INTERNET:
Announcing the Launch of the Website for:
"Re: Duchamp Traveling Exhibition"
La Biennale di Venezia:
49th International Exhibition of Art--
Concomitant Exhibitions
http://www.nyartsmagazine.com/duchamp
"The Re: Duchamp Travelling Exhibition is a project that has been evolving
over time. It has traveled to various cities in Germany, Poland, Chile and
Israel, as well as New York City. It is the ongoing work of Abraham Lubelski,
and incorporates the work of over 250 other artists, including Nam June Paik,
Dennis Oppenheim, Carl Andre, Ilya and Emilia Kabakov, Taylor Mead, Larry
Weiner, David Humphrey, Inka Essenhigh....
The Re: Duchamp Travelling Exhibition at the 49th Venice Biennale* is an
installation of clotheslines from which artwork is hung.** The idea for this
installation is derived from Marcel Duchamp's infamous benefit exhibition
organized on the Premises of the Coordinating Council of French Relief
Societies, 451 Madison Avenue, New York, October 14th - November 7th, 1942,
in which he criss-crossed the entire gallery with one mile of string. This
entanglement, which the public had to negotiate when they came to view the
art, stood as a metaphor for the difficulties encountered in attempting to
understand modern art.
The current exhibition uses this Duchampian metaphor to point to connectivity
as much as any difficulty that might hinder an appreciation of art in the
digital age---art whose nature may be partially or completely ephemeral,
time-based, or immaterial, and which might be conveyed digitally or housed
virtually. Re: Duchamp celebrates the process of visual sampling in a world
where the line between original and copy has been blurred, and the medium is
the readymade.
** Participating artists were asked to e-mail their submissions as digital
files. These were printed out, placed in plastic sleeves and brought to
Venice for installation. Hung from criss-crossing lengths of string at the
Church of S. Maria Ausiliatrice, they resemble so many Tibetan prayer flags,
the wind and the Web conveying and disseminating their messages.
* At the 49th Venice Biennale, the Re: Duchamp Travelling Exhibition forms
part of the Markers Project, which involves organizations in Venice including
the Peggy Gugghenheim Collection, the Biennale Arti Visive, and the
Municipality of Venice itself."
[--notes, Joy Garnett]
PARTICIPATING ARTISTS:
MARK AMERIKA, DANIEL GARCIA ANDUJAR, DOUGLAS DAVIS, CHRISTOPH DRAEGER, PETER
FEND, JOY GARNETT, PAUL GARRIN, KEN GOLDBERG, WANG GONGXIN, MARINA GRZINIC &
AINA SMID, WENDA GU, INGO GUNTHER, LIANG-MEI HUANG, JON IPPOLITO, EDUARDO
KAC, OLGA KISSELEVA, TINA LAPORTA, JENNY MARKETOU, MARCELLO MAZZELLA, PAUL D.
MILLER aka DJ SPOOKY, MTAA, OLU OGUIBE, ANDRES SERRANO,
HANI RASHID (ASYMPTOTE ARCHITECTS), MARK TRIBE & KERRY TRIBE
Curated by: CRISTINE WANG
http://www.tribes.org/dystopia
Media Sponsor: NY ARTS MAGAZINE
http://www.nyartsmagazine.com
Web Design: FIRST PULSE PROJECTS
http://www.firstpulseprojects.org
For More Information contact: Cristine Wang tel:
917.318.0081
http://www.nyartsmagazine.com/duchamp
SUBMISSIONS
Festivals, Contests, Conferences, Programs, Airtime Submissions Requested!
Due 12/31/07
Ensemble Aleph call for compositions
5th International Forum for Young Composers
Call for scores
Ensemble Aleph
www.ensemblealeph.com
Wishing to go on exploring new and varied musical styles and aesthetics, the Ensemble Aleph organizes the Fifth International Forum for Young Composers.
The Forum aims to promote artistic exchanges between composers and performers.
Composition Guidelines:
Submitted works should be of maximum 7' duration, and should be scored for 5 to 7 musicians from the following line-up (the performances are undirected):
Monica Jordan Soprano (Voice range: F 2 - H 4)
Dominique Clément Clarinet (A, B flat, E flat, bass, contrabass)
Lutz Mandler Trumpet, piccolo trumpet, Alp horn, didgeridoo
Noemi Schindler Violin
Sylvie Drouin Piano or chromatic accordion
or Synthesiser Fatar SL 880 - 88 keys and Sampler Akai S 2002
NB: 2 of these instruments can be included in the same pieceEnsemble Aleph will retain all submission in their library.
Christophe Roy Cello
Jean-Charles Francois Percussion
10 works will be selected in February, 2008, possibly including 2 mixed pieces; associating electronics to the musicians
Ensemble Aleph will retain all submission in their library.
Entries must be postmarked by December, 31st, 2007
Please enclose a CV and complete contact details (birth date, address, phone, fax, e-mail) with your application.
Age limit: 40 years old (born after January, 1st, 1968)
A reading panel, formed by the members of the Ensemble Aleph, will select the musical works (the list will be available on the website on March, 2008).
The 10 selected composers will be the guests of a residency in July 2008 for music sessions with the Ensemble Aleph. This summer session will end with a preview concert. A Logbook, including the recording of the 10 pieces will be distributed to the audience before each concert. The 10 musical works will be performed at the Theatre Dunois in Paris and in at least 6 European countries.
Ask any information and send the scores to:
ENSEMBLE ALEPH
21, rue Fructidor
F - 71100 Chalon-sur-Saone
contact: Helene Jarry ensemble.aleph@wanadoo.fr +33 (0)3 85 48 94 41 (phone) | +33 (0)3 85 93 58 20 (fax)
No Deadline
The Sonict Ensemble of the University of Wisconsin at Whitewater invites
composers to submit scores for consideration for performance. The ensemble
can perform works for varied instrumentation, including any combination of
acoustic instruments. We especially encourage submissions for small chamber
groups that include sax, sax ens, perc, and perc ens. We also strongly
encourage submission of works that include electronics, either on CD or to
be performed via Max/MSP. Two-channel tape works or works for/including
video will also be programmed regularly as part the series, both as part of
our regular ensemble concerts and on special electronics-only performances.
All submissions not selected for performance will remain in the music
library and may be considered for future concerts. If you would prefer to
have your materials returned to you, please include an SASE. Please email
for questions and send scores and recordings (if available; please, no MIDI
files) to:
Jeff Herriott
Music Department
UW-Whitewater
800 West Main Street
Whitewater, WI 53190
Email: herriotj@uww.edu
Web: : facstaff.uww.edu/herriotj/sonict
power/field comp - SUBMISSIONS WANTED
tracks wanted for a power-field comp - recordings made "in the field" using power electronics
whatever "field" means to you, go there. and however you want to process, amplify, make it audible in that location or not,,,,, just bring yr gear and record it, whatever. take a picture too if you can, i'd like to use them for the package. honor system - no edits or overdubs
track length 2-10 min, longer if it is really good.
the final project will come out end of the year. deadline around halloween. everyone gets 2 copies of the comp, and can order more for real cheap (not sure yet what that will be).
send tracks, title, site location && equipment (optional), pics, and any other info about yrself to
bob bellerue - power/field
662 n. heliotrope dr
los angeles, ca 90004
email questions to bob_AAAATTT_halfnormal_DDDOOOTTTT_com. info about the label can be found here:
anok.halfnormal.com
thanks!!!! look forward to hearing some new work
bbbbbb
(((call for works/sound is art))) We are proud to announce the opening of the phonurgia nova competition 2005.
Deadline: ???
(((call for works/sound is art)))
www.phonurgia.org
Chisel, cut, mix, set in spaceŠSound has the power of the cinema and is lighter
Among the prizes awarded for acoustic creation, the Phonurgia Nova competition has, since 1986, occupied a special place by virtue of its recognition of artists whose work exploits sound as a medium for expressing the real and the imaginary. In 2003, 150 productions from 19 different countries were entered in the prize.
This year's competition will distinguish authors whose work manifests a keen sense of sound and listening as means of expression, on two areas :
RADIO ARTS will privilige all forms of inventive radiophonic creation: documentary,
fiction, essays, interviews, radio mix, Hörspiel, experimental forms etc.
NEW MEDIAS awards will go to sound installations or sonic works which have been specially created for "new media" to bring new experiences in sound art to listeners - mobile phone, audioblog, site exploring the acoustic dimensions of the net.
In each category the jury will deliberate on two types of work:
1)completed productions
2)projects
(") Prizes
One Radio Arts prize and one New Media prize each of 1 500 euros and 3 artist's residencies at GRM-INA (Paris), IMEB (Bourges) and GMVL (Lyon), 3 major studios for electronic music and sound art internationaly known. Ten works will be selected for presentation at the third Festival de l'Ecoute, Arles, 2006. Additional prizes could be given at this time. Certain works will be broadcast by the organisations and radio stations associated with the Festival.
(§) Deadline
The closing date for registration of entries: September 1, 2005. Results will be announced on Saturday, October 1, 2005, in Paris at la Maison du Geste et de l'Image.
(*) Sound archives
All the materials received will constitue a permanent archive of audio works. This archive will be opened to the public.
(!) More info and application form available on www.phonurgia.org
(/)Questions concours@phonurgia.org
Meridian Music series - ongoing
Are you interested in performing on the Meridian Music series?
We welcome your interest and want you to have a sense of what we're seeking for this series. The space is a wonderful, intimate venue, a rectangular gallery space, deeply windowed at one end, hardwood floored, 14 1/2 feet by 30 feet with a 10 1/2 foot ceiling. We can seat a maximum of 50 people. We're on the second floor of a building in downtown San Francisco, generally quiet, but with some street sounds audible. There is not a piano in the space. The audience usually sits on comfortable folding chairs. Because it is an active, vibrant art gallery, the music always occurs in relation to the current exhibition. So, we are interested in music that works well in this resonant space.
Each concert is professionally recorded by Michael Zelner of Zoka Productions. With this opportunity, those selected will also share their unique musical perspective with a group of about 15 low-income, high school aged, interns in a one-hour workshop.
We invite proposals from composer/performers for solo or very small ensemble performances that take into account the size of the room. Quiet, "lower case" music works well here, so do sonically saturating pieces. It's a small space, and we respect the ears of our audiences and we want performers who understand that. We host a wide range of styles and approaches, including free improv, structured improv, minimalism, new (and old) complexity, as well as streams from jazz, "concert" music, art music from all world cultures, experimental music, and performance art. We hope to present a wide variety of these sorts of art music, and we need your proposals to help us to do that.
Your proposal needs to let us know what you wish to perform and how you sense your work fitting into the Meridian Music series. Just a few lines of text are fine; we're not after pages of information. You're also very welcome to enter a conversation with us about what you'd like to do. We're working artists and musicians and educators and we always enjoy talking with others in these fields. We want your experience with us to benefit you as well as us and that is why we look thoughtfully for good matches of performer and space.
We look forward to hearing from you!
Sincerely, Tom
Tom Bickley, Curator, Meridian Music tbickley@metatronpress.com
www.meridiangallery.org/MGMusic.htm
Women Take Back The Noise call for submissions
to be released by UBUIBI
ubuibi.org/wtbtn/
the 'women take back the noise' compilation project will be
a compendium of projects by women who experiment with
various difficult sound mediums such as noise, machine-noise,
laptop, glitch, cut-up and other related genres.
ARTIST TRACK LENGTH and DUE DATE
maximum total time per artist piece - 8 minutes
format for submissions: CD, cassette, mini-disc
we are asking all artists to submit exclusive pieces ONLY.
upon release, each artist will receive copies of finished CD
curator: ninah pixie (aka 'weirdpixie') ninah@ubuibi.org
::: this project is a not-for-profit compilation :::
----/ Contact Info /----------------------------------------------------
ninah pixie
ninah@ubuibi.org
ubuibi.org/wtbtn/
New Improvising Space in the Web
Hi !
There is a new improvising space in the web at www.auracle.org
It's a webspace where everyone can improvise together, the only thing
you'd need to participate is internet access, a microphone (the
built-in mic of your computer is fully sufficient) and just your
voice or anything else that makes a sound. The idea is to provide an
easily accessable worldwide improvising space that anyone, musician
or non-musician, can easily handle and make music with it.
We over here in Stutgart are promoting this project from Saturday
25.9. until Friday, 1.10. every day from 10 a.m. to 7 p.m. central
eurpoean time, and it would be great if as many people as possible
would join us in this time and improvise together.
the project was initiated by Max Neuhaus, realised by Shekar
Ramakrishnan, Kristjan Varnik, Jason Freeman and others, and you can
find more information on the website www.auracle.org
Hope to meet all of you there
very best
Nikola Lutz
Collective: Unconscious, NY, seeks artists to stage events.
colleagues:
i am a co-founder and co-director of collective: unconscious, an artist-run multi media art space and production facility that has just moved into nyc/usa/tribeca, to hopefully engage in the heretofore rather obscure task of the de-gentrification of a neighborhood in new york city.
at this point, the best way that many of the prolific members of the experimental art/media/theater community can help us is through doing a show/event at collective: unconscious. our carrying expenses are 7000 dollars a month, and we need to have a full schedule of weird, strange, shocking, experimental, original stuff going on in our space to keep us from economically crashing and burning in short order
we have karen finley www.karenfinley.org doing a run of shows in september and october, which means sizable audiences to glean for a whole slew of open 10pm slots.
a partial and by no means exhaustive pitch for our new facility:
air conditioning that actually works
a dsl line useful for webcasting, along with possible access to a t-1
a no smoking space that doesn't leave you smelling smoky on your way out
much more noise insulation from the street than our old space
a collective of artist administrators that have busted their asses without pay for many months to keep our ongoing institutional experiment alive -- we need help
the only space of its kind left in lower manhattan, in a sea of starbucked duane readed name branded cultural garbage, a barnacle of freakdom that you can help keep alive in the trying months ahead
come by any of our bookings meetings any sunday at 6pm at 279 church st., nyc, usa, and/or email scheduling@weird.org. speak to gecko or myself. we are inviting both local artists and international artists seeking to do shows/events in new york city at low cost. we want engaging original work that may not be as established as the work presented by other experimental art spaces in nyc such as the kitchen or ps122. if you don't know about our space and you are interested in booking an event with us, check out our website www.weird.org
to find out about work we've produced and presented, goto:
www.weird.org/what_we_have_done/
SONUS.ca: a free online listening library call for submissions
Call for submissions
Introducing SONUS.ca, a free online listening library
featuring all forms of experimental electronic music.
With over 1200 works from artists around the world,
SONUS.ca is the world's most extensive audio
web-resource dedicated to technology-based sound
exploration. Best of all, it's free to listen and
free to submit your work.
Sonus is built around a Flash interface, which makes
the site simple to use and navigate. It's easy to
create and modify playlists, or find music in the
library with the powerful search engine. Curated
galleries will be a regular feature, showcasing work
from different labels and festivals, or presenting
work chosen by a curator around a particular theme or
style.
With these features, Sonus is a great way to promote
your work. You can include biographical information,
track notes and links to personal webpages. So why not
send in your audio? The CEC will encode it as high
quality mp3 and include it in the Sonus library.
If you run a weblabel or have a personal webpage, you
can use Sonus to house your audio with a link directly
from your page. Contact us for more information.
Sonus.ca is supported by the membership of the CEC and
the Canada Council for the Arts. Sonus.ca is dedicated
to presenting experimental electronic music of all
kinds, and has attracted over a quarter of a million
listeners since its inception. Check it out:
sonus.ca
For submissions: sonus.ca/call.html
NOMADS + RESIDENTS
A forum for visitors in the arts: making connections, supporting networks, setting up meetings
RAM-Radioartemobile and Nomads & Residents
A collection and a traveling archive of audio-artworks, a database on the Internet, and a center for different ways of listening
Proposal open to all artists who work with sound
Radioartemobile (RAM) and Nomads & Residents (N&R) kickoff an audio-artwork database.
All artists who have worked or are working with sound are invited to send an artwork on audio CD, DVD, or on a vinyl record. The RAM headquarters in Rome, via Conte Verde 15, will function as a gathering and a listening point and as an archive for all materials received. It will be open to public. Artworks will be gradually posted in the section "database" of the Radio website www.radioartemobile.it.
RAM is also the first location of a traveling archive initiated by Nomads & Residents. The second public presentation will be in San Francisco, at Southern Exposure, in the spring of 2005.
GUIDELINES FOR SUBMITTING AUDIO-WORKS
- unlimited subject matter;
- each CD, DVD or vinyl record must contain only one track;
- time is unrestricted (except that of the technical features of the chosen device);
- each audio-work must be entered with a written indication of: the name of the author, a title, duration, and an e-mail contact address;
- the sender can mention any requirement needed to listen to the audio-work (type of loudspeakers, stereo system, headphones, etc.). These indications will be taken into consideration each time RAM would chose the piece for installing it, within the technical and logistic features available;
- RAM and N&R cannot assure a complete accessibility for the works that include a primary visual factor;
- the sender is responsible for mailing costs of submission;
- the works will not be returned to the senders.
Radioartemobile and Nomads & Residents will take the best care of the entered works, but cannot take liability for accidental damage, loss or theft. For this reason we suggest to send two copies of each material. RAM and N&R will
archive all sound works that fit the above mentioned requirements and will present them to the public.
Lorenzo Benedetti, Riccardo Giagni and Cesare Pietroiusti will listen to all the entries and will gradually post them in the web-site database. In turn-to the discretion of the curators- some artworks will be displayed in the RAM headquarters in Rome with the aim of offering the public also the possibility to explore different ways of listening to audio-works. The database will gradually increase the number of contributions and will be presented to the public at regular appointments. The first public presentation is scheduled for mid October 2004.
Deadline for first submission is September 1, 2004.
Next appointment: Southern Exposure, San Francisco, spring 2005
Please send the material to:
RAM Radioartemobile
Via Conte Verde 15
00185 Roma - Italy
Dangerous Curve call for musicians
CALL FOR SUBMISSIONS
Dangerous Curve
Los Angeles, CA USA
Performance art, video, installations, experimental music.
Dangerous Curve is a new Downtown Los Angeles experimental exhibition
and performance art space committed to supporting visionary emerging
artists of all ages, by emphasizing one-person shows of risky,
intelligent work that is not necessarily commercially viable nor
currently popular. Dangerous Curve is also a new venue for performance
artists, with performance-exhibits, monthly performance art and
experimental music events, and an annual end-of-summer festival planned.
Dangerous Curve is looking for performance artists and experimental
musicians for their monthly Performance Art and Experimental Music
Nights. We will give preference to work that is, in the words of Jacki
Apple, radical content in radical form. We want work that pushes
the envelope, not pure dance, singing, or theatre.
Submission format: DVDs/CDs/URLs preferred. We can handle videotapes
and slides, but not to your best advantage. For performance art, a
written description may even suffice; musicians must send samples.
Deadline: Ongoing.
Mailing address: Dangerous Curve, POB 532281, Los Angeles, CA 90053-2281
Email address: events@dangerouscurve.org
See dangerouscurve.org for directions, etc.
Drift: Sound Art + Experimental Music
Call For Participation
New Media Scotland calls for participation for Drift - an exploration
of sound art and experimental music which comprises live events,
radio broadcasts, moving image and publications.
The accessibility of the Internet together with new tools and methods
for digital recording, manipulation, reproduction and distribution
have changed forever the way that we think about and interact with
sound, giving us new ways to communicate our ideas. An increasing
number of artists, producers, DJ's and sonic creators, from a broad
spectrum of disciplines and varying modes of practice, are exploring
streaming media as a viable format. We want to open up this channel
further.
We are offering four opportunities to take part in Drift, details
follow. Further information, guidelines and application forms
available from the Drift web site:
www.mediascot.org/drift
PANSE, an open platform for the development of audio-visual netart
Ongoing, Internet Project
PANSE, an open platform for the development of audio-visual netart, is now
open and accepting connections. All information available at:
http://130.208.220.190/panse
Write me if you have any questions.
Pall Thayer
artist/teacher
Fjolbrautaskolinn vid Armula
http://www.this.is/pallit
http://www.this.is/pallit/isjs
http://www.this.is/pallit/harmony
http://130.208.220.190/panse
Email Music Project
Ongoing, Internet Project
Email Music Project : Theme : MUSIC : Deadline : ONGOING
Send Email containing text, images, links, etc.
(Anything relating to music)
The Process : I use a program which converts text and images from your Email
to Random MIDI musical note data. Each submission generates a NEW instrument
track and is then added to the musical data generated from all previously
received Email. The ongoing process is repeated and a type of song is
composed. The Music is composed directly from the elements contained in all
Email. The work will be presented on a website when I get enough Email for
music. All will be informed.
Send Email to : emusicproject@hotmail.com
Infinite Sector Project
Ongoing, Internet Project
The Infinite Sector Project is an independent network
of experimental musicians/bands/and artists from
around the globe.
We are seeking contributors for our series of
non-profit compilation CDs. Anything is accepted
without editing or censorship, as long as it is free
of hate and defies traditional musical boundaries.
For more information please go to :
www.geocities.com/klaodna
Melbourne ElectroAcoustic Nights (MEAN)
Anyone living in Melbourne, Australia should know about the Melbourne
electroacoustic nights:
http://farben.latrobe.edu.au/mikropol/david/mean.html
We had our first meeting last week - it was good fun, with some interesting
music being played and a cool demonstration by Tim Kreger of his new 3D
real-time sound visualisation system.
The format is ad-hoc show-and-tell and/or CD/DAT playback. Everyone should
feel free to come along and play something or just check it out.
The New York Arts Recovery Fund
GRANT
The New York Arts Recovery Fund will survey NYC artists to find out
if they need job retraining in the areas of teaching, social work,
and some construction-related trades as well as arts organizations to
see if they have laid workers off. Artists will be eligible for the
Consortium for Worker Education's job retraining program for NYC
artists whose economic base has been impacted by the disaster.
Additionally, it is possible that CWE will provide, with NYFA's help,
partial wage subsidies to nonprofit arts organizations that laid
workers off or cut back their pay or hours as a result of September
11.
www.nyfa.org/9-11.htm
ORGANISM: MAKING ART WITH LIVING SYSTEMS
ORGANISM: MAKING ART WITH LIVING SYSTEMS
organism is a new mailing list for people interested in art that
involves living systems. discussion topics on organism include
technical, practical, aesthetic, and ethical issues.
subscribe to the organism mailing list:
http://music.columbia.edu/organism/
the idea of making art with living systems is not new; you might even
consider a topiary garden or a goldfish pond to be biological art. what
is new is the degree of control over biological systems and materials
contemporary technology offers us.
some artists making biologically-based art:
Eduardo Kac has made several transgenic artworks, including GFP Bunny,
a genetically engineered fluorescent rabbit.
www.ekac.org/gfpbunny.html
Damien Hirst's A Thousand Years involves a cycle of maggots eating a cow
head.
www.eyestorm.com/hirst/read_first.asp
Yukinori Yanagi uses ant farms in some of his work.
www.hainesgallery.com/YY.work.html
Edgar Lissel's Bakterium is photographic images rendered in
light-sensitive bacteria.
www.germangalleries.com/LAGalerie/Lissel.1.02.html
Richard Reames is an arborsculptor who makes extreme trees.
www.arborsmith.com
douglas repetto (that's me!) has a number of pieces, like How to Annoy a
Plant, that involve plants and time-lapse photography.
......................................
............. organism ...............
... making art with living systems ...
http://music.columbia.edu/organism
Artist Relief Residency
The changes wrought by the terrible events of September 11, 2001 are
still becoming visible. The arts community has, like every other area
of life, been deeply affected by the terrorism and its aftermath. In
response to the horrors and destruction in New York City and
Washington, D C, the Santa Fe Art Institute is contributing to the
support and normalization of life in America. The Santa Fe Art
Institute is offering two to four week residencies in beautiful,
quiet residence spaces with studios as respite for artists whose
living spaces or studios have been compromised by the terrorism. The
residencies are available during the fall and winter at no cost to
the artists.
Please send a letter (and slides if possible) to The
Santa Fe Art Institute, 1600 St Michaels Drive, Santa Fe, NM 87505,
Or email to: info@SFAI.org
Bronx Council on the Arts would like to offer any artists or arts
organizations access to the Longwood Cyber Studio in the South Bronx.
Longwood Cyber Studio is equipped with four NT networked pc
workstations, Internet accessibility, software programs such as
Microsoft Office 2000, the entire Adobe suite including Photoshop,
Dreamweaver, Flash and Director, a flatbed scanner, zip drive and
color printer. We would also like to offer access to our
administrative office as regards your telephone and fax needs. While
they are well aware that access to computer and office equipment only
offers relief of a material nature, they hope that relief may help to
assuage some of the worries of those affected by this loss. Bronx
Council on the Arts again sends our sincere condolences and warmest
thoughts.
Contact: Eddie Torres, Director, Longwood Arts Project, 965
Longwood Avenue, Bronx, NY 10459, Tel: 718-842-5659, Fax:
718-842-3933
E-mail: longwood@bronxarts.org
http://www.longwoodcyber.org
If you'd like to have your label's releases reviewed
and played you can send them to:
eric hill/perMUTATIONS
635 Scully St.
Fredericton, NB
E3B 1V3
Canada
perMUTATIONS
experimental sounds radio program
every Wednesday 11pm-1am Atlantic time
on CHSR-FM 97.9
or on RealAudio on the web: http://www.unb.ca/chsr
enjoy!!!
TEMPORARY NICE PLACE Temporary Nice Place, a weekly radio/audio art series heard on both CIUT-FM and
ARFR-FM (artist run pirate station) in Toronto, Canada seeks works of any length for broadcast on the program. Submissions
should be on CD, DAT or Cassette tape only andinclude program notes for both the work and the artist. Send all
submissions/inquires to: Temporary Nice Place c/o
Neil Wiernik
317 Adelaide Street West #301
Toronto, Ontario
M5V 1P9 Canada
416-340-1648
for quickly answered questions e-mail me at naw.wiernik@utoronto.ca
Leftovers
