, The Just Intonation Network, in association with Other
Minds, will present a series of nine concerts of twentieth and
twenty-first century music in Just Intonation at a number of
different San Francisco Bay-Area venues between April 9 and June 11,
2005, featuring works by many of the leading composers exploring the
wealth of expression offered by just tunings. This will be the most
extensive series of performances of justly tuned music ever presented
in Northern California--possibly anywhere--and will showcase the
beauty and diversity of the music being created by contemporary
composers and musicians working in Just Intonation.
Composers and performers represented on the series include Alexis
Alrich, Phillip Arnautoff, David Canright, Ellen Fullman, Gamelan Si
Betty, Kraig Grady/Shadow Theater of Anaphoria, Lou Harrison, Michael
Harrison, Janis Mattox & Loren Rush, Other Music, Harry Partch,
Joshua Pierce, Robert Rich, Terry Riley, and John Schneider.
For a complete series calendar, details of individual concerts,
sample audio files, and ticket sales, see:
www.justintonation.net/concerts.html
LOS ANGELES, CA:
A listing of experimental and exploratory music performances in the
Los Angeles area
Saturday 4/30 - Saturday 5/7, 2005
TONIGHT (Saturday 4/30):
* REDCAT (Thu-Sun, 4/28-5/1) -- 8:30 pm
* WORLD STAGE (Fri-Sat, 4/30) -- 9:30 & 11:00 pm
* LIRA, HARBOR COLLEGE RECITAL HALL (Sat, 4/30) -- 8:00 pm
* JACARANDA (Sat, 4/30) -- 8:00 pm
* ECLECTIC ORANGE FESTIVAL, OCPAC (Sat, 4/30) -- 8:00 pm
WEEKLY SERIES:
* JAZZ ON A MONDAY VIBE, CLUB TROPICAL (Mon, 5/2) -- 8:30 pm
* LINE SPACE LINE, SELAH (Mon, 5/2) -- 8:00 pm
* CRYPTONIGHT, CLUB TROPICAL (Thu, 5/5) -- 8:00 pm
ADDITIONAL EVENTS:
* REDCAT (Sun, 5/1) -- 8:30 pm
* OPEN GATE, CENTER FOR THE ARTS, EAGLE ROCK (Sun, 5/1) -- 7:00 pm
* BING THEATER, LACMA (Mon, 5/2) -- 8:30 pm
LA:
Sunday May 8th
East Coast US Tour:
Somebody's Closet ON TOUR
Somebody's Closet conveys a contemporary mixture of jazz/funk and folk/rock fusion with a very earthy, rootsy tone. Brian Headlee kicks the infectious polyrhythmic grooves on the drum kit. Jeff Bujak splits his brain open to lay down the heart thumping low end with his left hand and the melodic key tones with his right, swapping leads with Justin Eck who adds stylishly percussive rhythms on acoustic guitar. His potent vocals mesh with the angelic, yet alluringly sultry voice of Christine D. Eck who also adds some spice with her array of world percussion instruments. The lyrical imagery spins out of the transcendental souls of Somebody's Closet and makes way to eager hearts all across the country.
11/27/04 SAT Monopole Plattsburgh, NY
"Somebody's Closet breathes new life to the long lost art - real music." Scott Wellington, Miami New Times, 2004
Somebody's Closet was created in Tempe, AZ and now bases out of Northampton, MA. With several U.S. tours, 3 albums along with countless live recordings in circulation, and a 'Best Jam Band of 2003' award at the Arizona Infusion of Music Awards under the belt, Somebody's Closet's popularity grows by the day. Linking songs with segues and including mind altering jams, the live show is their main product.
"The music rises with nary a dull moment, and continues to do so throughout their set." Jessica Acuna, Encore Magazine, Wilmington, NC, 2004
Somebody's Closet:
NEW YORK CITY:
WET INK 2004/2005 SEASON AT A GLANCE
In 2004/2005 Wet Ink presents new music at the Bowery Poetry Club, with 8 split-bills featuring The Wet Ink Ensemble and Ensemble-In-Residence Zs, as well as Slow Six Ensemble, saxophonist Charles Gayle, James Fei?s Alto Quartet, avant-rock from Coptic Light, Timetable Percussion, improvisations by TRIO (Christian Wolff, Larry Polansky, and Kui Dong), and works by Earle Brown, Beat Furrer, Wolfgang Rihm, Frederic Rzewski, Salvatore Sciarrino, Christian Wolff, and members of the Wet Ink Composers Collective, among others.
Friday, January 21, 2005: TRIO / Zs
Wet Ink presents the 4th annual Trio and Zs concert. Composer/performers Christian Wolff, Larry Polansky, and Kui Dong, come down from Hanover New Hampshire to split the bill with New York's brutal chamber sextet, Zs. Trio?s improvisations are sprawling in nature, running the gamut from lush diatonicism to pointalistic chromaticism to distorted noise and prepared piano sounds. Zs performs compositions by band mates Alex Mincek, Sam Hillmer, Matthew Hough, and Charlie Looker.
Wednesday, February 23, 2005: Charles Gayle / The Wet Ink Ensemble
The Wet Ink Ensemble performs compositions by members of the Wet Ink Composers Collective Alex Mincek, Sam Hillmer, Reiko Fueting and Brendan Connelly. Saxophonist Charles Gayle, one of New York's most guttural and aggressive improvisers, performs a solo set as his theatrical alter-ego, "Streets the Clown."
Wednesday, March 30, 2005: The Wet Ink Ensemble / Slow Six.
The Wet Ink Ensemble performs various duo combinations by Alex Mincek, Sam Hillmer, Brendan Connelly, Christian Wolff and Nils Vigeland. They will be followed by the New York-based ensemble, Slow Six, lead by composer, performer, computer programmer, Christopher Tignor. Slow Six investigates consonance in every way. The harmonic palate is relentlessly agreeable, and textures are constantly soothing.
Wednesday, April 20, 2005: Timetable Percussion / Coptic Light (the band not the piece)
Timetable Percussion trio performs works by Beat Furrer, Wolfgang Rihm, Hiroya Miura and others. They are followed by the avant-rock band, Coptic Light, whose bass and drums play aggressive free jazz/metal monolith in support of the guitar?s triumphant pop melodies.
Wednesday, May 18, 2005: Wet Ink Presents Salvatore Sciarrino's L'Opera per Flauto.
Sciarrino is a master at dissecting instruments and finding in them the most intricate and delicate manners of expression. His works frequently allow his precious discoveries to teeter on the brink of inaudibility. Flautist Erin Lesser will perform a selection of movements from Sciarrino's magnum opus for solo flute, L'Opera per Flauto.
Wednesday, June 15, 2005: The Wet Ink Ensemble: Music from the Wet Ink Composers Collective
For the final concert of the season, the Wet Ink Ensemble expands to 12 players for performances of new works by Wet Ink composers Alex Mincek, Sam Hillmer, Reiko Fueting and Brendan Connelly.
All concerts at 8pm.
Bowery Poetry club is at 308 Bowery (btwn Houston and Bleecker)
Various US Cities:
Tod Machover performances in 2005:
Spring 2005
New Work for Orchestra and Hyper-electronics.
Fall 2005
Other projects for another note will include recordings, residencies in the US and abroad, a chamber work for a consortium of ensembles and chamber operas in development.ÊUp to the minute information about Tod can always be found at web.media.mit.edu/~tod/.
SAN FRANCISCO:
Meridian Music: Composers in Performance
Meridian Gallery
Meridian Music: Composers in Performance
This concert series celebrates new, traditional and world music through monthly
performances. The Spring 2005 concerts take place on the second Wednesday
February, March, and April, in the intimate setting of Meridian Gallery. The
series is devoted to the memory of Heather Leinss, one of Meridian Gallery's
first teen interns. Concerts for the 2005-2006 season will be announced later
in the spring.
www.meridiangallery.org/MGMusic.htm
NYC:
Interpretations | 15th season
Upcoming Interpretations concerts at Merkin Concert Hall include:
May 5, 2005 - Paul Epstein / Charles Amirkhanian
NEW YORK CITY:
ARTS ELECTRIC 10th Season
EMF is planning a lively and varied series of events in New York during its 10th anniversary season, including concerts, workshops, encounters, and installations. All events, with time, location, admission, and other details, are listed at Arts Electric as dates are confirmed:
www.emf10.org/
UPCOMING ARTS ELECTRIC EVENTS:
Experimental Intermedia: Sten Hanson, George Brunner, others
CHICAGO:
Lampo Spring 2005 events
Apr 16 - Disinformation (U.K.) - U.S. debut
All events 9PM at 2116 W. Chicago Ave., Chicago, Ill.
Questions? Or to become a Lampo member, visit www.lampo.org.
Spring 2005
DISINFORMATION
In his first American performance, Disinformation premieres new work, "Sense
Data and Perception," with sounds from electromagnetic transmissions and
live radio. He'll also show phosphorescent green light video made especially
for this program.
Disinformation is a London-based experimental DJ and installation art
project, active since 1995, whose materials include lightning, live mains
and static electricity, shadows, cigarette smoke, oscilloscope traces,
ping-pong balls, and electrical interference radiated by magnetic storms,
trains, TV sets, industrial and IT hardware, electricity pylons,
photographic flash guns, arc welding equipment and the sun.
In addition to these sonic explorations, his work also features extensive
use of phosphorescent green light. Tonight, the presentation at Lampo
features video footage of emissions from phosphorescent Zinc Sulphate
bombarded by a stream of electrons. The result is beautiful green flashes
in darkness.
Disinformation has performed and exhibited at Kiasma (Helsinki), The Hayward
Gallery (London), Kettle's Yard (Cambridge), The Victoria & Albert Museum
(London), The Dom (Moscow), NTT ICC (Tokyo), the Olympic Stadium in
Barcelona and London's Royal Institution. Disinformation has presented six
solo exhibitions, including the Huddersfield Art Gallery, Q Arts (Derby),
Quay Arts (Isle of Wight) and Fabrica (Brighton). In 2001 he curated "The
Rumble," an exhibition on the theme of morphology at the Royal Society of
British Sculptors.
MALCOLM GOLDSTEIN
Soundings and other solo improvisation for violin and voice; un-filtered
sound-textures and hardscrabble songs.
Malcolm Goldstein (b. 1936, Brooklyn) is acclaimed for having "reinvented
violin playing" and extending the tonal possibilities of the instrument. He
has been active in new music since the early 1960s, as co-founder and
director of the Tone Roads Ensemble with James Tenney and Philip Corner, and
as participant in the Judson Dance Theater, the New York Festival of the
Avant Garde and the Experimental Intermedia Foundation.
ALEXEI BORISOV
Lampo is thrilled to bring Alexei Borisov from Moscow for his U.S. debut.
Here, he presents his unusual work, "Polished Surface of a Table," with
Soviet-era electronics, cassette tapes, Russian text and abstract
vocalizations. His music combines musique concrete and odd funkless,
unsyncopated rhythms. Lyrically, Borisov describes mundane situations and
objects in great detail, with a unique vocal style that borders on speech.
Borisov also will show his film, "Vruchenije diplomov" ("Diploma Ceremony")
shot at his daughter's high school in Moscow. The program concludes with a
DJ set that surveys the recent history of Russian electronic music.
Alexei Borisov's (b. 1960, Moscow) career reflects the shifting styles of
Russian underground music. In the early 1980s he played in Centre, the first
Soviet new wave band, until he founded the first Russian techno-industrial
group Notchnoi Prospekt. In the 90s Borisov turned to experimental
electronic music, both solo and under various project names, including the
duo F.R.U.I.T.S., which combined abstract electronica, noise, voice
modulation/distortion and free improvisation. Borisov's latest solo
projects bring together his love for the absurd and the everyday (typical
found sound sources are sports reports from the radio and his daughter
reciting a children's poem) with crude, minimal noise.
BOHMAN BROTHERS
For their debut concert in Chicago, the Bohman Brothers will perform a
specially-composed set in two sections. Sound poetry, free improvisation and
musique concrete are ingredients, but ultimately the whole is greater and
more arcane than the sum of its parts.
As a performing duo, Adam and Jonathan Bohman have been operative since
1996. They quote freely from a wide variety of sources: spoken word
material, audio montage. Juxtapositions of non-instruments and high art:
amplified shoe brushes and 17th Century harpsichord music. The use of
amplified and un-amplified objects is a distinctive feature of their work,
and their live set-up often resembles a hard-wired flea market. The visual
aspect is deliberate and often comedic. Ridiculous advertising spiel,
technical manuals and found texts are delivered in blurred simultaneity or
ragged call and response.
Adam Bohman (b. 1959, Leicestershire) began his performing career in 1983,
both solo and as a member of live electroacoustic group Morphogenesis. He is
also a member of the London Improvisers' Orchestra. In addition to his
amplified object playing and tape collages, he records audio letters on
cassette tape. The results can be heard on the "Music and Words" album and
broadcast on Resonance 104.4 FM.
Jonathan Bohman (b. 1961) has been experimenting with recording techniques
since the mid-70s. In the wake of The Bohman Brothers, he formed The Bohman
Family in 2001. He is also a director of the London Musicians' Collective
and contributor to their much lauded radio station, Resonance 104.4 FM.
BECOME A LAMPO MEMBER:
Support experimental music. There are three membership levels with benefits
for you, including free admissions, a limited edition T-shirt and early
program announcements.
DOWNTOWN LA, CA:
line space line (HAS MOVED to Selah!)
a weekly new and improvised music series
For more information please visit www.linespaceline.org
line space line
line space line wishes to extend thanks to the proprietors Selah for hosting this series.
CULVER CITY, California:
"Jazz on a Monday Vibe"
Club Tropical
Salvadoran Food and Full Bar available
CULVER CITY, California:
CryptoNight at Club Tropical in Culver City
Date: Every Thursday Time: 8:00 PM
Club Tropical, 8641 Washington Blvd. Culver City
New York City:
TONIC events APRIL 2005!
April at Tonic:
--Wed, Apr 06--
--Thu, Apr 07--
--Fri, Apr 08--
--Sat, Apr 09--
--Sun, Apr 10--
--Mon, Apr 11--
--Tue, Apr 12--
--Wed, Apr 13--
--Thu, Apr 14--
--Fri, Apr 15--
--Sat, Apr 16--
--Sun, Apr 17--
--Wed, Apr 20--
--Thu, Apr 21--
--Fri, Apr 22--
--Sat, Apr 23--
--Sun, Apr 24--
--Mon, Apr 25--
--Tue, Apr 26--
--Wed, Apr 27--
--Thu, Apr 28--
--Fri, Apr 29--
--Mon, May 02--
--Wed, May 04--
--Thu, May 05--
Please visit www.tonicnyc.com for details and schedule updates.
TONIC
Recently Posted and Ongoing
INTERNET:
The Memory Theater, an iPod opera
Plugged ~ In
18 April 2005
Dear Friends,
I wanted to let you know that we have just launched The Memory Theater, an iPod opera.
Serialized as 49 playlists between April 10, 2005 and February 24, 2007, The Memory Theater is a retelling of Cathedral's 5 moments through the myth of Orpheus and Eurydice.
The Fanfare (Program 1) has begun, and the Prologue will begin on April 24.
Featuring the pan-genre global collective Cathedral Band, The Chronicler, and the voices from the web, The Memory Theater is crafted especially for the sound world of the iPod.
I hope you'll be able to join Nora and me as we begin this new chapter in the Cathedral story.
Best wishes to all,
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
As a podcast:
1] download free podcast receiver software.
On the web:
Need more help? visit our FAQs at
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
INTERNET:
Viralnet.net is now online!
Viralnet is a productive nexus: critique, archive, art space and journal.
It intends to raise questions and provoke assumptions about culture,
media, politics and the arts.
Working with international social critics, media theorists, writers,
curators and artists, it is an online space that will grow and mutate as
it delivers material for these post-digital, post-democratic times. As
human experience becomes more mediated, we will highlight alternative
pathways into future thought and art making.
Produced by the Center for Integrated Media and the MFA Writing Program at
CalArts, Viralnet offers a series of commissioned online projects, essays
and interviews with a view toward articulating new concepts and working
strategies developed by contemporary intermedia artists, writers and
theorists. Tom Leeser, Director of the Center for Integrated Media,
says Viralnet is set up to look at digital media in relation to
culture, politics and the arts. The computer and the Internet have
expanded far beyond the boundaries of an exclusive digital domain,
allowing a transformation from novelty to the familiar," he says. "As with
radio at the beginning of the 20th century, digital technology has entered
a state of flux, going from an object of privilege to a common and
everyday ubiquitous appliance. This will have creative, social and
political ramifications that we are only beginning to
experience and understand."
Some of the contributors to this release of Viralnet include; social
critic and author, Norman Klein, new media theorist and author, Lisa
Nakamura, Kitchen curator and author, Christina Yang, artists, Perry
Hoberman and Sara Roberts.
You can find Viralnet at viralnet.net
INTERNET:
Iridian Radio
If you want to hear provocative "new music" that really is new, or at least created in the
last couple of decades, then check out Iridian Radio. You'll hear music of artists such as
John Adams, Bang on a Can All-Stars, Iva Bittova, Tan Dun, Kronos Quartet, Meredith
Monk, Steve Reich, and many more.
Not only is Iridian Radio's broadcast quality and programming unique to internet
streaming broadcasts, but the station home page also provides further info on the artists
and purchasing links for their recordings. This is a free service -no fees or subscriptions
needed to listen.
If you think Iridian Radio is an important outlet for this music, please forward the station
info to others that might be interested.
Iridian Radio is a fully legal Live365.com station and pays royalties to the artists
programmed.
INTERNET:
DRIFT Radio: from New Media Scotland
To listen to the stream, visit the DRIFT website at www.mediascot.org/drift
New Media Scotland
INTERNET:
New American Radio Website Project
New American Radio
New Radio and Performing Arts, Inc. is pleased to announce its
redesigned, updated and expanded NEW AMERICAN RADIO (NAR) website that
includes full-length radio art programs by American and European
artists. Currently available are works by Terry Allen, Jacki Apple,
Diamanda Galas, Sheila Davies, Suzan-Lori Parks, Gregory Whitehead and
others. Additional programs will be added to the site in the coming months.
A weekly series distributed to public radio stations nationwide from
1987-1998, NEW AMERICAN RADIO includes over 300 original works
commissioned from such artists as Pauline Oliveros, Rachel Rosenthal,
Christian Marclay, Alvin Curran, and Carl Hancock Rux. During its 15
years of broadcast life, NAR became known-nationally and
internationally as the principal source of radio experimentation in
America, ranking with such high-profile international programs as ABC
Australia's The Listening Room. Its works, which won numerous prizes
in competitions worldwide, were aired throughout North America, Europe
and Australia. Although now off-air, NAR enjoys an active afterlife on
the Internet, where full-length programs, audio excerpts, scripts and
other artist writings are available.
An amazing cultural mirror of its time, both in regard to the issues it
dealt with and the techniques and strategies used by its artists, NEW
AMERICAN RADIO is also being archived in the World Music Archive at
Wesleyan University, CT, where it will be accessible both on location
and on-line to students, educators, artists, scholars, and the general
public. The archive is made possible by grants from the National
Endowment for the Arts.
For more information, please contact Helen Thorington at
newradio@turbulence.org
INTERNET:
Spongefork Radio
Spongefork Radio
INTERNET:
Intercontinental spontaneous jam session
New artwork by Icelandic artist Pall Thayer, the Intercontinental
spontaneous jam session is now open and accessible at
www.this.is/pallit/isjs
This piece explores abstract imagery created via a musical interface to
combine the inherently abstract qualities of music with randomness and
multi-user interactivity to create a truly abstract image that contains
no references to the physical world.
Pall Thayer
INTERNET:
ARTPORT from the Whitney Museum of American Art
http://www.whitney.org/artport -- read more !!!
INTERNET & NORTHWESTERN University:
Home, an interactive, navigable web work, contains the work of 17
artists
Home, an interactive, navigable web work, contains the work of 17
artists. These include: a screenwriter, a photographer, a set
designer, film and video makers, and sound and computer artists. Each
has a unique perspective on the meaning of home, this most universal
and basic of necessities.
Primary collaborators Drew Browning and Annette Barbier will be at
the Block Museum at Northwestern University to demonstrate and talk
about the work during the following times:
on Tuesday, Sept. 25 from 12-5 PM
Home is permanently on line via the Block web site at:
http://www.blockmuseum.northwestern.edu/art_tech/virtual.html
For directions, see:
http://www.blockmuseum.northwestern.edu/welcome/directions.html
The development of Home was supported by a grant from the Center for
Interdisciplinary Research in the Arts at Northwestern University.
Contributing artists from the Northwestern community include: Dave
Tolchinsky, Michelle Citron, Sam Ball, David Downs, Rives Collins, Linda
Gates, Dan Brintz.
INTERNET:
Post Media Network
Michele Thursz, the former Director of Moving Image Gallery, is proud to
present her latest project the Post Media Network:
The network operates as a physical and virtual structure composed of
editorial, curatorial, and artists projects that stresses the different
perspectives and uses of the electronic and computer-based mediums.
Post Media is an action demonstrating the continuous evolution of the term
and uses of media. The network promotes actions of collaboration,
representation and market utilization of all media.
The Network
Portfolios showcase the artists on the network, the digital studio and the
marketable physical and virtual objects.
Represented artists:
Developed by Claire Barliant (senior editor of artbyte), Dialogue
features conversations with the artists to reveal their history
and process.
The archives document the on going exhibitions and events
presented or affiliated with all past and present network participants.
Director: Michele Thursz
"All data is created equal" -- Arcangel
INTERNET:
Announcing the Launch of the Website for:
"Re: Duchamp Traveling Exhibition"
La Biennale di Venezia:
49th International Exhibition of Art--
Concomitant Exhibitions
http://www.nyartsmagazine.com/duchamp
"The Re: Duchamp Travelling Exhibition is a project that has been evolving
over time. It has traveled to various cities in Germany, Poland, Chile and
Israel, as well as New York City. It is the ongoing work of Abraham Lubelski,
and incorporates the work of over 250 other artists, including Nam June Paik,
Dennis Oppenheim, Carl Andre, Ilya and Emilia Kabakov, Taylor Mead, Larry
Weiner, David Humphrey, Inka Essenhigh....
The Re: Duchamp Travelling Exhibition at the 49th Venice Biennale* is an
installation of clotheslines from which artwork is hung.** The idea for this
installation is derived from Marcel Duchamp's infamous benefit exhibition
organized on the Premises of the Coordinating Council of French Relief
Societies, 451 Madison Avenue, New York, October 14th - November 7th, 1942,
in which he criss-crossed the entire gallery with one mile of string. This
entanglement, which the public had to negotiate when they came to view the
art, stood as a metaphor for the difficulties encountered in attempting to
understand modern art.
The current exhibition uses this Duchampian metaphor to point to connectivity
as much as any difficulty that might hinder an appreciation of art in the
digital age---art whose nature may be partially or completely ephemeral,
time-based, or immaterial, and which might be conveyed digitally or housed
virtually. Re: Duchamp celebrates the process of visual sampling in a world
where the line between original and copy has been blurred, and the medium is
the readymade.
** Participating artists were asked to e-mail their submissions as digital
files. These were printed out, placed in plastic sleeves and brought to
Venice for installation. Hung from criss-crossing lengths of string at the
Church of S. Maria Ausiliatrice, they resemble so many Tibetan prayer flags,
the wind and the Web conveying and disseminating their messages.
* At the 49th Venice Biennale, the Re: Duchamp Travelling Exhibition forms
part of the Markers Project, which involves organizations in Venice including
the Peggy Gugghenheim Collection, the Biennale Arti Visive, and the
Municipality of Venice itself."
[--notes, Joy Garnett]
PARTICIPATING ARTISTS:
MARK AMERIKA, DANIEL GARCIA ANDUJAR, DOUGLAS DAVIS, CHRISTOPH DRAEGER, PETER
FEND, JOY GARNETT, PAUL GARRIN, KEN GOLDBERG, WANG GONGXIN, MARINA GRZINIC &
AINA SMID, WENDA GU, INGO GUNTHER, LIANG-MEI HUANG, JON IPPOLITO, EDUARDO
KAC, OLGA KISSELEVA, TINA LAPORTA, JENNY MARKETOU, MARCELLO MAZZELLA, PAUL D.
MILLER aka DJ SPOOKY, MTAA, OLU OGUIBE, ANDRES SERRANO,
HANI RASHID (ASYMPTOTE ARCHITECTS), MARK TRIBE & KERRY TRIBE
Curated by: CRISTINE WANG
http://www.tribes.org/dystopia
For More Information contact: Cristine Wang tel:
917.318.0081
http://www.nyartsmagazine.com/duchamp
Festivals, Contests, Conferences, Programs, Airtime Submissions Requested!
NewTown Pasadena and SCREAM (Southern California Resource for
Electro-Acoustic Music) announce a call for works integrating video with
electro-acoustic music scores. Êorks in which the visual and sonic elements
are co-equal and/or generated from the same or similar conceptual elements
will be looked upon favorably, though this is not an absolute requirement.
Works submitted must be no longer than 15 minutes, recorded on standard DVDs
(playable on region 1 players or encoded without a region flag), and with a
stereo soundtrack. Works may be created by one or more artists. Ê
Selected works will be presented on a New Town Pasadena program on Saturday,
October 8 and will also be shown at CalArts at a later date. Artists of
works chosen for presentation will receive an honorarium from New Town
Pasadena.
Artists who wish their DVDs returned should send an SASE with submissions.
Works not selected and submitted without SASEs will be destroyed after the
curating process. Please include a brief biographical sketch and short
program notes with each submission. Also, be sure to include an e-mail
address for contact purposes with each submission.
Works must be received by July 18, 2005.
Send submissions to:
For more information, please e-mail Barry Schrader at schrader@calarts.edu
or contact Richard Amromin at NewTown - newtownarts@charter.net or call at
(626)398-9278.
The Electroacoustic Music Association of China (EMAC) and the China
Electronic Music Center (CEMC) based at the Central Conservatory of Music in
Beijing are pleased to announce their annual conference:
MusicAcoustic 2005: Mix
The transforming soundscape of Beijing offers a heavy 'Mix' of old and
modern voices; where the old hutong and modern skyscrapers Mix amidst a
hurried development frenzy. The Conference will therefore invite research
and concerts inquiring along a broad vector that traverses the aesthetics of
Organized Sound, Electro-Acoustics (with Chinese and Western Instruments),
Microsound, Coding Experimentation and Phonography. Ê
ÊÊ
With modern China as a backdrop, we think a Mix of the traditional and new
in computer/electronic/laptop music is an appropriate thematic for this call
for works, where an old/young city/country is experimenting with its own
emerging unique voice on the global music scene. Chinese composers and
academics come together once a year to plan future directions for the
development of computer music in China and to learn/exchange with their
international guests.
There are no irrelevant proposals for this week of music, practicum and
discourse: recent software developments; theory and criticism, a focus on
phonographic practice, or music with image. The conference will include
concerts, paper sessions, artist talks, discussion panels and workshops. 10
to 16 channels with subwoofer will be provided (Genelec). Workshops or
residencies are invited in the days surrounding the conference.
Deadline for proposals is June 30, 2005.
Organizing committee:
Zhang Xiaofu (Chinese Language)
Kenneth Fields
Kui Dong
Are you interested in performing on the Meridian Music series?
We welcome your interest and want you to have a sense of what we're seeking for this series. The space is a wonderful, intimate venue, a rectangular gallery space, deeply windowed at one end, hardwood floored, 14 1/2 feet by 30 feet with a 10 1/2 foot ceiling. We can seat a maximum of 50 people. We're on the second floor of a building in downtown San Francisco, generally quiet, but with some street sounds audible. There is not a piano in the space. The audience usually sits on comfortable folding chairs. Because it is an active, vibrant art gallery, the music always occurs in relation to the current exhibition. So, we are interested in music that works well in this resonant space.
Each concert is professionally recorded by Michael Zelner of Zoka Productions. With this opportunity, those selected will also share their unique musical perspective with a group of about 15 low-income, high school aged, interns in a one-hour workshop.
We invite proposals from composer/performers for solo or very small ensemble performances that take into account the size of the room. Quiet, "lower case" music works well here, so do sonically saturating pieces. It's a small space, and we respect the ears of our audiences and we want performers who understand that. We host a wide range of styles and approaches, including free improv, structured improv, minimalism, new (and old) complexity, as well as streams from jazz, "concert" music, art music from all world cultures, experimental music, and performance art. We hope to present a wide variety of these sorts of art music, and we need your proposals to help us to do that.
Your proposal needs to let us know what you wish to perform and how you sense your work fitting into the Meridian Music series. Just a few lines of text are fine; we're not after pages of information. You're also very welcome to enter a conversation with us about what you'd like to do. We're working artists and musicians and educators and we always enjoy talking with others in these fields. We want your experience with us to benefit you as well as us and that is why we look thoughtfully for good matches of performer and space.
We look forward to hearing from you!
Sincerely, Tom
Postmark Deadline: May 15, 2005
Minnesota Orchestra and the American Composers Forum, in cooperation with the American Music Center, present:
MINNESOTA ORCHESTRA READING SESSIONS AND COMPOSER INSTITUTE
Orchestra Hall, Minneapolis
Postmark Deadline: May 15, 2005
The Minnesota Orchestra Reading Sessions and Composer Institute offers a week-long intensive immersion into the world of a major American symphony orchestra.
Under the guidance of composer Aaron Jay Kernis, up to nine composers will have orchestral works read by the Minnesota Orchestra and participate in a series of professional workshops on musical, career, and community outreach issues. Composers will receive pre-reading consultations and post-reading composition mentoring with Mr. Kernis. They will also meet with Orchestra members and attend small-group sessions with musicians and other leading music industry professionals. The Institute will nurture the participants' musical acumen and broaden their career management skills, assisting in their growth as artists and community leaders.
SUBMIT
ELIGIBILITY
SELECTION
* A national panel of prominent composers will review submitted scores and select the group of composer participants and alternates.
Send score and materials postmarked by May 15, 2005:
For further information, visit:
concerhall.le-musee-divisioniste.org
SoundLabChannel is a joint-venture between
[R][R][F]2005 XP
Call for submissions deadline 16 May 2005.
SoundLab Channel
Subject: there is a general subject "memory and identity"
The submission has to be posted on a webpage for download,
The authors/artists keep all rights on their submitted works.
Deadline 16 May 2005.
Confirmation/authorization:
Please send the complete submission to
Deadline 16 May 2005.
*****************************
"[R][R][F]2005 XP"
to be released by UBUIBI
the 'women take back the noise' compilation project will be
a compendium of projects by women who experiment with
various difficult sound mediums such as noise, machine-noise,
laptop, glitch, cut-up and other related genres.
ARTIST TRACK LENGTH and DUE DATE
maximum total time per artist piece - 8 minutes
format for submissions: CD, cassette, mini-disc
we are asking all artists to submit exclusive pieces ONLY.
upon release, each artist will receive copies of finished CD
curator: ninah pixie (aka 'weirdpixie') ninah@ubuibi.org
::: this project is a not-for-profit compilation :::
----/ Contact Info /----------------------------------------------------
ninah pixie
There is a new improvising space in the web at www.auracle.org
It's a webspace where everyone can improvise together, the only thing
you'd need to participate is internet access, a microphone (the
built-in mic of your computer is fully sufficient) and just your
voice or anything else that makes a sound. The idea is to provide an
easily accessable worldwide improvising space that anyone, musician
or non-musician, can easily handle and make music with it.
We over here in Stutgart are promoting this project from Saturday
25.9. until Friday, 1.10. every day from 10 a.m. to 7 p.m. central
eurpoean time, and it would be great if as many people as possible
would join us in this time and improvise together.
the project was initiated by Max Neuhaus, realised by Shekar
Ramakrishnan, Kristjan Varnik, Jason Freeman and others, and you can
find more information on the website www.auracle.org
Hope to meet all of you there
i am a co-founder and co-director of collective: unconscious, an artist-run multi media art space and production facility that has just moved into nyc/usa/tribeca, to hopefully engage in the heretofore rather obscure task of the de-gentrification of a neighborhood in new york city.
at this point, the best way that many of the prolific members of the experimental art/media/theater community can help us is through doing a show/event at collective: unconscious. our carrying expenses are 7000 dollars a month, and we need to have a full schedule of weird, strange, shocking, experimental, original stuff going on in our space to keep us from economically crashing and burning in short order
we have karen finley www.karenfinley.org doing a run of shows in september and october, which means sizable audiences to glean for a whole slew of open 10pm slots.
a partial and by no means exhaustive pitch for our new facility:
the only space of its kind left in lower manhattan, in a sea of starbucked duane readed name branded cultural garbage, a barnacle of freakdom that you can help keep alive in the trying months ahead
come by any of our bookings meetings any sunday at 6pm at 279 church st., nyc, usa, and/or email scheduling@weird.org. speak to gecko or myself. we are inviting both local artists and international artists seeking to do shows/events in new york city at low cost. we want engaging original work that may not be as established as the work presented by other experimental art spaces in nyc such as the kitchen or ps122. if you don't know about our space and you are interested in booking an event with us, check out our website www.weird.org
to find out about work we've produced and presented, goto:
Deadline for submission:Ê October 25th, 2004
Open topic -- No entry fee
Please visit Mediatopia for submission guidelines and entry form mediatopia.net
Mediatopia is a recurring networked culture space for art, technology and writing.
We still believe in networked culture. Mediatopia.
"Mediatopia's projects may lure you into their spectaclesÐor drive you to the streets in protest!" -Valerie Lamontagne for Rhizome
"Make sure you set aside plenty of time for browsing this site as it's likely to send you off on a trajectory of your own." -Helen Varley Jamieson for Rhizome
"Tensions are exposed and desires embellish theories of cyberspace. Ideologically charged electrons paint a flesh filled world of vanguard reflections." -Ludmil Trenkov for NetArtReview
Produced by Adhocarts.org, Curated by Lara Bank and Andrew Bucksbarg
Call for submissions
Introducing SONUS.ca, a free online listening library
featuring all forms of experimental electronic music.
With over 1200 works from artists around the world,
SONUS.ca is the world's most extensive audio
web-resource dedicated to technology-based sound
exploration. Best of all, it's free to listen and
free to submit your work.
Sonus is built around a Flash interface, which makes
the site simple to use and navigate. It's easy to
create and modify playlists, or find music in the
library with the powerful search engine. Curated
galleries will be a regular feature, showcasing work
from different labels and festivals, or presenting
work chosen by a curator around a particular theme or
style.
With these features, Sonus is a great way to promote
your work. You can include biographical information,
track notes and links to personal webpages. So why not
send in your audio? The CEC will encode it as high
quality mp3 and include it in the Sonus library.
If you run a weblabel or have a personal webpage, you
can use Sonus to house your audio with a link directly
from your page. Contact us for more information.
Sonus.ca is supported by the membership of the CEC and
the Canada Council for the Arts. Sonus.ca is dedicated
to presenting experimental electronic music of all
kinds, and has attracted over a quarter of a million
listeners since its inception. Check it out:
For submissions: sonus.ca/call.html
RAM-Radioartemobile and Nomads & Residents
A collection and a traveling archive of audio-artworks, a database on the Internet, and a center for different ways of listening
Proposal open to all artists who work with sound
Radioartemobile (RAM) and Nomads & Residents (N&R) kickoff an audio-artwork database.
All artists who have worked or are working with sound are invited to send an artwork on audio CD, DVD, or on a vinyl record. The RAM headquarters in Rome, via Conte Verde 15, will function as a gathering and a listening point and as an archive for all materials received. It will be open to public. Artworks will be gradually posted in the section "database" of the Radio website www.radioartemobile.it.
RAM is also the first location of a traveling archive initiated by Nomads & Residents. The second public presentation will be in San Francisco, at Southern Exposure, in the spring of 2005.
GUIDELINES FOR SUBMITTING AUDIO-WORKS
- the sender can mention any requirement needed to listen to the audio-work (type of loudspeakers, stereo system, headphones, etc.). These indications will be taken into consideration each time RAM would chose the piece for installing it, within the technical and logistic features available;
Radioartemobile and Nomads & Residents will take the best care of the entered works, but cannot take liability for accidental damage, loss or theft. For this reason we suggest to send two copies of each material. RAM and N&R will
archive all sound works that fit the above mentioned requirements and will present them to the public.
Lorenzo Benedetti, Riccardo Giagni and Cesare Pietroiusti will listen to all the entries and will gradually post them in the web-site database. In turn-to the discretion of the curators- some artworks will be displayed in the RAM headquarters in Rome with the aim of offering the public also the possibility to explore different ways of listening to audio-works. The database will gradually increase the number of contributions and will be presented to the public at regular appointments. The first public presentation is scheduled for mid October 2004.
Deadline for first submission is September 1, 2004.
Please send the material to:
CALL FOR SUBMISSIONS
Performance art, video, installations, experimental music.
Dangerous Curve is a new Downtown Los Angeles experimental exhibition
and performance art space committed to supporting visionary emerging
artists of all ages, by emphasizing one-person shows of risky,
intelligent work that is not necessarily commercially viable nor
currently popular. Dangerous Curve is also a new venue for performance
artists, with performance-exhibits, monthly performance art and
experimental music events, and an annual end-of-summer festival planned.
Dangerous Curve is looking for performance artists and experimental
musicians for their monthly Performance Art and Experimental Music
Nights. We will give preference to work that is, in the words of Jacki
Apple, radical content in radical form. We want work that pushes
the envelope, not pure dance, singing, or theatre.
Submission format: DVDs/CDs/URLs preferred. We can handle videotapes
and slides, but not to your best advantage. For performance art, a
written description may even suffice; musicians must send samples.
Deadline: Ongoing.
Mailing address: Dangerous Curve, POB 532281, Los Angeles, CA 90053-2281
See dangerouscurve.org for directions, etc.
New Media Scotland calls for participation for Drift - an exploration
of sound art and experimental music which comprises live events,
radio broadcasts, moving image and publications.
The accessibility of the Internet together with new tools and methods
for digital recording, manipulation, reproduction and distribution
have changed forever the way that we think about and interact with
sound, giving us new ways to communicate our ideas. An increasing
number of artists, producers, DJ's and sonic creators, from a broad
spectrum of disciplines and varying modes of practice, are exploring
streaming media as a viable format. We want to open up this channel
further.
We are offering four opportunities to take part in Drift, details
follow. Further information, guidelines and application forms
available from the Drift web site:
Ongoing, Internet Project
PANSE, an open platform for the development of audio-visual netart, is now
open and accepting connections. All information available at:
http://130.208.220.190/panse
Write me if you have any questions.
Pall Thayer
Ongoing, Internet Project
Email Music Project : Theme : MUSIC : Deadline : ONGOING
The Process : I use a program which converts text and images from your Email
to Random MIDI musical note data. Each submission generates a NEW instrument
track and is then added to the musical data generated from all previously
received Email. The ongoing process is repeated and a type of song is
composed. The Music is composed directly from the elements contained in all
Email. The work will be presented on a website when I get enough Email for
music. All will be informed.
Send Email to : emusicproject@hotmail.com
Ongoing, Internet Project
The Infinite Sector Project is an independent network
of experimental musicians/bands/and artists from
around the globe.
We are seeking contributors for our series of
non-profit compilation CDs. Anything is accepted
without editing or censorship, as long as it is free
of hate and defies traditional musical boundaries.
For more information please go to :
www.geocities.com/klaodna
Anyone living in Melbourne, Australia should know about the Melbourne
electroacoustic nights:
http://farben.latrobe.edu.au/mikropol/david/mean.html
We had our first meeting last week - it was good fun, with some interesting
music being played and a cool demonstration by Tim Kreger of his new 3D
real-time sound visualisation system.
The format is ad-hoc show-and-tell and/or CD/DAT playback. Everyone should
feel free to come along and play something or just check it out.
GRANT
The New York Arts Recovery Fund will survey NYC artists to find out
if they need job retraining in the areas of teaching, social work,
and some construction-related trades as well as arts organizations to
see if they have laid workers off. Artists will be eligible for the
Consortium for Worker Education's job retraining program for NYC
artists whose economic base has been impacted by the disaster.
Additionally, it is possible that CWE will provide, with NYFA's help,
partial wage subsidies to nonprofit arts organizations that laid
workers off or cut back their pay or hours as a result of September
11.
ORGANISM: MAKING ART WITH LIVING SYSTEMS
organism is a new mailing list for people interested in art that
involves living systems. discussion topics on organism include
technical, practical, aesthetic, and ethical issues.
subscribe to the organism mailing list:
http://music.columbia.edu/organism/
the idea of making art with living systems is not new; you might even
consider a topiary garden or a goldfish pond to be biological art. what
is new is the degree of control over biological systems and materials
contemporary technology offers us.
some artists making biologically-based art:
Eduardo Kac has made several transgenic artworks, including GFP Bunny,
a genetically engineered fluorescent rabbit.
Damien Hirst's A Thousand Years involves a cycle of maggots eating a cow
head.
Yukinori Yanagi uses ant farms in some of his work.
Edgar Lissel's Bakterium is photographic images rendered in
light-sensitive bacteria.
Richard Reames is an arborsculptor who makes extreme trees.
douglas repetto (that's me!) has a number of pieces, like How to Annoy a
Plant, that involve plants and time-lapse photography.
......................................
The changes wrought by the terrible events of September 11, 2001 are
still becoming visible. The arts community has, like every other area
of life, been deeply affected by the terrorism and its aftermath. In
response to the horrors and destruction in New York City and
Washington, D C, the Santa Fe Art Institute is contributing to the
support and normalization of life in America. The Santa Fe Art
Institute is offering two to four week residencies in beautiful,
quiet residence spaces with studios as respite for artists whose
living spaces or studios have been compromised by the terrorism. The
residencies are available during the fall and winter at no cost to
the artists.
Please send a letter (and slides if possible) to The
Santa Fe Art Institute, 1600 St Michaels Drive, Santa Fe, NM 87505,
Or email to: info@SFAI.org
Longwood Cyber Studio is equipped with four NT networked pc
workstations, Internet accessibility, software programs such as
Microsoft Office 2000, the entire Adobe suite including Photoshop,
Dreamweaver, Flash and Director, a flatbed scanner, zip drive and
color printer. We would also like to offer access to our
administrative office as regards your telephone and fax needs. While
they are well aware that access to computer and office equipment only
offers relief of a material nature, they hope that relief may help to
assuage some of the worries of those affected by this loss. Bronx
Council on the Arts again sends our sincere condolences and warmest
thoughts.
Contact: Eddie Torres, Director, Longwood Arts Project, 965
Longwood Avenue, Bronx, NY 10459, Tel: 718-842-5659, Fax:
718-842-3933
eric hill/perMUTATIONS
perMUTATIONS
INVISIBLE GLASS
World Premiere
For more information about CalArts, visit www.calarts.edu.
Nancy Buchanan & Carolyn Potter, Johnny Coleman, Kadet Kuhne, Shannon Noble,
Joseph Santarromana, Evelyn Serrano, Erika Suderburg, Amanda Yates.
Curated by Joseph Santarromana
676 South Ave 21, #33
Los Angeles
323.222.0222
www.oversight.com
Gallery Hours Friday to Sunday, noon to 5PM
The 2005 Festival of Microtonal Music
www.MicroFest.org
FROM ANCIENT GREECE TO MODERN GAMELAN
Works by Bill Alves, Lou Harrison, Jeffrey Holmes, Douglas Leedy, Peter Steele, and others
with Jennifer Goltz, Rachel Vetter Huang and the Harvey Mudd College American Gamelan.
Lyman Hall, Thatcher Music Building, Pomona College / College and Fourth / Claremont
909¥607¥4170
Free admission
JOSHUA PIERCE: REVELATION
Grammy-nominated pianist Joshua Pierce performs the West Coast Premiere of
Michael Harrison's 90-minute magnum opus REVELATION for the Harmonically Tuned
Piano.
"É huge golden balls of vibrant sound." Paul Griffiths, The New York Times.
"An indisputable landmark in Western tuning's circuitous history." Kyle Gann, The Village
Voice.
"He seemed to free an angelic choir above." Stuart Isacoff, Temperament.
Pierce College Performing Arts Building 6201 Winnetka Blvd / Woodland Hills
818¥719¥6476
$15/$10 students & seniors
MICROGUITAR SUMMIT
Dusan Bogdanovic, Adam del Monte, John Schneider, Miroslav Tadic, Elgart-Yates Duo
plus percussionist Art Jarvinen and the UCLA guitar ensemble
play music of James Tenney, Carter Scholz, Terry Riley, David Doty, Schneider,
Bogdanovic, Tadic and Microtonal Flamenco
Jan Popper Theater at Schoenberg Hall / UCLA / Westwood
310¥825¥2101
$15/10 students & seniors
THE QUIET EROW
Performed by the Shadow Theater of Anaphoria, Kraig Grady and Roger Mexico, directors
The Folly Bowl / Altadena
Call for directions, reservations required: 323¥258¥3260 or kraiggrady@anaphoria.com
$10
LOS ANGELES PHILHARMONIC WITH TRACY SILVERMAN, ELECTRIC VIOLIN
Esa-Pekka Salonen conducts John Adams's electric violin concerto Dharma at Big Sur,
a Just Intonation tribute to Lou Harrison
Walt Disney Concert Hall
LA Philharmonic box office 323¥850¥2000 www.laphil.org
$36-$125
MAGICAL EARS: MUSIC FOR TRADITIONAL AND ORIGINAL MICROTONAL INSTRUMENTS
Jacqueline Bobak, Ron George, Susan Rawcliffe, and John Schneider perform the music of
Elaine Barkin, Paul Berkolds, Ron George, Lou Harrison and Susan Rawcliffe.
Neighborhood Church / 301 N. Orange Grove Blvd. / Pasadena
213¥623¥6845
$16
HARRY PARTCH
Returning to Disney Hall after last season's sold-out premiere of Partch's Bitter Music,
Just Strings once again treats the eyes & ears with their orchestra of Partch instruments.
Performed by John Schneider and Just Strings
REDCAT box office at Disney Hall 213¥237¥2800 www.redcat.org
$24/12 students & seniors
Nancy Buchanan & Carolyn Potter, Johnny Coleman, Kadet Kuhne, Shannon Noble,
Joseph Santarromana, Evelyn Serrano, Erika Suderburg, Amanda Yates.
Curated by Joseph Santarromana
676 South Ave 21, #33
Los Angeles
323.222.0222
www.oversight.com
Gallery Hours Friday to Sunday, noon to 5PM
NYC American Museum of Folk Art
53rd Street & 6th Ave., Manhattan
tickets through the museum
www.ntet.net/
9:00pm
21 GRAND
416 25th Street
Oakland, CA 94612
Tel. 510. 44GRAND
8pm at metro gallery
64 n. raymond ave, pasadena
(one block north of Colorado)
five dollar donation
with sayo mitsuishi [live drawing]
with andrew epstein, corey fogel, max markowitz [sound]
with ezra buchla [sound]
with tehn [sound]
O.P.T.I.O.N.S (led by Bruce Friedman).
2225 Colorado Blvd.; L.A. Ca.
(just west of Eagle Rock Blvd. near the intersection of the 2 and 134 Freeways)
$10 tickets, ($5 students, seniors and series artists)
for imformation call (626) 7954989
Matt Cooker on cello,
Paul Sherman on oboe and English horn, and
Alan Savedoff on bassoon, contrabassoon, and bass clarinet, with
Dutz himself concentrating on marimba, vibraphone, and waterphone.
violinist Ted Falcon,
woodwind player Lynn Johnston,
flautist Ellen Burr,
euphonium player Eric Sbar,
guitarist Jeremy Drake,
synthesizer player Emily Beezhold, and
percussionist Rich West, with
Friedman participating as well.
Paul Legaspi, drums
John Avila, basses
Woody Aplanalp, guitars
Tracy Wannamae, woodwinds
Dan Ostermann, trombones
Ê
$10
May 1st, 2005
*Space Loft*
(323) 257-7969
Gallery Opens at Noon.
106 S. Avenue 58
Los Angeles, CA 90042
Ê
at the Hammer Museum
Saturday, April 23
3:30 pm (short program)
LineSpaceLine - at
Selah
Monday, May 2nd
8:00 pm
1001 E. First St. #15
LA, CA 90012
www.linespaceline.org for directions
at Schoenberg Hall (UCLA Music Building)
Saturday, May 21
8:00 pm (full-length program)
www.newenglandconservatory.edu/concerts
Interpretations | 16th season
Ka Himeni Hehena (The Raving Mad Hymn) and other NY premieres
Four recent chamber works performed by members of Glaux
Box Office (212) 501-3330Ê Concert info (212) 627-0990
$10 / $7 or TDF/V
May 26 - Bobby Few & Tom Chiu
www.SonicResolution.org
Commissioned by the City of Las Vegas
resident new music ensemble at the Corcoran Gallery of Art
1973 ~ 2005
Plugged ~ In
Gamelan Room (A114), California Institute of the Arts
FREE
. a gending soran ("loud piece"), composed by myself, this new composition features a five-person kendang (drum) "battery" in addition to the loud instruments of the orchestra;
. a tabuh kreasi kontemporer (new instrumental creation not based on common forms / cycles) composed by myself, organized into classical (north Indian) alap, jhor, and jhala form. Featured as the solo instrument will be the Irish bodhran, a 16-inch (approx.) frame drum played with a double-headed mallet.
www.dcmusicaviva.org
www.geocities.com/marilynbanner
ELECTRONIC AND COMPUTER MUSIC CONCERT SERIES 2005: CONCERT IV
May 14, 8pm
at St. Michael & All Angels Episcopal Church,
3646 Coldwater Canyon Blvd.,
Studio City, CA, 91604
DAVID KIM-BOYLE: Triptych After Radiohead (6:00)
DAVID JAGGARD: Mary and Ann (14:30)
TOM HIEL: new work, title to be announced (10:00)
DIAMANDA GALçS: Ter Vogormia (13:05)
ROBERT ROWE: Shells (8:06)
BOB STURM: Pacific Pulse (7:30)
JENNIFER LOGAN: new work, title to be announced (10:00)
PATRêCIO DA SILVA: new work, title to be announced (10:00)
ALEXIS BACON: Language (3:00)
DAVID PSENICKA: Propogation (10:00)
EDUARDO RECK MIRANDA: Grain Streams (17:00)
SYLVIA PENGILLY: X/T(ime) (6:30)
213-422-2733
or visit
www.spectrumpress.com
General: $20
Student: $10
Tickets are also available at the door
Klezmer Music meets Mystical Music of the Middle East in an event for the whole family.
Parking: free at church lot
Admission: $15, (kids $5)
Reservation and More Info: info@yuvalronmusic.com
"Failure is fun!"
May 18, 2005
P.S. 122 @ 8PM
Hosted by Jon Friedman
(Author, The Underminer)
(Comedian, Variety Shac)
(Comedian, The Shark Show)
(Cartoonists, The New Yorker)
P.S. 122 @ 8PM - $7
150 1st Avenue and 9th St.
F train to 2nd Ave., R to 8th St., 6 train to Astor Pl.
212.477.5829
Tickets available via Ticketweb.com or at the P.S. 122 box office
www.tremendousrabbit.com
plus an art auction and iPod raffle.
At a private residence in Beverly Hills
Susan Greenberg, flute ÊÊÊÊ
Delores Stevens, piano
Elissa Johnston, soprano
Michael Grego, clarinet
Handel -- Nell dolce dellÕ oblio for soprano, flute and piano
Poulenc -- Sonata for clarinet and piano
Saints-Saens -- Une Flute Invisible for flute and piano
Albert -- Let Love Not Fail Êfor soprano, flute and piano
Bizet -- Jeux dÕEnfants for flute, clarinet and piano
Schubert -- Shepherd on the Rock for soprano, clarinet and piano
Muczynski -- Sonata for flute and piano, op. 14
Êhttp://events.caltech.edu/events/event-1525.html
You can also find directions to Cal Tech from this site.
Palos Verdes, CA
An afternoon concert of music by Adrienne Albert
CSU, Sacramento, CA
Composer-in-Residence
A program of works by Adrienne Albert, Lynn Job and others.
Church of the Lighted Window
La Canada, CA
Works for String Orchestra, Joel Lish, conducting
The Fillmore Lounge, 1805 Geary Blvd. S.F. CA 94115
8pm, 2286 Cedar St, Berkeley
8pm, Don Quixote's International Music Hall 6275 Highway 9 in Downtown Felton, CA 95018
(4.19 - 4.26), Shasta, Ashland, Portland, Seattle
St. Kiril and St. Methody Bulgarian Festival, Slavonic Center, 60 Onondaga Ave. San Francisco, CA
Saturday June 11
San Francisco
155 Fell Street
San Francisco
7:30pm - 9:30pm
Tickets $20
- Invisible Glass: Tom Recchion, Janie Geiser, Erik Ehn
calarts.edu/redcat/season/20042005/cnt/iglass.html
- Kamasi Washington
www.theworldstage.org/concert.html#CS
- Michael Vlatkovich Trio with Steuart Liebig
www.liraproductions.com/Concert_Calendar.html
www.lahc.cc.ca.us/map.htm
- "Prague Spring" (Janacek, Dvorak)
www.jacarandamusic.org/schedule.html#april
Pre-concert lecture by Rich Capparela -- 7:00 pm
- LA Phil, Miguel Harth-Bedoya, dir., Vadim Repin (Tan Dun,
Stravinsky, Tchaikovsky)
www.eclecticorange.org/shows/show3.htm
- Red Hill: Harvey Lane, Anand Bennett, Ricky Luther, Mark Sims,
Leonice Shinneman
www.sensoundmusic.com/jazzonamondayvibe.html
Microscores & 30-second Music Round II(b)
- Johnny Chang, Jessica Catron (albert ortega, William Leavitt,
Devin Hoff, Matt Davignon, Jeremy Drake, Erika Pipkin, Sam Hoyt,
Raven Chacon, Russell Cowley, km, Sara Schoenbeck, Joseph Kudirka,
Kira Vollman, Joseph Berardi, Alan Lechusza, Nicholas Chase,
Harris Eisenstadt, Jessie Rothwell, Jeff Schwartz, Travis Just,
Jeroen Speak, Yvette Audain, ezra buchla, Philip Gelb, Rich West,
Andre Cormier, Jim Fox, David Ryan, Kraig Grady, Jorge Boehringer,
gust burns, Greg Headley, Sean Clute, Nels Cline,
Steve Gregoropoulos, Zachary Scott, Adam Overton, David Kendall,
Mitchell Brown, Weba Garretson, Shawn Onsgard, Ches Smith,
Maria Myrick, Corey Fogel, Sayo Mitsuishi, Moira Smiley)
CryptoNight 2nd Anniversary Concert
- Myra Melford, Mark Dresser
www.obstacle.com/crypto/cryptonight/
- Invisible Glass: Tom Recchion, Janie Geiser, Erik Ehn
calarts.edu/redcat/season/20042005/cnt/iglass.html
- Brad Dutz Quintet: Karen Elaine Bakunin, Matt Cooker, Paul Sherman,
Alan Savedoff, Brad Dutz
- O.P.T.I.O.N.S., dir. Bruce Friedman: Lynn Johnston, Ellen Burr,
Michael Intriere, Andrea Lieberherr, Jeremy Drake, Emily Beezhold,
Rich West, Eric Sbar, Bruce Friedman
626-795-4989, www.centerartseaglerock.org/
- Monday Evening Concert: Penderecki String Quartet
(Witold Lutoslawski, Omar Daniel, Alban Berg)
www.lacma.org/lacma.asp?mypage=music
4 PM Beverly hills Presbyterian Church
Marc's giving a recital of classical and folk music
12/04/04 SAT Paz's Amsterdam, NY
12/10/04 FRI Ray Kelley's Bridgeport, CT
12/17/04 FRI Bear and Grill Fairfield, CT
01/08/05 SAT Bromley Mountain Ski Resort Manchester Center, VT
01/14/05 FRI Kenny's Castaways New York, NY
01/28/05 @ Bear and Grill: 2000 Black Rock Tpke Fairfield, CT 06825 203-333-1522 9pm $5 21+
01/29/05 SAT Bromley Mountain Ski Resort Manchester Center, VT
02/02/05 WED Brighton Bar Long Branch, NJ
02/03/05 THU Velvet Lounge Washington, DC
02/04/05 FRI Riddles Pompton Lakes, NJ
02/05/05 SAT Al's Place Fairfield, CT
2/8/05 @ Bug Jar: 219 Monroe Ave. Rochester, NY 14607 9pm 18+ $5/21+ $7/under www.bugjar.com
02/10/05 THU The Nines Ithaca, NY
02/11/05 FRI Mezzanotte Lounge Syracuse, NY
02/12/05 SAT Monty's Krown Rochester, NY
2/16/05 @ Finnigans: 529 Route 130 North East Windsor, NJ 08520 9pm 21+ www.capitalcityconcerts.com
02/18/05 FRI Bear and Grill Fairfield, CT
02/19/05 @ Sully's Pub: 2071 Park St. Hartford, CT 06106 860-231-8881 w/Dharma Brown opening 10pm $5 21+
02/24/05 THU Nectar's Burlington, VT
02/25/05 FRI Beardslee Castle Little Falls, NY
02/26/05 SAT Bromley Mountain Ski Resort Manchester Center, VT
03/03/05 THU Savannah's Albany, NY
03/04/05 FRI Kenny's Castaways New York, NY
03/05/05 SAT Downtown Manhattans Syracuse, NY
03/10/05 THU Savannah's Albany, NY
03/11/05 FRI Club Caroline Saratoga Springs, NY
03/12/05 @ Paz's Private Pleasure Palace: Amsterdam, NY 518-842-9425 $10 Invite only
03/17/05 THU Savannah's Albany, NY
03/24/05 THU Savannah's Albany, NY
03/31/05 THU Savannah's Albany, NY
04/01/05 FRI Hotel Ellington Ellington, NY
4/10/05 SUN @ Sandbar Lounge 6752 Collins Ave. Miami Beach, FL 33141 305-865-1752 11pm 21+ FREE SHOW
4/13/05 @ De La Luz at Temple Ball: 307 E. Main St. Carrboro, NC 27510, 919-929-1208,
9:30pm show, $5 cover, All Ages, www.templeball.com
4/15/05 @ The Grog & Tankard: 2408 Wisconsin Ave. NW Washington, DC 20001, 202-333-3114,
10pm show, $7 cover, 21+, www.grogandtankard.com opening for Freight Train
04/16/05 @ Bear and Grill: 2000 Black Rock Tpke Fairfield, CT 06825 203-333-1522 9pm $5 21+
4/21/05 @ The Haunt: 702 Willow Ave. Ithaca, NY 14850 9pm 21+
4/22/05 @ General Clinton PUb: 17 Clinton Plaza Dr. Oneonta, NY 13820 607-432-9592 9pm 21+ $3
4/30/05 @ Monopole: 7 Protection Ave. Plattsburgh, NY 12901 518-563-2222 10pm 21+ FREE SHOW!
5/6/05 FRI @ Sail Inn 26 S. Farmer Tempe, AZ 85281 480-921-1775 www.thesailinn.com 9pm 21+ $5
5/7/05 SAT @ Sail Inn 26 S. Farmer Tempe, AZ 85281 480-921-1775 www.thesailinn.com 9pm 21+ $5
5/10/05 @ Quixote's True Blue: 2637 Welton St. Denver, CO 80205, 303-297-1772,
9pm show, $3 cover, 21+, www.quixotes.com
5/12/05 @ Mexicali Blues Cafe: 1409 Queen Anne Rd. Teaneck, NJ 07666, 201-833-0011,
9pm show, $5-$10 cover, 21+, www.mexicalibluescafe.com
5/13/05 FRI @ University of Maryland, Grand Ballroom, Stamp Student Union College Park, MD 20742 301-314-ARTS www.union.umd.edu 7:30pm All Ages $5/non-student $3/student
5/26/05 @ LaCocina: 140 Wahconah St. Pittsfield, MA 01201, 413-499-6363,
10pm show, $5 cover, 21+, www.lacocina.net
7/22/05 @ LaCocina: 140 Wahconah St. Pittsfield, MA 01201, 413-499-6363,
10pm show, $5 cover, 21+, www.lacocina.net
www.somebodyscloset.com
info@somebodyscloset.com
Boston, MA
Commissioned by the Boston Pops.
Premiere at Symphony Hall, Boston, Keith Lockhart conducting.
ÊLa Jolla, CA
STRING QUARTET using Hyperscore and projected graphics.
Commissioned by the Ying Quartet.
545 Sutter (between Mason and Powell)
SanFrancisco
www.meridiangallery.org
Email or call (415) 398-7229. Performances begin at 8:00pm.
Arrive early for preferred seating.
$10 general $5 students/seniors; no one turned away for lack of funds
April 13, Darren Johnston
For upcoming Interpretations concerts, check out:
www.interpretations.info
May 26, 2005 - Bobby Few & Tom Chiu
March 17, 24, 25, 27, and 28
Experimental Intermedia, 224 Centre Street at Grand
http://www.arts-electric.org/cgi-bin/aecal_search.pl?keywords=ei05
And more ...
www.arts-electric.org/cgi-bin/aecal_search.pl?keywords=nyc+february
May 14 - Malcolm Goldstein (U.S./Canada)
May 28 - Alexei Borisov (Russia) - U.S. debut
Jun 11 - Bohman Brothers (U.K.) - Chicago debut
Admission open to all ages.
Apr 16 9pm 6ODUM
May 14 9pm 6ODUM
May 28 9pm 6ODUM
Jun 11 9pm 6ODUM
at Selah
or email contact@linespaceline.org.
Every Monday @ 8pm
Selah
1001 E. First St. #15
Los Angeles, California 90012
www.selahagc.org/
$10-5 sliding scale
venue: 213-626-0811
lsl line: 323-682-4060
8641 W. Washington Blvd.
Culver City CA 90232
$5 entry
For more information check out the new "Jazz on a Monday Vibe" section of our web site: www.sensoundmusic.com/
info@sensoundmusic.com
Contact: 310-287-1918
8PM Thursday nights
All Ages - $10 for adults, $5 for students
* Okkyung Lee, Shelley Burgon & Tim Barnes at 8pm
* David Watson, Lee Ranaldo & Tony Buck at 10pm
* Mark O'Leary, Jamie Saft & Kenny Wollesen at 8pm
* Antibalas Afrobeat Orchestra at 10pm & Midnight
* phonomena in subTonic at 9pm
* Mason Dixon plus Erie Choir plus Kevin Devine at 8pm
* Joshua plus Mountains of Mattallama plus Sunburned Hand of the Man at Midnight
* The Bunker in subTonic at 9pm
* Stars Like Fleas plus Paul Duncan plus Grizzly Bear at 8pm
* La Laque plus The Parlor Scouts at Midnight
* Benefit for Tonic: Other Passengers plus Grey Ghost plus Bear in Heaven at
8pm
* Heather Greene plus Erik Sanko at 8pm
* Greene Street Salon Presents: Danny Holt at 8pm
* Kevin Norton, Nick Didkovsky & Dave Ballou at 10pm
* Benefit Concert for Darfur at 8pm
* Suphala at 8pm
* Antibalas Afrobeat Orchestra at 10pm & Midnight
* phonomena in subTonic at 9pm
* A Soft Circle (featuring Hisham from Black Dice) plus Excepter plus Ariel
Pink at 8pm
* David Last, Charles Cohen & Matt Pavlkoka at Midnight
* The Bunker in subTonic at 9pm
* Nina Nastasia at 8pm
* Burnt Sugar in subTonic at Midnight
* French Toast at 8pm
* The Naysayer plus Currituck County plus P.G. Six at 8pm
* TBA at 8pm
* Antibalas Afrobeat Orchestra at 10pm & Midnight
* phonomena in subTonic at 9pm
* Eric Gaffney & Jason Loewenstein (of Sebadoh) at 8pm
* Talibam plus Isle of Citadel at Midnight
* The Bunker in subTonic at 9pm
* Yuka Honda at 8pm
* Groove Collective at Midnight
* Stuart Lupton & the Child Ballads plus Beaut plus Dime Store Dance Band at
8pm
* Little Theatre at 8pm
* Ateleia plus Brendon Anderegg plus Samara Lubelski at 8pm
* Jon Brion at 8pm & 10pm
* Eyvind Kang with Thilges3 & Okkyung Lee at 8pm
* Antibalas Afrobeat Orchestra at 10pm & Midnight
* phonomena in subTonic at 9pm
* Elysian Fields at 8:30pm & 10:30pm
* Parts & Labor plus BIG A little a at 12:30am
* The Bunker in subTonic at 9pm
* Septeto Roberto Rodriguez at 8pm
* New Interfaces for Musical Expression at 8pm
* Sir Richard Bishop at 8pm
* Antibalas Afrobeat Orchestra at 10pm & Midnight
107 Norfolk Street
(Between Delancey & Rivington)
212-358-7501 / www.tonicnyc.com
ONLINE ART & MUSIC
You don't need an iPod to hear the Memory Theater! Here's how:
We recommend iPodder: http://ipodder.sourceforge.net/index.php
2] subscribe to our RSS feed: http://cathedral.monroestreet.com/rss.xml.
Copy this address to your clipboard and paste it into the subscribe field in your receiver. The software will let you automatically download any new podcasts since last check to your computer's music library.
3] listen through your iPod or computer's mp3 player.
Bookmark this link:
http://cathedral.monroestreet.com/netjuke/search.php?do=list.tracks&col=al_id&val=45&sort=al
Check back every two weeks to hear the next program.
http://cathedral.monroestreet.com/faqs.php?context=View+Document&parent=31&helpContext=Podcasting
P.O. Box 23434, Edinburgh EH7 5SZ
Tel. +44 131 477 3774
info@mediascot.org
www.mediascot.org
http://somewhere.org/NAR/NAR_home.htm
: a community version of sleepbot where listeners can add music
to the playlist as well as listen to it
myndlistamaður/kennari
artist/teacher
Fjölbrautaskólanum við Ármúla (www.fa.is)
and Friday, Sept. 28 from 6:30 - 8 PM with a gallery talk at 7:15 PM.
Cory Arcangel, Betty Beaumont, Carlos Casado, Andy Deck,
Jody Elff, Angie Eng, Fakeshop, Katrin Grotepass, Yael Kanarek,
Willy Le Maitre & Eric Rosenveig, Golan Levin, Michael Mandiberg,
Kevin & Jennifer McCoy, Yucef Merhi, Sally Minker, Joseph Nechvatal,
Michael Rees, Carlos Zanni, screaMachine and net.ephemera (Mark Tribe).
Design: Ray Canapini
Dialogue: By Claire Barliant
Intern: Seraphina Tisch
Media Sponsor: NY ARTS MAGAZINE
http://www.nyartsmagazine.com
Web Design: FIRST PULSE PROJECTS
http://www.firstpulseprojects.org
SUBMISSIONS
ÊBarry Schrader
NewTown/SCREAM Program
ÊCalArts School of Music
Ê24700 McBean Parkway
ÊValencia, CA 91355.
October 20th through 30th (approx)
Beijing, China
President of EMAC;
Director of CEMC, Central Conservatory of Music
Beijing
cemc@ccom.edu.cn
Professor
CEMC, Central Conservatory of Music
and Dept of Digital Art and Design, Peking University
Beijing
ken@ccom.edu.cn
Professor
Dartmouth
kui.dong@dartmouth.edu
Tom Bickley, Curator, Meridian Music tbickley@metatronpress.com
www.meridiangallery.org/MGMusic.htm
May 6-11, 2006
1. One bound and legible score of one orchestral work written within the last five years. Label the cover with your name, mailing address, e-mail address, and telephone number.
2. Recording if available (CDR or cassette).
3. Bio/resume, including current address, telephone, fax, and e-mail.
4. One letter of recommendation from a composition teacher or other music professional who is familiar with your work.
5. A program note and information detailing the performance history (if any) of the submitted work.
6. A self-addressed, stamped envelope if you want your materials returned. (optional)
* U.S. resident composers at early stages of their professional careers. Works submitted for previous Minnesota Orchestra Reading Sessions may be resubmitted only if awarded Alternate or Honorable Mention status. Composers who have participated in previous sessions may reapply with a new work.
* Only one work per composer will be considered.
* Submitted works may not have received a performance or a reading by a major orchestra (annual budget greater than $3 million). Preference will be given to unperformed works.
* Works may be up to 15 minutes in length (sections of longer works will be considered).
* Concertos, choral works, and works for strings, winds or brass only are not eligible.
* Instrumentation must not exceed: 4 fl (1 doubling pic), 4 ob (1 doubling Eng hn), 4 cl (1 doubling bass cl), 4 bsn (1 doubling contra bsn), 4 hn, 4 tpt, 3 tbn, 1 tuba, 1 timp, 3 perc (no more than 2 mallet parts at one time), harp, pf cel (no organ), strings 8.7.6.5.4 (stands).
* Composers' travel, hotel, and meal allowance will be provided.
Composer Institute
American Composers Forum
332 Minnesota St., Suite E-145
St. Paul, MN 55101
www.composersforum.org/programs_detail.cfm?oid=1811
or contact David Wolff at dwolff@composersforum.org or 651.251.2833.
is currently preparing its 3rd edition to be launched in June 2005.
global networking project
rrf2005.newmediafest.org
and Le Musee di-visioniste
www.le-musee-dovisioniste.org
and is focussed on soundart and its various forms.
is looking for soundart works of
a) experimental character
b) electronic music
c) Voice -sound/music integration
d) and other forms
and special subject for edition III "pleasure/grief"- "love/hate"
please do not send it as an email attachement.
Submission format: .mp3
Size: Max 5MB, exceptions possible, but on request.
Please use this form for submitting:
*******************
1.name of artist, email address, URL
2. short biography/CV (not more than 300 words)
3. works (maximum 3), year of production, running time
a) URL for download
4. short statement for each work
(not more than 300 words each)
The submitter declares and confirms that he/she is holding all author's rights and gives permission to include the submitted work in "Soundlab" online environment until revoke.
Signed by (submitter)
concerthall@le-musee-divisioniste.org
subject: Soundlab Channel edition III
editions I and II of
SoundLab Channel -
can be found on
Memory Channel 7 at
[R][R][F]2005 XP
rrf2005.newmediafest.org
and "le Musee di-visioniste" are corporate members of
[NewMediaArtProjectNetwork]:||cologne
www.nmartproject.net
founded by
Agricola de Cologne.
Copyright 2000-2005. All rights reserved.
*******************************
ubuibi.org/wtbtn/
ninah@ubuibi.org
ubuibi.org/wtbtn/
Hi !
very best
Nikola Lutz
colleagues:
air conditioning that actually works
a dsl line useful for webcasting, along with possible access to a t-1
a no smoking space that doesn't leave you smelling smoky on your way out
much more noise insulation from the street than our old space
a collective of artist administrators that have busted their asses without pay for many months to keep our ongoing institutional experiment alive -- we need help
www.weird.org/what_we_have_done/
sonus.ca
A forum for visitors in the arts: making connections, supporting networks, setting up meetings
- unlimited subject matter;
- each CD, DVD or vinyl record must contain only one track;
- time is unrestricted (except that of the technical features of the chosen device);
- each audio-work must be entered with a written indication of: the name of the author, a title, duration, and an e-mail contact address;
- RAM and N&R cannot assure a complete accessibility for the works that include a primary visual factor;
- the sender is responsible for mailing costs of submission;
- the works will not be returned to the senders.
Next appointment: Southern Exposure, San Francisco, spring 2005
RAM Radioartemobile
Via Conte Verde 15
00185 Roma - Italy
Dangerous Curve
Los Angeles, CA USA
Email address: events@dangerouscurve.org
Call For Participation
artist/teacher
Fjolbrautaskolinn vid Armula
http://www.this.is/pallit
http://www.this.is/pallit/isjs
http://www.this.is/pallit/harmony
http://130.208.220.190/panse
Send Email containing text, images, links, etc.
(Anything relating to music)
www.ekac.org/gfpbunny.html
www.eyestorm.com/hirst/read_first.asp
www.hainesgallery.com/YY.work.html
www.germangalleries.com/LAGalerie/Lissel.1.02.html
www.arborsmith.com
............. organism ...............
... making art with living systems ...
http://music.columbia.edu/organism
E-mail: longwood@bronxarts.org
http://www.longwoodcyber.org
635 Scully St.
Fredericton, NB
E3B 1V3
Canada
experimental sounds radio program
every Wednesday 11pm-1am Atlantic time
on CHSR-FM 97.9
or on RealAudio on the web: http://www.unb.ca/chsr
enjoy!!!