Composers of any nationality may submit works of any duration for two to four instruments selected from the following: flute (picc/alto/bass), guitar (acoustic/electric), piano and percussion. Work with electronics will also be considered.

We are especially interested in works involving classical guitar and/or percussion.

Submit scores and recordings (no parts) along with performance history and composer biography. Scores will be kept for future consideration. Composers will be notified in advance if their works are selected for performance.

To submit or for more information, please contact:
NOISE Call for Scores
San Diego New Music
P.O. Box 948582
La Jolla, CA 92037 USA
email: sdnm@yahoo.com
web: www.sandiegonewmusic.com

Iowa State University Department of Music is proud to announce the Carillon Composition Competition 2006. The Competition is a part of the Carillon Festival to be held on April 8, 2006.

The purpose of the competition is to encourage the writing of original carillon compositions by young composers under age 35. Prizes include one cash award of $500 and the premiere performance of the winning composition at the Carillon Festival.

The submitted work shall be an original composition for four-octave carillon (tenor C to C4), with two-octave pedal board (C-C2). The composition may be a solo, a duet for one carillon or a work for carillon with one or more other instrument or chorus. Submitted composition must be postmarked no later than Friday, March 17, 2006.

For more information, visit the web:
www.music.iastate.edu/carillon OR contact the University Carillonneur
at Iowa State University, Music Department, 149 Music Hall, Ames, IA 50011;
Phone: (515) 294-2911; E-mail: tstam@iastate.ed

Hello LA Composers,
I direct the CSU-LA New Music Ensemble. Thanks to the lively repertoire chosen for this group, it has become a favorite of our student pianists. So popular with these fine students that I am often in need of duo piano works.

If you have such works, please let me know. Works for two pianos and other instruments can also be considered and works involving electronics are always welcome.

Our concert for November is programmed. We need works for our March 2006 and May 2006 programs. The March concert is exploring works incorporating older styles in new forms and in May we plan a concert of works for voice and various instruments. With your permission, I'll keep all submissions for future programming. All concerts are licensed and a recording will be made with your permission.

Decisions on programming need to made in early January for the March concert, and mid- March for the May concert. You can email me MP3s, refer me to your website or send materials to:
John M. Kennedy
Music Department
CSULA
5151 State University Dr
LA CA 90032

I look forward to hearing form you
John Kennedy

Neoteric announces a competition for original compositions for bassoon, horn, and cello. Up to three winners will be chosen: First Prize (one winner, $400) and Honorable Mention (one or two winners, each to receive$150). All winning entries will be performed by Neoteric on a faculty recital at Southern Illinois University.

Neoteric reserves the right not to name any winner. Neoteric may perform non-prize-winning submissions. An archive recording of all works chosen for performance will be provided. Each work should be 10 minutes in length or less. Please include score (preferably computer generated) and parts. Deadline for submission: 6 January 2006 (postmark). Entries received by 1 November 2005 may also be considered for additional performances in the USA and Canada.

For submissions or queries, please contact:

Eric Lenz
Assistant Professor of Cello and Music Theory
Southern Illinois University School of Music
Mailcode 4302
Carbondale, IL 62901
lenz@siu.edu

CALL FOR ARTS AND TECHNOLOGY PAPERS, MUSIC COMPOSITIONS, ART WORKS, THEATER, VIDEO, FILM, DANCE COMPOSITIONS AND INTERACTIVE INSTALLATIONS

"CONNECTIVITY: THE TENTH BIENNIAL SYMPOSIUM ON ARTS AND TECHNOLOGY",
March 30 – April 1, 2006

The Ammerman Center for Arts and Technology at Connecticut College is pleased to announce "Connectivity: The Tenth Biennial Symposium on Arts and Technology", March 30 – April 1, 2006. The mission of the symposium is to present new works, research and performances in the areas of technology and the arts. The symposium will consist of commissioned works, paper sessions, panel discussions, art exhibitions, interactive environments, music concerts, screenings and multi-media performances. In an effort to demystify the artistic process and create a forum for dialogue, we are encouraging all presenters and artists to speak about their work at the symposium.

The Center seeks submissions in the general areas of Interactivity, Cognition, Compositional and Artistic Process, Social and Ethical Issues in Arts and Technology, Art, Music, Video, Film, Animation, Theater, Dance, Innovative Use of Technology in Education, Scientific Visualization, Virtual Reality, and other pertinent topics relating to arts and technology.

SUBMISSION CATEGORIES

COMMISSIONED WORKS
Proposals for new, original, interdisciplinary works will be accepted for a "Commissioned" category. Works must be created by a team consisting of two or more members, and must combine two or more areas of creative expression and contain a major technology component. Proposals will be accepted for performances, concerts, showings or installations; completed works will be presented during the symposium. Proposals must include detailed technical and production requirements, and a proposed budget. Limit of one proposal per team. The piece must not have been previously published, performed or exhibited. Awards will be granted at the discretion of the Center. Submissions not accepted for the commissioned category will also be reviewed for the general submissions category. Accepted commissions will be awarded a stipend of $3000 and a residency at Connecticut College between March 27 and April 1 that includes:
- performance or installation of the accepted work
- workshops with students
- attendance at the symposium
- presentation at the symposium

PAPERS
A two-page extended abstract or complete paper, including technical requirements, must be submitted by email or mail. Upon acceptance, revised papers must be submitted electronically by January 31, 2006 as a PDF. Complete technical requirements for presentation must be included. Papers will be published by the Center in the symposium proceedings. All rights will remain with the author. Papers will be selected for twenty-minute presentations as part of the daily schedule of speakers. Papers may be grouped by the Center in a panel discussion format.

PANEL DISCUSSIONS
Proposals for panel discussions are encouraged. Proposals should include names of prospective panelists and topic, which should address the general areas of the symposium. Papers may be grouped by the Center in a panel discussion format.

CREATIVE WORKS
In addition to academic and theoretical papers, submissions of technology-based or technology-oriented creative works are encouraged. Maximum one proposal per person or team, and we reserve the right not to review multiple pieces in a single submission. All submissions must be accompanied by a one-page description/abstract for presentation at the symposium about the work, a list of complete technical needs, biography and contact information. See specific categories for additional requirements. All presenters and artists are encouraged to speak about their work at the symposium. Symposium registration will be required for all symposium attendees. MUSIC COMPOSITIONS
Music submissions (composition, performance, theory, interactivity, signal processing and music understanding) are encouraged. Works for instruments, digital media, CD or interactive compositions are also being solicited for "tape only" concerts or live performance. Works should not exceed 15 minutes in length and should be submitted with accompanying score, where appropriate. Music must be submitted on CD for review, with accompanying scores as required. Musicians, dancers and actors may be available for live performance pieces. All submissions must be accompanied by a one page description/abstract for presentation at the symposium about the work. Complete technical and performance requirements must be included.

ART Submissions of digital art, web art and other technology-based or technology-oriented art forms are encouraged. Submissions of desktop interactive works, self-contained web works, time based work, performance and installations will be considered. Acceptance may be constrained by technical needs, security and financial considerations. Artworks will be reviewed on the basis of documentation of the work presented in the form of a website, CD, DVD, VHS or slides. Submissions must include a one-page description/abstract for presentation at the symposium about the work, portfolio (maximum 4 jpegs, no larger than 2 Mb each), brief biography, contact details, and complete technical needs and spatial requirements

VIDEO AND FILM Submissions of short video or film works that include a significant 'technology' component in their creation, aesthetic or theme are encouraged. The 'tech' involved may be 'high' or 'low', ranging from digital animations and motion capture work on the 'high-tech' end to various methods of creating film without photography, or novel uses of the projector beam on the low tech side. Works that display worthy reflections on the nexus of art, society and technology, even if created by primarily 'conventional' means, are encouraged. Submissions in the category of 'expanded cinema' and projection performance will be accepted, but resources are limited and artists presenting such work should expect to bring all or much of their own essential gear. Submissions must include a one-page description/abstract of the work and VHS, DV or DVCAM tape, DVD (tape preferred). For works involving anything other than standard video or 16mm projection, a complete description of technical and space needs is required. Exhibition format will be DV, DVCAM, or 16mm film (no home-burned DVDs).Selection for screening may be made in part on the maker's willingness/ability to attend the symposium.

DANCE AND THEATER
Computer-generated or computer-aided dance compositions and theater works are being solicited for live demonstrations or for videotaped presentations. Specially produced dance or theater videos are of particular interest as opposed to concert tapes or other archival uses of video. Also of interest are proposals for workshops, demonstrations of software for dance or theater notation, choreographic analysis, interactive studies and/or multi-media studies of performance in dance and theater. Performances may be accepted, but will be limited by technical needs and financial considerations. All submissions should be accompanied by a web site, CD, DVD or VHS, and one page description/abstract for presentation at the symposium about the work, biography, contact details, and complete technical needs and spatial requirements.

IMPORTANT INFORMATION FOR ALL SUBMISSIONS

DEADLINES
(must be postmarked or emailed by date)
November 1, 2005: Commissioned Works Deadline
December 1, 2005: Commissioned Works Notification
December 1, 2005: General Submission Deadline
December 22, 2005: General Acceptance Notification
January 31, 2006: Final papers must be received as a PDF
March 27 – April 1, 2006: Residencies for Commissioned Works
March 30 – April 1, 2006: Symposium

RETURN
Submissions, art works, slides, CDs, DVDs, VHS, tapes or scores will only be returned if a self-addressed stamped envelope or packaging is provided.

SEND SUBMISSIONS TO:
Ammerman Center for Arts and Technology
Connecticut College
270 Mohegan Avenue – BOX 5365
New London, CT USA 06320-4196
phone: [860] 439-2001
email: cat@conncoll.edu
cat.conncoll.edu

The 10th Biennial Symposium is sponsored by Citizens Bank, USA.

tracks wanted for a power-field comp - recordings made "in the field" using power electronics

whatever "field" means to you, go there. and however you want to process, amplify, make it audible in that location or not,,,,, just bring yr gear and record it, whatever. take a picture too if you can, i'd like to use them for the package. honor system - no edits or overdubs

track length 2-10 min, longer if it is really good.

the final project will come out end of the year. deadline around halloween. everyone gets 2 copies of the comp, and can order more for real cheap (not sure yet what that will be).

send tracks, title, site location && equipment (optional), pics, and any other info about yrself to

bob bellerue - power/field
662 n. heliotrope dr
los angeles, ca 90004

email questions to bob_AAAATTT_halfnormal_DDDOOOTTTT_com. info about the label can be found here: anok.halfnormal.com

thanks!!!! look forward to hearing some new work bbbbbb

(((call for works/sound is art)))
www.phonurgia.org

Chisel, cut, mix, set in spaceŠSound has the power of the cinema and is lighter

Among the prizes awarded for acoustic creation, the Phonurgia Nova competition has, since 1986, occupied a special place by virtue of its recognition of artists whose work exploits sound as a medium for expressing the real and the imaginary. In 2003, 150 productions from 19 different countries were entered in the prize.

This year's competition will distinguish authors whose work manifests a keen sense of sound and listening as means of expression, on two areas :

RADIO ARTS will privilige all forms of inventive radiophonic creation: documentary, fiction, essays, interviews, radio mix, Hörspiel, experimental forms etc. NEW MEDIAS awards will go to sound installations or sonic works which have been specially created for "new media" to bring new experiences in sound art to listeners - mobile phone, audioblog, site exploring the acoustic dimensions of the net.

In each category the jury will deliberate on two types of work:
1)completed productions
2)projects

(") Prizes
One Radio Arts prize and one New Media prize each of 1 500 euros and 3 artist's residencies at GRM-INA (Paris), IMEB (Bourges) and GMVL (Lyon), 3 major studios for electronic music and sound art internationaly known. Ten works will be selected for presentation at the third Festival de l'Ecoute, Arles, 2006. Additional prizes could be given at this time. Certain works will be broadcast by the organisations and radio stations associated with the Festival.

(§) Deadline
The closing date for registration of entries: September 1, 2005. Results will be announced on Saturday, October 1, 2005, in Paris at la Maison du Geste et de l'Image.

(*) Sound archives
All the materials received will constitue a permanent archive of audio works. This archive will be opened to the public.

(!) More info and application form available on www.phonurgia.org

(/)Questions concours@phonurgia.org

Are you interested in performing on the Meridian Music series?

We welcome your interest and want you to have a sense of what we're seeking for this series. The space is a wonderful, intimate venue, a rectangular gallery space, deeply windowed at one end, hardwood floored, 14 1/2 feet by 30 feet with a 10 1/2 foot ceiling. We can seat a maximum of 50 people. We're on the second floor of a building in downtown San Francisco, generally quiet, but with some street sounds audible. There is not a piano in the space. The audience usually sits on comfortable folding chairs. Because it is an active, vibrant art gallery, the music always occurs in relation to the current exhibition. So, we are interested in music that works well in this resonant space.

Each concert is professionally recorded by Michael Zelner of Zoka Productions. With this opportunity, those selected will also share their unique musical perspective with a group of about 15 low-income, high school aged, interns in a one-hour workshop.

We invite proposals from composer/performers for solo or very small ensemble performances that take into account the size of the room. Quiet, "lower case" music works well here, so do sonically saturating pieces. It's a small space, and we respect the ears of our audiences and we want performers who understand that. We host a wide range of styles and approaches, including free improv, structured improv, minimalism, new (and old) complexity, as well as streams from jazz, "concert" music, art music from all world cultures, experimental music, and performance art. We hope to present a wide variety of these sorts of art music, and we need your proposals to help us to do that.

Your proposal needs to let us know what you wish to perform and how you sense your work fitting into the Meridian Music series. Just a few lines of text are fine; we're not after pages of information. You're also very welcome to enter a conversation with us about what you'd like to do. We're working artists and musicians and educators and we always enjoy talking with others in these fields. We want your experience with us to benefit you as well as us and that is why we look thoughtfully for good matches of performer and space.

We look forward to hearing from you!

Sincerely, Tom
Tom Bickley, Curator, Meridian Music tbickley@metatronpress.com
www.meridiangallery.org/MGMusic.htm

to be released by UBUIBI
ubuibi.org/wtbtn/

the 'women take back the noise' compilation project will be a compendium of projects by women who experiment with various difficult sound mediums such as noise, machine-noise, laptop, glitch, cut-up and other related genres.

ARTIST TRACK LENGTH and DUE DATE

maximum total time per artist piece - 8 minutes

format for submissions: CD, cassette, mini-disc

we are asking all artists to submit exclusive pieces ONLY.

upon release, each artist will receive copies of finished CD

curator: ninah pixie (aka 'weirdpixie') ninah@ubuibi.org

::: this project is a not-for-profit compilation :::

----/ Contact Info /---------------------------------------------------- ninah pixie
ninah@ubuibi.org
ubuibi.org/wtbtn/

Hope to meet all of you there
very best
Nikola Lutz

to find out about work we've produced and presented, goto:
www.weird.org/what_we_have_done/

Deadline for submission: October 25th, 2004

Open topic -- No entry fee

Please visit Mediatopia for submission guidelines and entry form mediatopia.net

Mediatopia is a recurring networked culture space for art, technology and writing. We still believe in networked culture. Mediatopia.

"Mediatopia's projects may lure you into their spectacles–or drive you to the streets in protest!" -Valerie Lamontagne for Rhizome

"Make sure you set aside plenty of time for browsing this site as it's likely to send you off on a trajectory of your own." -Helen Varley Jamieson for Rhizome

"Tensions are exposed and desires embellish theories of cyberspace. Ideologically charged electrons paint a flesh filled world of vanguard reflections." -Ludmil Trenkov for NetArtReview

Produced by Adhocarts.org, Curated by Lara Bank and Andrew Bucksbarg

Call for submissions

Introducing SONUS.ca, a free online listening library featuring all forms of experimental electronic music. With over 1200 works from artists around the world, SONUS.ca is the world's most extensive audio web-resource dedicated to technology-based sound exploration. Best of all, it's free to listen and free to submit your work.

Sonus is built around a Flash interface, which makes the site simple to use and navigate. It's easy to create and modify playlists, or find music in the library with the powerful search engine. Curated galleries will be a regular feature, showcasing work from different labels and festivals, or presenting work chosen by a curator around a particular theme or style.

With these features, Sonus is a great way to promote your work. You can include biographical information, track notes and links to personal webpages. So why not send in your audio? The CEC will encode it as high quality mp3 and include it in the Sonus library.

If you run a weblabel or have a personal webpage, you can use Sonus to house your audio with a link directly from your page. Contact us for more information.

Sonus.ca is supported by the membership of the CEC and the Canada Council for the Arts. Sonus.ca is dedicated to presenting experimental electronic music of all kinds, and has attracted over a quarter of a million listeners since its inception. Check it out:
sonus.ca

For submissions: sonus.ca/call.html

RAM-Radioartemobile and Nomads & Residents

A collection and a traveling archive of audio-artworks, a database on the Internet, and a center for different ways of listening

Proposal open to all artists who work with sound

Radioartemobile (RAM) and Nomads & Residents (N&R) kickoff an audio-artwork database.

All artists who have worked or are working with sound are invited to send an artwork on audio CD, DVD, or on a vinyl record. The RAM headquarters in Rome, via Conte Verde 15, will function as a gathering and a listening point and as an archive for all materials received. It will be open to public. Artworks will be gradually posted in the section "database" of the Radio website www.radioartemobile.it.

RAM is also the first location of a traveling archive initiated by Nomads & Residents. The second public presentation will be in San Francisco, at Southern Exposure, in the spring of 2005.

GUIDELINES FOR SUBMITTING AUDIO-WORKS
- unlimited subject matter;
- each CD, DVD or vinyl record must contain only one track;
- time is unrestricted (except that of the technical features of the chosen device);
- each audio-work must be entered with a written indication of: the name of the author, a title, duration, and an e-mail contact address;

- the sender can mention any requirement needed to listen to the audio-work (type of loudspeakers, stereo system, headphones, etc.). These indications will be taken into consideration each time RAM would chose the piece for installing it, within the technical and logistic features available;
- RAM and N&R cannot assure a complete accessibility for the works that include a primary visual factor;
- the sender is responsible for mailing costs of submission;
- the works will not be returned to the senders.

Radioartemobile and Nomads & Residents will take the best care of the entered works, but cannot take liability for accidental damage, loss or theft. For this reason we suggest to send two copies of each material. RAM and N&R will archive all sound works that fit the above mentioned requirements and will present them to the public.

Lorenzo Benedetti, Riccardo Giagni and Cesare Pietroiusti will listen to all the entries and will gradually post them in the web-site database. In turn-to the discretion of the curators- some artworks will be displayed in the RAM headquarters in Rome with the aim of offering the public also the possibility to explore different ways of listening to audio-works. The database will gradually increase the number of contributions and will be presented to the public at regular appointments. The first public presentation is scheduled for mid October 2004.

Deadline for first submission is September 1, 2004.
Next appointment: Southern Exposure, San Francisco, spring 2005

Please send the material to:
RAM Radioartemobile
Via Conte Verde 15
00185 Roma - Italy

CALL FOR SUBMISSIONS
Dangerous Curve
Los Angeles, CA USA

Performance art, video, installations, experimental music.

Dangerous Curve is a new Downtown Los Angeles experimental exhibition and performance art space committed to supporting visionary emerging artists of all ages, by emphasizing one-person shows of risky, intelligent work that is not necessarily commercially viable nor currently popular. Dangerous Curve is also a new venue for performance artists, with performance-exhibits, monthly performance art and experimental music events, and an annual end-of-summer festival planned.

Dangerous Curve is looking for performance artists and experimental musicians for their monthly Performance Art and Experimental Music Nights. We will give preference to work that is, in the words of Jacki Apple, radical content in radical form. We want work that pushes the envelope, not pure dance, singing, or theatre.

Submission format: DVDs/CDs/URLs preferred. We can handle videotapes and slides, but not to your best advantage. For performance art, a written description may even suffice; musicians must send samples.

Deadline: Ongoing.

Mailing address: Dangerous Curve, POB 532281, Los Angeles, CA 90053-2281
Email address: events@dangerouscurve.org

See dangerouscurve.org for directions, etc.

New Media Scotland calls for participation for Drift - an exploration of sound art and experimental music which comprises live events, radio broadcasts, moving image and publications.

The accessibility of the Internet together with new tools and methods for digital recording, manipulation, reproduction and distribution have changed forever the way that we think about and interact with sound, giving us new ways to communicate our ideas. An increasing number of artists, producers, DJ's and sonic creators, from a broad spectrum of disciplines and varying modes of practice, are exploring streaming media as a viable format. We want to open up this channel further.

We are offering four opportunities to take part in Drift, details follow. Further information, guidelines and application forms available from the Drift web site:

www.mediascot.org/drift

Ongoing, Internet Project

PANSE, an open platform for the development of audio-visual netart, is now open and accepting connections. All information available at: http://130.208.220.190/panse

Write me if you have any questions.

Pall Thayer
artist/teacher
Fjolbrautaskolinn vid Armula
http://www.this.is/pallit
http://www.this.is/pallit/isjs
http://www.this.is/pallit/harmony http://130.208.220.190/panse

Ongoing, Internet Project

Email Music Project : Theme : MUSIC : Deadline : ONGOING
Send Email containing text, images, links, etc.
(Anything relating to music)

The Process : I use a program which converts text and images from your Email to Random MIDI musical note data. Each submission generates a NEW instrument track and is then added to the musical data generated from all previously received Email. The ongoing process is repeated and a type of song is composed. The Music is composed directly from the elements contained in all Email. The work will be presented on a website when I get enough Email for music. All will be informed.

Send Email to : emusicproject@hotmail.com

Ongoing, Internet Project

The Infinite Sector Project is an independent network of experimental musicians/bands/and artists from around the globe.

We are seeking contributors for our series of non-profit compilation CDs. Anything is accepted without editing or censorship, as long as it is free of hate and defies traditional musical boundaries.

For more information please go to : www.geocities.com/klaodna

Anyone living in Melbourne, Australia should know about the Melbourne electroacoustic nights:

http://farben.latrobe.edu.au/mikropol/david/mean.html

We had our first meeting last week - it was good fun, with some interesting music being played and a cool demonstration by Tim Kreger of his new 3D real-time sound visualisation system.

The format is ad-hoc show-and-tell and/or CD/DAT playback. Everyone should feel free to come along and play something or just check it out.

GRANT

The New York Arts Recovery Fund will survey NYC artists to find out if they need job retraining in the areas of teaching, social work, and some construction-related trades as well as arts organizations to see if they have laid workers off. Artists will be eligible for the Consortium for Worker Education's job retraining program for NYC artists whose economic base has been impacted by the disaster. Additionally, it is possible that CWE will provide, with NYFA's help, partial wage subsidies to nonprofit arts organizations that laid workers off or cut back their pay or hours as a result of September 11.

www.nyfa.org/9-11.htm

ORGANISM: MAKING ART WITH LIVING SYSTEMS

organism is a new mailing list for people interested in art that involves living systems. discussion topics on organism include technical, practical, aesthetic, and ethical issues.

subscribe to the organism mailing list: http://music.columbia.edu/organism/

the idea of making art with living systems is not new; you might even consider a topiary garden or a goldfish pond to be biological art. what is new is the degree of control over biological systems and materials contemporary technology offers us.

some artists making biologically-based art:

Eduardo Kac has made several transgenic artworks, including GFP Bunny, a genetically engineered fluorescent rabbit.
www.ekac.org/gfpbunny.html

Damien Hirst's A Thousand Years involves a cycle of maggots eating a cow head.
www.eyestorm.com/hirst/read_first.asp

Yukinori Yanagi uses ant farms in some of his work.
www.hainesgallery.com/YY.work.html

Edgar Lissel's Bakterium is photographic images rendered in light-sensitive bacteria.
www.germangalleries.com/LAGalerie/Lissel.1.02.html

Richard Reames is an arborsculptor who makes extreme trees.
www.arborsmith.com

douglas repetto (that's me!) has a number of pieces, like How to Annoy a Plant, that involve plants and time-lapse photography.

......................................
............. organism ...............
... making art with living systems ...
http://music.columbia.edu/organism

The changes wrought by the terrible events of September 11, 2001 are still becoming visible. The arts community has, like every other area of life, been deeply affected by the terrorism and its aftermath. In response to the horrors and destruction in New York City and Washington, D C, the Santa Fe Art Institute is contributing to the support and normalization of life in America. The Santa Fe Art Institute is offering two to four week residencies in beautiful, quiet residence spaces with studios as respite for artists whose living spaces or studios have been compromised by the terrorism. The residencies are available during the fall and winter at no cost to the artists.

Please send a letter (and slides if possible) to The Santa Fe Art Institute, 1600 St Michaels Drive, Santa Fe, NM 87505, Or email to: info@SFAI.org

Longwood Cyber Studio is equipped with four NT networked pc workstations, Internet accessibility, software programs such as Microsoft Office 2000, the entire Adobe suite including Photoshop, Dreamweaver, Flash and Director, a flatbed scanner, zip drive and color printer. We would also like to offer access to our administrative office as regards your telephone and fax needs. While they are well aware that access to computer and office equipment only offers relief of a material nature, they hope that relief may help to assuage some of the worries of those affected by this loss. Bronx Council on the Arts again sends our sincere condolences and warmest thoughts.

Contact: Eddie Torres, Director, Longwood Arts Project, 965 Longwood Avenue, Bronx, NY 10459, Tel: 718-842-5659, Fax: 718-842-3933
E-mail: longwood@bronxarts.org
http://www.longwoodcyber.org

eric hill/perMUTATIONS
635 Scully St.
Fredericton, NB
E3B 1V3
Canada

perMUTATIONS
experimental sounds radio program
every Wednesday 11pm-1am Atlantic time
on CHSR-FM 97.9
or on RealAudio on the web: http://www.unb.ca/chsr enjoy!!!